John Cage's concert for piano and orchestra:
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
|
| Schriftenreihe: | Studies in musical genesis, structure, and interpretation
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213521&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "The book is a comprehensive examination of John Cage's seminal Concert for Piano and Orchestra. It places the piece into its many contexts, examining its relationship with Cage's compositional practice of indeterminacy more generally, the importance of Cage's teacher, Arnold Schoenberg, on the development of his structural thought, and the impact of Cage's (mis)understanding of jazz. It discusses, on the basis of Cage's sketches and manuscripts, the compositional process at play in the piece. It details the circumstances of the piece's early performances-often described as catastrophes-its recording and promotion, and the part it played in Cage's (successful) hunt for a publisher. It examines in detail the various ways in which Cage's pianist of choice, David Tudor, approached the piece, differing according to whether it was to be performed with an orchestra, alongside Cage delivering the lecture, 'Indeterminacy', or as a piano solo to accompany Merce Cunningham's choreography Antic Meet. It demonstrates the ways in which, despite indeterminacy, the instrumental parts of the piece are amenable to analytical interpretation, especially through a method which exposes the way in which those parts form a sort of network of statistical commonality and difference, analysing, too, the pianist's part, the Solo for Piano, on a similar basis, discussing throughout the practical consequences of Cage's notations for a performer. It shows the way in which the piece played a central role, first, in the construction of who Cage was and what sort of composer he was within the new musical world but, second, how it came to be an important example for professional philosophers in discussing what the limits of the musical work are"-- |
| Umfang: | xvi, 457 Seiten Illustrationen |
| ISBN: | 9780190938475 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046804856 | ||
| 003 | DE-604 | ||
| 005 | 20201020 | ||
| 007 | t| | ||
| 008 | 200713s2020 xx a||| b||| 00||| eng d | ||
| 020 | |a 9780190938475 |c hardback |9 978-0-19-093847-5 | ||
| 035 | |a (OCoLC)1190673514 | ||
| 035 | |a (DE-599)BVBBV046804856 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-20 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LP 91580 |0 (DE-625)108170: |2 rvk | ||
| 100 | 1 | |a Iddon, Martin |d 1975- |e Verfasser |0 (DE-588)1030210764 |4 aut | |
| 245 | 1 | 0 | |a John Cage's concert for piano and orchestra |c Martin Iddon and Philip Thomas |
| 264 | 1 | |a New York, NY |b Oxford University Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a xvi, 457 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Studies in musical genesis, structure, and interpretation | |
| 505 | 8 | |a Situating the Concert for piano and orchestra -- Sketching the Concert for piano and orchestra -- Presenting the Concert for piano and orchestra -- Performing the Concert for piano and orchestra -- Interpreting the Concert for piano and orchestra -- Interpreting the Solo for piano -- Understanding the Concert for piano and orchestra | |
| 520 | 3 | |a "The book is a comprehensive examination of John Cage's seminal Concert for Piano and Orchestra. It places the piece into its many contexts, examining its relationship with Cage's compositional practice of indeterminacy more generally, the importance of Cage's teacher, Arnold Schoenberg, on the development of his structural thought, and the impact of Cage's (mis)understanding of jazz. It discusses, on the basis of Cage's sketches and manuscripts, the compositional process at play in the piece. It details the circumstances of the piece's early performances-often described as catastrophes-its recording and promotion, and the part it played in Cage's (successful) hunt for a publisher. It examines in detail the various ways in which Cage's pianist of choice, David Tudor, approached the piece, differing according to whether it was to be performed with an orchestra, alongside Cage delivering the lecture, 'Indeterminacy', or as a piano solo to accompany Merce Cunningham's choreography Antic Meet. It demonstrates the ways in which, despite indeterminacy, the instrumental parts of the piece are amenable to analytical interpretation, especially through a method which exposes the way in which those parts form a sort of network of statistical commonality and difference, analysing, too, the pianist's part, the Solo for Piano, on a similar basis, discussing throughout the practical consequences of Cage's notations for a performer. It shows the way in which the piece played a central role, first, in the construction of who Cage was and what sort of composer he was within the new musical world but, second, how it came to be an important example for professional philosophers in discussing what the limits of the musical work are"-- | |
