John Cage and Peter Yates: correspondence on music criticism and aesthetics
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
John Cage and Peter Yates
Cambridge University Press
2020
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| Schriftenreihe: | Music since 1900
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031712795&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "The correspondence between composer John Cage and Peter Yates represents the third and final part of Cage's most significant exchanges of letters, following those with Pierre Boulez and with David Tudor. Martin Iddon's book is the first volume to collect the complete extant correspondence with his critical friend, thus completing the 'trilogy' of Cage correspondence published by Cambridge. By bringing together more than 100 letters, beginning in 1940 and continuing until 1971, Iddon reveals the dialogue within which many of Cage's ideas were first forged and informed, with particular focus on his developing attitudes to music criticism and aesthetics. The correspondence with Yates represents precisely, in alignment with Cage's fastidious neatness, the part of his letter writing in which he engages most directly with the last part of his famous tricolon, 'composing's one thing, performing's another, listening's a third'"-- |
| Umfang: | xix, 310 Seiten |
| ISBN: | 9781108480062 |
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| 520 | 3 | |a "The correspondence between composer John Cage and Peter Yates represents the third and final part of Cage's most significant exchanges of letters, following those with Pierre Boulez and with David Tudor. Martin Iddon's book is the first volume to collect the complete extant correspondence with his critical friend, thus completing the 'trilogy' of Cage correspondence published by Cambridge. By bringing together more than 100 letters, beginning in 1940 and continuing until 1971, Iddon reveals the dialogue within which many of Cage's ideas were first forged and informed, with particular focus on his developing attitudes to music criticism and aesthetics. The correspondence with Yates represents precisely, in alignment with Cage's fastidious neatness, the part of his letter writing in which he engages most directly with the last part of his famous tricolon, 'composing's one thing, performing's another, listening's a third'"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgments Note on the Text List of Abbreviations page xvi Introduction 1 2 3 4 26 John Cage (288 17th Avenue, San Francisco) to Peter Yates, December 24, 1940, typewritten 27 John Cage (288 17th Avenue, San Francisco) to Peter Yates, January 13, 1941 typewritten 34 John Cage (288 17th Avenue, San Francisco) to Peter Yates, January 18, 1941, handwritten 34 35 Peter Yates, Organized Sound: Notes in the History of a New Disagreement: Between Sound and Tone,’ California Arts Architecture (March 1941), 18 and 42 37 John Cage (126A Filbert [San Francisco]) to Peter Yates, undated [before May 14, 1941], handwritten 40 John Cage to Peter Yates, undated, typewritten [ca. October/November 1947] 40 7 John Cage to Peter Yates, undated [ca. December 1947], typewritten 43 8 John Cage to Peter Yates, undated [ca. September 1948], handwritten 44 A3 Peter Yates, ‘Music,’ Arts Architecture (September 1948), 20 and 22 46 5 6 9 John Cage to Peter Yates, undated [ca. October/November 1948], typewritten 49 A4 Peter Yates, ‘Music,’ Arts Ժ Architecture (November 1948), 18-20 49 10 11 [vii] 1 John Cage to Peter Yates, undated [Thursday] [Summer 1940?], handwritten Al John Cage, ‘Organized Sound’ draft, January 1941, typewritten A2 xviii xix John Cage to Peter Yates, undated [ся. November/December 1948], typewritten 50 John Cage to Peter Yates, undated [ся. December 1948], handwritten 53
viii Contents 12 John Cage to Peter Yates, undated [early 1949?], handwritten 54 A5 Peter Yates, ‘Music,’ Arts Architecture (April 1949), 21-23 55 13 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, March 14, 1953, typewritten 59 A6 Peter Yates, ‘Music,’ Arts Architecture (July 1953), 32-34 62 14 John Cage (326 Monroe St, NYC) to Peter Yates, August 4, 1953, typewritten 65 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, August 8, 1953, typewritten 67 Peter Yates, ‘Pierre Boulez,’ Arts Architecture (July 1957), 8, 12, and 34-36 70 Peter Yates, ‘A Collage of American Composers - Part 3,’ Arts Architecture (January 1959), 4-5 and 32-33 71 Peter Yates, ‘A Collage of American Composers - Part 4,’ Arts Architecture (February 1959), 4-5, 8-9, and 30 73 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, May 5, 1959, typewritten 75 17 John Cage (Stony Point) to Peter Yates, May 19, 1959, typewritten 78 18 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, May 22, 1959, typewritten 81 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, June 4, 1959, typewritten 83 AIO Peter Yates, ‘Virgil Thomson and Horatio Parker,’ Arts Architecture (November 1959), 5, 8-10, and 12 83 15 A7 A8 A9 16 19 20 21 22 23 24 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, December 8, 1959, typewritten 87 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, December 17, 1959, typewritten 89 John Cage (Stony Point) to Peter Yates, December 28, 1959, typewritten 90 Peter Yates (1735 Micheltorena
