The arts of disruption: allegory and Piers Plowman
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2020
|
| Ausgabe: | First edition |
| Schriftenreihe: | Oxford studies in medieval literature and culture
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032195816&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032195816&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism.0The Arts of Disruption: Allegory and Piers Plowman offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive 'arts' that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic 'hypocritical figure' (such as vices masked by being made to look like 'adjacent' virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance |
| Umfang: | xvi, 432 Seiten, 16 ungezählte Seiten Tafeln 24 Illustrationen |
| ISBN: | 9780198860242 |
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| 520 | 3 | |a The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism.0The Arts of Disruption: Allegory and Piers Plowman offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive 'arts' that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic 'hypocritical figure' (such as vices masked by being made to look like 'adjacent' virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance | |
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Datensatz im Suchindex
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| adam_text | Contents List ofAbbreviations List ofPlates xiii xv Introduction: Allegory and Undoing Excursus: Personifications in Dialogue and Debate 1 19 PART 1 1. The Hypocritical Figure 37 2. Ethical Adjacency in Piers Plowman 75 PART 2 3. Animate Oppositions 121 4. Opposition and Debate in Piers Plowman 160 PART 3 5. Anger, Insult and Rebuff 187 6. Sharp Words and Violent Gestures in Piers Plowman 243 PART 4 7. Natural Entropy and Piers Plowman 265 8. The Sad Vices 298 PART 5 9. Piers Plowman and the Grail Romances 10. Tales of Piers and Perceval: Langland, Romance Aventure, and Doing Well Conclusion: Undoing Well Appendix: Langland and Marguerite Porete Bibliography Index 323 346 372 383 387 423
The Arts ofDisruption offers a series ofnew readings of the allegorical poem Piers Plowman, but it is also a book about allegory. It argues not just that there are distinctively disruptive ‘arts’ that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study offive medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding, and excite moral or devotional change. These five structures are: the paradiastolic ‘hypocritical figure’ (such as vices masked by being made to look like ‘adjacent’ virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance. Each appears in a range of texts, which the book explores, along with other connected materials in medieval rhetoric, logic, grammar, spiritual thought, ethics, medicine, and romance iconography. These allegorical narrative structures appear radically transformed in Pier s Plowman, where the poem makes further meaning out of the friction between them. Much of the allegorical work of the poem occurs at the points of their intersection, and within the conceptual gaps that open up between them. Ranging across a wide variety of medieval allegorical texts, the book shows from many perspectives allegory’s juxtaposition of the heterogeneous, and its questioning of supposed continuities.
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| author | Zeeman, Nicolette 1956- |
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| discipline | Anglistik / Amerikanistik |
| edition | First edition |
| format | Book |
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| id | DE-604.BV046786785 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:00:57Z |
| institution | BVB |
| isbn | 9780198860242 |
| language | English |
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| physical | xvi, 432 Seiten, 16 ungezählte Seiten Tafeln 24 Illustrationen |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Oxford University Press |
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| spellingShingle | Zeeman, Nicolette 1956- The arts of disruption allegory and Piers Plowman Langland, William 1332-1400 Piers Plowman (DE-588)4135928-8 gnd Allegorie (DE-588)4001236-0 gnd |
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| title | The arts of disruption allegory and Piers Plowman |
| title_auth | The arts of disruption allegory and Piers Plowman |
| title_exact_search | The arts of disruption allegory and Piers Plowman |
| title_full | The arts of disruption allegory and Piers Plowman Nicolette Zeeman |
| title_fullStr | The arts of disruption allegory and Piers Plowman Nicolette Zeeman |
| title_full_unstemmed | The arts of disruption allegory and Piers Plowman Nicolette Zeeman |
| title_short | The arts of disruption |
| title_sort | the arts of disruption allegory and piers plowman |
| title_sub | allegory and Piers Plowman |
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