| 600 | 1 | 7 | |a Cage, John |d 1912-1992 |t Konzerte |0 (DE-588)300281609 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Cage, John / Concert | |
| 653 | |a Concert (Cage, John) | ||
| 689 | 0 | 0 | |a Cage, John |d 1912-1992 |t Konzerte |0 (DE-588)300281609 |D u |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Thomas, Philip |d 1972- |e Verfasser |0 (DE-588)1037876261 |4 aut | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-19-093849-9 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-19-093850-5 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213521&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200817 | |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09045 |g 73 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032213521 | |
Datensatz im Suchindex
| _version_ | 1819364416709197824 |
|---|---|
| adam_text | CONTE NTS List of Figures List of Tables Series Editors Foreword Acknowledgements List of Abbreviations Introduction 1. Situating the Concertfor Piano and Orchestra Composing Muskfor Piano and Winter Music Schoenberg Jazz vii ix xi xiii xvii i π n 40 47 2. Sketching the Concertfor Piano and Orchestra 56 Sohfor Piano sketch material 56 The Solofor Piano manuscript 68 The earliest notations within the Sohfor Piano manuscript 75 Later notations within the Sohfor Piano manuscript 86 Structural decisions and dimensions 93 Sketching the instrumental parts 100 3. Presenting the Concertfor Piano and Orchestra The premiere Recording the Concertfor Piano and Orchestra The European premiere Publishing the Concertfor Piano and Orchestra 122 122 140 166 188 4. Performing the Concertfor Piano and Orchestra David Tudors first realisation of the Sohfor Piano David Tudors second realisation and the Indeterminacy recording DavidTudors third realisation and the Sohfor Piano with Fontana Mix and WBAI Antic Meet, Dancing the Concertfor Piano and Orchestra 207 207 225 236 253
vi : Contents 5. Interpreting the Concertfor Piano and Orchestra A Concert of Solos Reading the Concertfor Piano and Orchestra Conducting the Solos Sounding the Concertfor Piano and Orchestra 267 267 276 285 308 6. Interpreting the Solofor Piano Repetition, variation, invention Notations within notations Approaches to realisation Performance techniques Compos(it)ing the Solofir Piano 337 338 360 377 384 393 7. Understanding the Concertfir Piano and Orchestra Liberation and catastrophe Open form Notation Limits Networks, processes 402 402 415 419 422 429 Bibliography Index 437 447
|
| any_adam_object | 1 |
| author | Iddon, Martin 1975- Thomas, Philip 1972- |
| author_GND | (DE-588)1030210764 (DE-588)1037876261 |
| author_facet | Iddon, Martin 1975- Thomas, Philip 1972- |
| author_role | aut aut |
| author_sort | Iddon, Martin 1975- |
| author_variant | m i mi p t pt |
| building | Verbundindex |
| bvnumber | BV046804856 |
| classification_rvk | LP 91580 |
| contents | Situating the Concert for piano and orchestra -- Sketching the Concert for piano and orchestra -- Presenting the Concert for piano and orchestra -- Performing the Concert for piano and orchestra -- Interpreting the Concert for piano and orchestra -- Interpreting the Solo for piano -- Understanding the Concert for piano and orchestra |
| ctrlnum | (OCoLC)1190673514 (DE-599)BVBBV046804856 |
| discipline | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03914nam a2200457 c 4500</leader><controlfield tag="001">BV046804856</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201020 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200713s2020 xx a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190938475</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-19-093847-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1190673514</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046804856</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 91580</subfield><subfield code="0">(DE-625)108170:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Iddon, Martin</subfield><subfield code="d">1975-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1030210764</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">John Cage's concert for piano and orchestra</subfield><subfield code="c">Martin Iddon and Philip Thomas</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvi, 457 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Studies in musical genesis, structure, and interpretation</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Situating the Concert for piano and orchestra -- Sketching the Concert for piano and orchestra -- Presenting the Concert for piano and orchestra -- Performing the Concert for piano and orchestra -- Interpreting the Concert for piano and orchestra -- Interpreting the Solo for piano -- Understanding