Street, Los Angeles) to John Cage, January 2, 1960, typewritten 93 Peter Yates to John Cage, January 28, 1960 (if that is rite [sic]), typewritten 95
Contents 25 John Cage to Peter Yates, undated [ся, February 1960], handwritten All Peter Yates, ‘Two Albums by John Cage - Part 1,’ Arts Architecture (March 1960), 5-6, 8 and 32 26 ix 96 97 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, March 20, 1960, typewritten 105 27 John Cage (Stony Point) to Peter Yates, March 21, 1960, typewritten 106 28 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, March 23, 1960, typewritten 109 A12 Peter Yates, ‘Two Albums by John Cage - Part 2,’ Arts Architecture (April 1960), 10-12, 34 and 36-37 110 29 John Cage (Stony Point) to Peter Yates, April 12,1960, typewritten 119 30 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, April 20, 1960, typewritten 120 31 John Cage (Stony Point) to Peter Yates, April 30,1960, typewritten 122 32 Peter Yates to John Cage, May 8, 1960, typewritten 123 33 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, May 12, 1960, typewritten 124 34 John Cage (Stony Point) to Peter Yates, May 27,1960, typewritten 129 35 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, May 31, 1960, typewritten 130 36 John Cage (Stony Point) to Peter Yates, June 6,1960, typewritten 133 37 John Cage (Stony Point) to Peter Yates, June 6, 1960, typewritten 135 38 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, June 9, 1960, typewritten 138 John Cage (Stony Point) to Peter Yates, June 23,1960, typewritten 142 39 A13 Peter Yates, ‘Monday Mad on Tuesday,’ Arts Architecture (July 1960), 4, 9 and 32 144 A14 Peter Yates, ‘Music,’ Arts Architecture
(August 1960), 4, 6-8, 31-32 145 40 John Cage to Peter Yates, August 17, 1961, handwritten 146 41 Peter Yates (1735 Micheltorena Street, Los Angeles), to John Cage, August 21, 1961, typewritten 147
x Contents A15 Peter Yates, ‘American Experimental Tradition,’ unpublished manuscript [сй. 1961] 42 150 John Cage (Stony Point) to Peter Yates, September 8,1961, typewritten 152 John Cage (Stony Point) to Peter Yates, September 11, 1961, typewritten 153 John Cage to Peter Yates, undated [mid-September 1961], typewritten 156 John Cage (Stony Point) to Peter Yates, September 22, 1961, typewritten 156 John Cage (Stony Point) to Peter Yates, September 29, 1961, typewritten 158 47 Peter Yates to John Cage, October 2, 1961, typewritten 159 48 John Cage (Stony Point) to Peter Yates, October 2, 1961, typewritten 160 49 Peter Yates to John Cage, October 9, 1961, handwritten 162 A16 Peter Yates and John Whitney, ‘Notes for Music,’ unpublished manuscript [1961], typewritten 163 Al7 Peter Yates,‘Sound,’manuscript [1961], typewritten 167 43 44 45 46 50 John Cage (Stony Point) to Peter Yates, October 13, 1961, typewritten 168 51 Peter Yates to John Cage, October 18, 1961, typewritten 169 52 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, November 12, 1961, typewritten 170 A18 Peter Yates, ‘A Lost Center,’ manuscript [1961], typewritten 53 54 John Cage (Stony Point) to Peter Yates, November 20, 1961, typewritten 176 John Cage (Stony Point) to Peter Yates, November 27, 1961, typewritten 177 A19 Peter Yates, ‘A General Report,’ Arts el· Architecture (January 1962), 6-9 and 34 55 171 John Cage (Stony Point) to Peter Yates, January 17, 1962,typewritten 178 180
Contents 56 John Cage (c/o Miss Virginia Liese, 444 Franklin, Denver, CO) to Peter Yates (1735 Micheltorena Street, Los Angeles), postmarked February 1, 1962, typewritten xi 180 A20 Peter Yates, Silence by John Cage,’ Arts Architecture (February 1962), 4֊5, 7 and 32-33 181 A21 Peter Yates, review of John Cage, Silence, Notes: the Quarterly Journal of the Music Library Association, voi. 19, no. 2 (March 1962), 257-58 189 A22 Peter Yates, ‘More Than Time,’ Arts Architecture (April 1962), 4-5, 7 and 28 191 A23 Peter Yates, ‘John Cage’s Weekend in Los Angeles,’ Arts Architecture (May 1962), 4 and 30-32 192 57 John Cage (Stony Point) to Frances and Peter Yates, May 14, 1962, typewritten 200 A24 Peter Yates, ‘The American