The Chinese Written Character as a Medium for Poetry: A Critical Edition
First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic...
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2009]
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| Links: | https://doi.org/10.1515/9780823238347 https://doi.org/10.1515/9780823238347 https://doi.org/10.1515/9780823238347 https://doi.org/10.1515/9780823238347 https://doi.org/10.1515/9780823238347 https://doi.org/10.1515/9780823238347 https://doi.org/10.1515/9780823238347 https://doi.org/10.1515/9780823238347 |
| Zusammenfassung: | First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Umfang: | 1 online resource (240 pages) |
| ISBN: | 9780823238347 |
| DOI: | 10.1515/9780823238347 |
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| 520 | |a First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry | ||
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Datensatz im Suchindex
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| spelling | Fenollosa, Ernest Verfasser aut The Chinese Written Character as a Medium for Poetry A Critical Edition Ernest Fenollosa, Ezra Pound, Lucas Klein, Jonathan Stalling; Haun Saussy New York, NY Fordham University Press [2009] © 2009 1 online resource (240 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry In English LITERARY COLLECTIONS / Essays bisacsh Chinese language Writing Chinese poetry History and criticism Grammar, Comparative and general Klein, Lucas aut Pound, Ezra aut Saussy, Haun edt https://doi.org/10.1515/9780823238347 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Fenollosa, Ernest Klein, Lucas Pound, Ezra The Chinese Written Character as a Medium for Poetry A Critical Edition LITERARY COLLECTIONS / Essays bisacsh Chinese language Writing Chinese poetry History and criticism Grammar, Comparative and general |
| title | The Chinese Written Character as a Medium for Poetry A Critical Edition |
| title_auth | The Chinese Written Character as a Medium for Poetry A Critical Edition |
| title_exact_search | The Chinese Written Character as a Medium for Poetry A Critical Edition |
| title_full | The Chinese Written Character as a Medium for Poetry A Critical Edition Ernest Fenollosa, Ezra Pound, Lucas Klein, Jonathan Stalling; Haun Saussy |
| title_fullStr | The Chinese Written Character as a Medium for Poetry A Critical Edition Ernest Fenollosa, Ezra Pound, Lucas Klein, Jonathan Stalling; Haun Saussy |
| title_full_unstemmed | The Chinese Written Character as a Medium for Poetry A Critical Edition Ernest Fenollosa, Ezra Pound, Lucas Klein, Jonathan Stalling; Haun Saussy |
| title_short | The Chinese Written Character as a Medium for Poetry |
| title_sort | the chinese written character as a medium for poetry a critical edition |
| title_sub | A Critical Edition |
| topic | LITERARY COLLECTIONS / Essays bisacsh Chinese language Writing Chinese poetry History and criticism Grammar, Comparative and general |
| topic_facet | LITERARY COLLECTIONS / Essays Chinese language Writing Chinese poetry History and criticism Grammar, Comparative and general |
| url | https://doi.org/10.1515/9780823238347 |
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