the Concert for piano and orchestra</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The book is a comprehensive examination of John Cage's seminal Concert for Piano and Orchestra. It places the piece into its many contexts, examining its relationship with Cage's compositional practice of indeterminacy more generally, the importance of Cage's teacher, Arnold Schoenberg, on the development of his structural thought, and the impact of Cage's (mis)understanding of jazz. It discusses, on the basis of Cage's sketches and manuscripts, the compositional process at play in the piece. It details the circumstances of the piece's early performances-often described as catastrophes-its recording and promotion, and the part it played in Cage's (successful) hunt for a publisher. It examines in detail the various ways in which Cage's pianist of choice, David Tudor, approached the piece, differing according to whether it was to be performed with an orchestra, alongside Cage delivering the lecture, 'Indeterminacy', or as a piano solo to accompany Merce Cunningham's choreography Antic Meet. It demonstrates the ways in which, despite indeterminacy, the instrumental parts of the piece are amenable to analytical interpretation, especially through a method which exposes the way in which those parts form a sort of network of statistical commonality and difference, analysing, too, the pianist's part, the Solo for Piano, on a similar basis, discussing throughout the practical consequences of Cage's notations for a performer. It shows the way in which the piece played a central role, first, in the construction of who Cage was and what sort of composer he was within the new musical world but, second, how it came to be an important example for professional philosophers in discussing what the limits of the musical work are"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Cage, John</subfield><subfield code="d">1912-1992</subfield><subfield code="t">Konzerte</subfield><subfield code="0">(DE-588)300281609</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Cage, John / Concert</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Concert (Cage, John)</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Cage, John</subfield><subfield code="d">1912-1992</subfield><subfield code="t">Konzerte</subfield><subfield code="0">(DE-588)300281609</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Thomas, Philip</subfield><subfield code="d">1972-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1037876261</subfield><subfield code="4">aut</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-0-19-093849-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-19-093850-5</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213521&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200817</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09045</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032213521</subfield></datafield></record></collection> |
| id | DE-604.BV046804856 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:01:28Z |
| institution | BVB |
| isbn | 9780190938475 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032213521 |
| oclc_num | 1190673514 |
| open_access_boolean | |
| owner | DE-12 DE-20 |
| owner_facet | DE-12 DE-20 |
| physical | xvi, 457 Seiten Illustrationen |
| psigel | BSB_NED_20200817 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Studies in musical genesis, structure, and interpretation |
| spellingShingle | Iddon, Martin 1975- Thomas, Philip 1972- John Cage's concert for piano and orchestra Situating the Concert for piano and orchestra -- Sketching the Concert for piano and orchestra -- Presenting the Concert for piano and orchestra -- Performing the Concert for piano and orchestra -- Interpreting the Concert for piano and orchestra -- Interpreting the Solo for piano -- Understanding the Concert for piano and orchestra Cage, John 1912-1992 Konzerte (DE-588)300281609 gnd |
| subject_GND | (DE-588)300281609 |
| title | John Cage's concert for piano and orchestra |
| title_auth | John Cage's concert for piano and orchestra |
| title_exact_search | John Cage's concert for piano and orchestra |
| title_full | John Cage's concert for piano and orchestra Martin Iddon and Philip Thomas |
| title_fullStr | John Cage's concert for piano and orchestra Martin Iddon and Philip Thomas |
| title_full_unstemmed | John Cage's concert for piano and orchestra Martin Iddon and Philip Thomas |
| title_short | John Cage's concert for piano and orchestra |
| title_sort | john cage s concert for piano and orchestra |
| topic | Cage, John 1912-1992 Konzerte (DE-588)300281609 gnd |
| topic_facet | Cage, John 1912-1992 Konzerte |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213521&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT iddonmartin johncagesconcertforpianoandorchestra AT thomasphilip johncagesconcertforpianoandorchestra |