Artist,’ manuscript written for the Wingspread Conference on the Arts, June 8-10,1962, typewritten 202 58 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, July 19, 1962, typewritten 203 59 John Cage (Stony Point) to Peter Yates, July 30,1962, typewritten 205 60 John Cage (Stony Point) to Peter Yates, September 20, 1962, typewritten 207 John Cage (Akasaka) to Peter Yates (1735 Micheltorena St, Los Angeles), November 10,1962, handwritten 208 61 62 John Cage (Stony Point) to Peter Yates, January 16, 1963, typewritten 208 63 John Cage to Peter Yates, undated [ca. September-October 1963], handwritten 209 A25 Peter Yates, ‘Merce Cunningham Restores The Dance to Dance,’ Arts Architecture (November 1963), 12-13, 40-41 210 A26 Peter Yates, ‘Amateur versus Professional,’ Arts in Society, voi. 3, no. 1 (1965), 19-24 218 64 John Cage (Stony Point) to Peter
Yates, August 6, 1965, typewritten 220 65 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, August 9, 1965, typewritten 220
Contents xii 66 John Cage (School of Art, University of Saskatchewan, Okema Beach, P.O.) to Peter Yates, undated [between August 15 and 28, 1965], handwritten 222 A27 Peter Yates, ‘A Ford to Travel 4: ONCE in Ann Arbor,’ Arts Architecture (September 1965), 8-9 and 33 67 222 Peter Yates (Los Angeles) to John Cage, September 9,1965, typewritten 225 John Cage (Stony Point) to Peter Yates, September 19, 1965, typewritten 226 John Cage (Stony Point) to Peter Yates, September 24, 1965, typewritten 226 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, September 29, 1965, typewritten 227 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, October 3, 1965, typewritten 228 72 John Cage (Stony Point) to Peter Yates, October 6, 1965, typewritten 229 73 John Cage (Stony Point) to Peter Yates, October 7, 1965, typewritten 230 74 Peter Yates (postmarked Los Angeles) to John Cage, October 8,1965, typewritten 230 75 John Cage (Stony Point) to Peter Yates, October 11, 1965, typewritten 231 76 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, October 13, 1965, typewritten 231 77 Peter Yates to John Cage, November 15,1965, typewritten 232 78 John Cage (Stony Point) to Peter Yates (1735 Micheltorena St, Los Angeles), postmarked December 3,1965, typewritten 233 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, December 4,1965, typewritten 233 John Cage (Stony Point) to Peter Yates, December 7, 1965, typewritten 235 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, December 9,1965, typewritten 236 68 69 70 71 79 80 81
A28 Peter Yates, ‘The Proof of the Notation - Part И,’ Arts Architecture (January 1966), 34-36 82 John Cage (Stony Point) to Peter Yates, January 1, 1966,typewritten 238 241
Contents xiii 83 Peter Yates to John Cage, January 5, 1966, typewritten 243 84 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, January 9,1966, typewritten 244 85 John Cage (Stony Point) to Peter Yates, January 13, 1966, typewritten 244 86 Peter Yates to John Cage, undated [January 1966], handwritten 245 87 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, January 16, 1966, typewritten 246 88 John Cage (Stony Point) to Peter Yates, January 21,1966, typewritten 248 89 John Cage (Stony Point) to Peter Yates, March 7,1966, typewritten 248 90 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, May 2, 1966, typewritten 249 91 John Cage (Stony Point) to Peter Yates, May 8,1966, handwritten 250 92 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, May 11, 1966, typewritten 250 93 John Cage (Stony Point) to Peter Yates, May 23,1966, typewritten 254 94 Peter Yates to John Cage, May 24,1966, typewritten 256 95 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, June 3,1966 259 A29 Peter Yates, ‘The New Art,’ Arts Architecture (September 1966), 6 and 35-36 259 96 97 98 Frances and Peter Yates to John Cage, ca. December 6, 1966, handwritten 260 John Cage (Stony Point) to Peter and Frances Yates, December 21, 1966, typewritten 261 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, December 27,1966, typewritten 262 A30 Peter Yates, acrostic on Igor Stravinsky, November 1,1966, typewritten 99 265 John Cage (380 Oregon Ave. (Apt. 300), Cincinnati, OH) to Peter Yates, January 18,1967, typewritten 265
100 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, January 19,1967, typewritten 266
