Music and the identity process: the national churches of Rome and their networks in the early modern period
Gespeichert in:
Weitere beteiligte Personen: | , , |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Turnhout, Belgium
Brepols
[2019]
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Schriftenreihe: | Collection "Épitome musical"
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Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032139793&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Abstract: | Important centres of charity, hospitality and representation, the national churches of Rome were also major hubs of musical production. This collective work is the fruit of several years of largely unpublished research on the musical life of these institutions, considered for the first time as a whole.What it primarily brings to light is the common model which emerged from the interactions between the national churches, as well as between these and other Roman churches, in musical matters - eloquent example of a unifying cultural paradigm. The repertories used by these churches, the ceremonies and celebrations they orchestrated in the 'teatro del mondo' which Rome constituted at the time, their role in the placing of musicians within the city?s professional networks are just some of the themes explored in this work. The cultural exchanges between the national churches and the "nations" that they represented in the pontifical city form another important area of investigation: whether musical or devotional, connecting places of worship and private palaces or extending from one side of the Alps to the other, these exchanges reveal the permeability that characterised many national traditions.00At the heart of this richly illustrated study are two fundamental lines of inquiry: the first concerns the processes of identity construction developed by communities installed in foreign lands, the second line of inquiry is cultural hybridity. In pursuing these, we aim to further understanding of the dialectics of exchange at work in Rome during the modern period. |
Umfang: | 433 Seiten Illustrationen |
ISBN: | 9782503588384 |
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Datensatz im Suchindex
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adam_text | Table of Contents Bernard Ardura............................................................................................................................................ π Foreword Michela Berti and Emilie Cors warem............... .....................................................................................13 Music and the Identity Process: The National Churches of Rome and their Networks in the Early Modem Period I. The Musical Model of National Churches in Rome Noel O’Regan. .................................................................................................................................. Cappella fissa — Cappella mobile: 35 The Organisation of Musiciansfor Major Feastdays at Rome’s National Churches Cristina Fernandes...................................................................................................................................... .55 A Close Look at S. Antonio dei Portoghesi and Roman Lfe: The Testimony of Father Manuel de Campos Klaus Pietschmann........................................................................................................................................ 63 Music Cultivation in Roman National Churches before the Council of Trent T obias Daniels ........................ 91 A New Organ for S. Maria dell’Anima. The Notarial Contract of ljfi-6 and the History of the ‘German National Church’ in Rome in the Middle of the Sixteenth Century Francesca Fantappiè andJosé María Domínguez............................................................... 105 Alessandro Scarlatti and the Spanish National Church of
S. Giacomo degli Spagnoli Esteban Hernández Castelló.....................................................................................................................113 The Musical Archive of the Spanish National Church of S. Maria in Monserrato in Rome II. Music and the Identity Process ay Identity and Repertory Bernard Dompnier................................................................................. .....................................................119 Identity Affirmation and Roman Conformity: The Festive Calendars of the National Churches
8 Music and the· Identi tv Process Cristina Fernandes.........................................................................................................................................151 Daily Liturgy and ‘Internal’ Musical Practices in S. Antonio dei Portoghesi Galliano Ciliberti...........................................................................................................................................161 S. Luigi dei Francesi in the Seventeenth Century: A Laboratory for Music, Liturgy and Identity Esteban Hernández Castelló.....................................................................................................................195 Evidence of a ‘More Hispano’ Polyphonic Passion at the Spanish National Church of S. Maria in Monserrato in Rome Emilie Corswarem............................................... 207 S. Luigi dei Francesi’s Volume of Masses Datingfrom tjyj: An Example of French Polyphony Michela Berti..................................................................... 213 The Musical Collection of S. Luigi dei Francesi: On the Trail of National Character b) The Construction of National Identityfrom Self-Representation and Conflict José María Domínguez...............................................................................................................................223 To Obey the Pope and to Serve the King: Cardinals, Identity and Ceremony in the National Churches c.tjoo Bruno
