Verfügbarkeit: Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime

Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime:

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Bibliographische Detailangaben
Körperschaft:	International Conference "Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime" Queluz (VerfasserIn)
Weitere beteiligte Personen:	Yordanova, Iskrena (HerausgeberIn), Cotticelli, Francesco 1966- (HerausgeberIn)
Format:	Tagungsbericht Buch
Sprache:	Englisch Italienisch Spanisch
Veröffentlicht:	Wien Hollitzer [2019]
Schriftenreihe:	Specula spectacula 7 Cadernos de Queluz 2
Schlagwörter:	Geschichte 1625-1782 Hof Diplomatie Musik Theater Mäzenatentum Europa Hardback ancien régime aristocracy diplomacy music theatre 1593: Hardcover, Softcover / Musik/Musikgeschichte Konferenzschrift > National Palace of Queluz > 2016 > Queluz
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032101356&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	XII, 528 Seiten Illustrationen, Notenbeispiele, Karten 24.5 cm x 17.5 cm
ISBN:	9783990127681

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Datensatz im Suchindex

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adam_text	CONTENTS XI Introduction Iskrena Yordanova — Francesco Cotticelli PART I THE POLITICAL AND DIPLOMATIC DIMENSIONS OF MUSIC CULTURE’S PROTECTIONISM IN SEVENTEENTH- AND EIGHTEENTH-CENTURY EUROPE 3 «.. .und mit der Protektion [...] wird er, so hoffe ich, allen Beistand finden». Meccanismi e protezionismo: «viaggiatori» stranieri... Helen Geyer 15 «Cacciarsi per tutto». Considerazioni sull’«invenzione viaggiante» e gli spazi del potere Francesco Cotticelli PART II FLORENCE 1625 / VIENNA 1782: THE CROWN PRINCE’S GRAND TOUR AND ITS IMPACT ON MUSICAL CULTURE 37 Ópera y diplomacia entre Italia y Polonia: del paso de Vladislao Vasa por Florencia hasta la inauguración del teatro de Varsovia Daniel Martín Sáez 63 When Music Suits Diplomacy: The Grand Tour of Pavel Petrovich Romanov, 1781—1782 Anna Giust PART III MILAN: MANAGING OPERA IN THE SECOND HALF OF THE SEVENTEENTH CENTURY 95 Patriziato, corti e impresariato teatrale in Italia nella seconda metà del XVII secolo: il caso di Milano Roberta Carpani PART IV ROME: A STAGE FOR EUROPEAN DIPLOMACY 135 Al suo Augustissimo Servitio Nobili e coronate Teste Patrone dei madrigali del musico di camera Domenico Dal Pane Maria Paola Del Duca 155 II cardinale Pietro Ottoboni, la diplomazia e la musica (1689—1721) Teresa Chirico 189 I cardinali Francesco e Troiano Acquaviva d’Aragona nella cultura di corte del settecento romano Roberto Ricci PART V THE PALATINATE (KURPFALZ): THE DYNASTIC AND DIPLOMATICAL STRATEGIES OF ELECTOR PHILIPP WILHELM AND HIS SON JOHANN WILHELM 205 Le figlie del Palatinato: rigenerazione del sangue e trasferimenti culturali tra le corti europee Giulio Sodano 225 Dal Reno alla penisola iberica: і «musici» spia dell’elettore Palatino Giovanni Guglielmo (1690—1716) durante la Guerra di Successione Spagnola Valentina Anzani PART VI LISBON: DIPLOMACY AND THE STAGE 243 Lisbona nello specchio di Vienna: le lettere di Giuseppe Zignoni per una nuova visione sul teatro e sull’opera italiana in Portogallo Giuseppina Raggi 281 The Noblemen’s Balcony: a Perspective on Theatre Subscription José Camões — Bruno Henriques 303 Opera italiana, Corte portuguesa, Embajador español. El VI conde de Fernán Núñez y su labor como organizador musical en la Lisboa de 1785 Francisco José Rosal Nadales PART VII NAPLES: THE CULTURAL ACTIVITIES OF SPANISH AMBASSADORS UNDER THE REIGN OF CARLO BORBONE AND HIS SON FERDINAND 325 «Fece spiccare la magnificenza del suo Padrone»: le feste ispaniche per la nascita dell’erede al trono di Napoli (1748) Paologiovanni Maione 361 Alfonso Clemente de Aróstegui: musica, arte e mecenatismo nella Napoli borbonica di Carlo III e Ferdinando IV Paola De Simone ֊ Nicolò Maccavino PART VIII VENICE, DRESDEN, BERLIN, VIENNA: DIPLOMACY AND AESTHETIC DISCOURSE 453 Note sul processo creativo del Saggio sopra l’opera in musica di Francesco Algarotti: una testimonianza di cultura europea Giovanni Polin 471 La Guerra dei Sette Anni (1756—1763). Politica, miti e glorificazione di Casa d’Austria in alcuni spettacoli della «riforma» del conte Durazzo Armando Fabio Ivaldi APPENDIX 499 INDEX OF PERSONS 525 LIST OF ILLUSTRATIONS
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spellingShingle	Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime Specula spectacula Cadernos de Queluz Hof (DE-588)4025453-7 gnd Diplomatie (DE-588)4012402-2 gnd Musik (DE-588)4040802-4 gnd Theater (DE-588)4059702-7 gnd Mäzenatentum (DE-588)4074442-5 gnd
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title	Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime
title_auth	Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime
title_exact_search	Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime
title_full	Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime edited by Iskrena Yordanova, Francesco Cotticelli
title_fullStr	Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime edited by Iskrena Yordanova, Francesco Cotticelli
title_full_unstemmed	Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime edited by Iskrena Yordanova, Francesco Cotticelli
title_short	Diplomacy and aristocracy as patrons of music and theatre in the Europe of the Ancien Régime
title_sort	diplomacy and aristocracy as patrons of music and theatre in the europe of the ancien regime
topic	Hof (DE-588)4025453-7 gnd Diplomatie (DE-588)4012402-2 gnd Musik (DE-588)4040802-4 gnd Theater (DE-588)4059702-7 gnd Mäzenatentum (DE-588)4074442-5 gnd
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Verfügbarkeit

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Inhaltsverzeichnis