XIV Contents 101 John Cage (380 Oregon Avenue, Cincinatti) to Peter Yates (1735 Micheltorena Street, Los Angeles), March 10,1967, typewritten 269 102 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, March 11, 1967, typewritten 270 103 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, September 24, 1967, typewritten 271 104 John Cage (401 Edgebrook Dr., Apt 303, Champaign, IL) to Peter Yates (1735 Micheltorena Street, Los Angeles), October 15,1967, handwritten 272 105 Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, October 19, 1967, typewritten 273 A31 Peter Yates, ‘Friday’s Lecture,’ unpublished manuscript [ca. 1967] 274 A32 Peter Yates, ‘The Question of Stasis,’ Arts in Society, voi. 5, no. 2 (1968), 333-43 278 106 Peter Yates (State University College at Buffalo) to John Cage, November 23, 1968, typewritten 281 107 John Cage (University of Illinois at Urbana-Champaign) to Peter Yates (State University College at Buffalo), December 6, 1968, typewritten 282 108 Peter Yates (State University College at Buffalo) to John Cage, December 10, 1968, typewritten 283 109 John Cage (607% West University, Champaign, IL) to Peter Yates (State University College at Buffalo), January 25, 1969, typewritten 284 110 John Cage (607% West University, Champaign, IL) to Peter Yates, March 4, 1969, typewritten 285 111 Telegram from John Cage (Champaign) to Peter Yates (Buffalo), March 4,1969 286 112 Peter Yates (State University College at Buffalo) to John Cage, March 8, 1969, typewritten 286 A33 Peter Yates, ‘HPSCHD - working draft of note for
record jacket,’ typewritten manuscript, undated [1969] 287 113 Peter Yates (State University College at Buffalo) to John Cage, April 25, 1969, typewritten 289
Contents XV A34 Peter Yates, ‘Lecture: On the Rocks,’ Arts in Society, voi. 6, no. 2 (1969), 275-84 291 114 John Cage (107 Bank St, NYC) to Peter and Frances Yates (68 Dorchester Rd, Buffalo, NY), January9,1971, handwritten 292 115 John Cage (107 Bank Street, New York) to Peter Yates (68 Dorchester Road, Buffalo),December 29,1971, handwritten 292 Bibliography Index 293 301
|
| any_adam_object | 1 |
| author | Yates, Peter 1909-1976 Cage, John 1912-1992 |
| author2 | Iddon, Martin 1975- |
| author2_role | edt |
| author2_variant | m i mi |
| author_GND | (DE-588)1200648889 (DE-588)118518291 (DE-588)1030210764 |
| author_facet | Yates, Peter 1909-1976 Cage, John 1912-1992 Iddon, Martin 1975- |
| author_role | aut aut |
| author_sort | Yates, Peter 1909-1976 |
| author_variant | p y py j c jc |
| building | Verbundindex |
| bvnumber | BV046336047 |
| ctrlnum | (OCoLC)1137861920 (DE-599)BVBBV046336047 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03648nam a2200649 c 4500</leader><controlfield tag="001">BV046336047</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200207 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200115s2020 xx b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108480062</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-108-48006-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1137861920</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046336047</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M468</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Yates, Peter</subfield><subfield code="d">1909-1976</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1200648889</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">John Cage and Peter Yates</subfield><subfield code="b">correspondence on music criticism and aesthetics</subfield><subfield code="c">Martin Iddon (University of Leeds)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">John Cage and Peter Yates</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xix, 310 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music since 1900</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The correspondence between composer John Cage and Peter Yates represents the third and final part of Cage's most significant exchanges of letters, following those with Pierre Boulez and with David Tudor. Martin Iddon's book is the first volume to collect the complete extant correspondence with his critical friend, thus completing the 'trilogy' of Cage correspondence published by Cambridge. By bringing together more than 100 letters, beginning in 1940 and continuing until 1971, Iddon reveals the dialogue within which many of Cage's ideas were first forged and informed, with particular focus on his developing attitudes to music criticism and aesthetics. The correspondence with Yates represents precisely, in alignment with Cage's fastidious neatness, the part of his letter writing in which he engages most directly with the last part of his famous tricolon, 'composing's one thing, performing's another, listening's a third'"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Yates, Peter</subfield><subfield code="d">1929-2011</subfield><subfield code="0">(DE-588)123068592</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Cage, John</subfield><subfield code="d">1912-1992</subfield><subfield