Boute................................................................................................................................................ 255 Liturgy and Bureaucracy-—Bureaucracy as Liturgy Diana Carrió-Invernizzi............................................................................................................................ 259 Political Images and the National Churches of Rome c.l6rfo Jorge Morales........................................................................................................... 279 Musical Practices and Identity. The Story of the Roman Sojourn (lózy—zyj) of Maurice of Savoy, Crown-Cardinal of France Anne-Madeleine Goulet............................................................................................................................ 295 Self-Fashioning a French Cultural Persona in Rome: Marie-Anne de la Trematile (l68ļ—86jļ Cristina Fernandes.................................................................... 305 Portuguese Celebrations in Rome, between the Embassy and the National Church: Sacred and Secular Musicfor the Glory of the King III. National Churches: Network in Rome and Cultural Transfer Domenico Rocciolo...................................................................................................................................331 Inhabitants of Various Nations’ in Romefrom the Sixteenth to the Eighteenth Century Anne Piéjus.................................................................................................................................................. 347 Foreign Musicians and
Musical Networks in Late Sixteenth-Century Rome: Spanish Composers between the Oratory and the National Churches
labie of Contents 9 Cristina Fernandes......................................................................................................................................359 Oratorio Musical Traditions in Rome: Portuguese Connections Francesco Pezzi..........................................................................................................................................365 The Musical Patronage of a Cardinal Protector: Otto Truchsess von Waldhurg in Rome Cristina Fernandes.............................................. 389 Portuguese Young Musicians under Royal Patronage in Rome and their Rektions with the National Church: Some Pieces of the Puzzle Cristina Fernandes................................................................... 397 The Role of the National Church of S. Antonio dei Portoghesi in the ‘Romanisation’ of the Lisbon Royal and Patriarchal Chapel Kate van Orden...................................................................................................................... 405 Afterword Illustration Credits.......................................................................................................................................................409 Translators .................................................................................................................................................................. 419 Index of Places................................................................................................................................ 421 Index of Names...................... 425
|
any_adam_object | 1 |
author2 | Berti, Michela Corswarem, Émilie 1981- Morales, Jorge 1983- |
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author_facet | Berti, Michela Corswarem, Émilie 1981- Morales, Jorge 1983- |
building | Verbundindex |
bvnumber | BV046729723 |
classification_rvk | LQ 82003 LQ 82004 LR 13520 LR 13530 |
ctrlnum | (OCoLC)1164641111 (DE-599)KXP1694267733 |
discipline | Musikwissenschaft |
era | Geschichte 1500-1700 gnd |
era_facet | Geschichte 1500-1700 |
format | Book |
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indexdate | 2024-12-20T18:59:20Z |
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language | English |
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publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Brepols |
record_format | marc |
series2 | Collection "Épitome musical" |
spellingShingle | Music and the identity process the national churches of Rome and their networks in the early modern period Netzwerk (DE-588)4171529-9 gnd Kulturaustausch (DE-588)4165964-8 gnd Nationalkirche Rom (DE-588)1111667497 gnd Kirchenmusik (DE-588)4030736-0 gnd Kulturelle Identität (DE-588)4033542-2 gnd |
subject_GND | (DE-588)4171529-9 (DE-588)4165964-8 (DE-588)1111667497 (DE-588)4030736-0 (DE-588)4033542-2 (DE-588)4050471-2 (DE-588)4143413-4 |
title | Music and the identity process the national churches of Rome and their networks in the early modern period |
title_auth | Music and the identity process the national churches of Rome and their networks in the early modern period |
title_exact_search | Music and the identity process the national churches of Rome and their networks in the early modern period |
title_full | Music and the identity process the national churches of Rome and their networks in the early modern period edited by Michela Berti and Émilie Corswarem with the collaboration of Jorge Morales |
title_fullStr | Music and the identity process the national churches of Rome and their networks in the early modern period edited by Michela Berti and Émilie Corswarem with the collaboration of Jorge Morales |
title_full_unstemmed | Music and the identity process the national churches of Rome and their networks in the early modern period edited by Michela Berti and Émilie Corswarem with the collaboration of Jorge Morales |
title_short | Music and the identity process |
title_sort | music and the identity process the national churches of rome and their networks in the early modern period |
title_sub | the national churches of Rome and their networks in the early modern period |
topic | Netzwerk (DE-588)4171529-9 gnd Kulturaustausch (DE-588)4165964-8 gnd Nationalkirche Rom (DE-588)1111667497 gnd Kirchenmusik (DE-588)4030736-0 gnd Kulturelle Identität (DE-588)4033542-2 gnd |
topic_facet | Netzwerk Kulturaustausch Nationalkirche Rom Kirchenmusik Kulturelle Identität Rom Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032139793&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT bertimichela musicandtheidentityprocessthenationalchurchesofromeandtheirnetworksintheearlymodernperiod AT corswarememilie musicandtheidentityprocessthenationalchurchesofromeandtheirnetworksintheearlymodernperiod AT moralesjorge musicandtheidentityprocessthenationalchurchesofromeandtheirnetworksintheearlymodernperiod |