code="0">(DE-588)118518291</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikästhetik</subfield><subfield code="0">(DE-588)4040808-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikkritik</subfield><subfield code="0">(DE-588)4139777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Cage, John / Correspondence</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Yates, Peter / 1909-1976 / Correspondence</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musical criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Composers / Correspondence</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music critics / Correspondence</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Cage, John</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Yates, Peter / 1909-1976</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Composers</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music critics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musical criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Personal correspondence</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4146609-3</subfield><subfield code="a">Briefsammlung</subfield><subfield code="y">1940-1971</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Cage, John</subfield><subfield code="d">1912-1992</subfield><subfield code="0">(DE-588)118518291</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Yates, Peter</subfield><subfield code="d">1929-2011</subfield><subfield code="0">(DE-588)123068592</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikkritik</subfield><subfield code="0">(DE-588)4139777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musikästhetik</subfield><subfield code="0">(DE-588)4040808-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cage, John</subfield><subfield code="d">1912-1992</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)118518291</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Iddon, Martin</subfield><subfield code="d">1975-</subfield><subfield code="0">(DE-588)1030210764</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="a">Iddon, Martin, 1975-</subfield><subfield code="t">John Cage and Peter Yates</subfield><subfield code="b">1</subfield><subfield code="d">New York : Cambridge University Press, 2019</subfield><subfield code="z">9781108628815</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - 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| genre | (DE-588)4146609-3 Briefsammlung 1940-1971 gnd-content |
| genre_facet | Briefsammlung 1940-1971 |
| id | DE-604.BV046336047 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T18:49:42Z |
| institution | BVB |
| isbn | 9781108480062 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031712795 |
| oclc_num | 1137861920 |
| open_access_boolean | |
| owner | DE-12 DE-M468 |
| owner_facet | DE-12 DE-M468 |
| physical | xix, 310 Seiten |
| psigel | BSB_NED_20200207 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Music since 1900 |
| spellingShingle | Yates, Peter 1909-1976 Cage, John 1912-1992 John Cage and Peter Yates correspondence on music criticism and aesthetics Yates, Peter 1929-2011 (DE-588)123068592 gnd Cage, John 1912-1992 (DE-588)118518291 gnd Musikästhetik (DE-588)4040808-5 gnd Musikkritik (DE-588)4139777-0 gnd |
| subject_GND | (DE-588)123068592 (DE-588)118518291 (DE-588)4040808-5 (DE-588)4139777-0 (DE-588)4146609-3 |
| title | John Cage and Peter Yates correspondence on music criticism and aesthetics |
| title_auth | John Cage and Peter Yates correspondence on music criticism and aesthetics |
| title_exact_search | John Cage and Peter Yates correspondence on music criticism and aesthetics |
| title_full | John Cage and Peter Yates correspondence on music criticism and aesthetics Martin Iddon (University of Leeds) |
| title_fullStr | John Cage and Peter Yates correspondence on music criticism and aesthetics Martin Iddon (University of Leeds) |
| title_full_unstemmed | John Cage and Peter Yates correspondence on music criticism and aesthetics Martin Iddon (University of Leeds) |
| title_short | John Cage and Peter Yates |
| title_sort | john cage and peter yates correspondence on music criticism and aesthetics |
| title_sub | correspondence on music criticism and aesthetics |
| topic | Yates, Peter 1929-2011 (DE-588)123068592 gnd Cage, John 1912-1992 (DE-588)118518291 gnd Musikästhetik (DE-588)4040808-5 gnd Musikkritik (DE-588)4139777-0 gnd |
| topic_facet | Yates, Peter 1929-2011 Cage, John 1912-1992 Musikästhetik Musikkritik Briefsammlung 1940-1971 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031712795&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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