Landscapes between then and now: recent histories in Southern African photography, performance and video art
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
London, UK ; New York, NY
Bloomsbury Visual Arts
2020
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Schriftenreihe: | Photography, place, environment
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Schlagwörter: | |
Links: | http://www.sehepunkte.de/2022/09/34289.html |
Abstract: | "In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest"-- |
Beschreibung: | 2001 |
Umfang: | xxi, 258 Seiten Illustrationen, 1 Karte 24 cm |
ISBN: | 9781350024007 1350024007 |
Internformat
MARC
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100 | 1 | |a Brandt, Nicola |e Verfasser |4 aut | |
245 | 1 | 0 | |a Landscapes between then and now |b recent histories in Southern African photography, performance and video art |c Nicola Brandt |
264 | 1 | |a London, UK ; New York, NY |b Bloomsbury Visual Arts |c 2020 | |
300 | |a xxi, 258 Seiten |b Illustrationen, 1 Karte |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Photography, place, environment | |
500 | |a 2001 | ||
505 | 8 | |a Introduction -- Beyond Bearing Witness -- Santu Mofokeng's Appropriated Landscapes -- Picturing Stillness, Aura and Ambivalence -- Namibia's War of Independence: Power, Knowledge and Amnesia -- Memorial Landscapes: Between Documentary Realism and the Imaginary -- Histories and Landscapes Embodied -- Imagined Geographies and Critical Practices of Self | |
520 | 3 | |a "In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest"-- | |
600 | 1 | 7 | |a Mofokeng, Santu |d 1956-2020 |0 (DE-588)11928765X |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
651 | 7 | |a Südafrika |0 (DE-588)4078012-0 |2 gnd |9 rswk-swf | |
653 | 1 | |a Mofokeng, Santu / 1956- / Criticism and interpretation | |
653 | 0 | |a Photography / Political aspects / Africa, Southern | |
653 | 0 | |a Documentary photography / Africa, Southern | |
653 | 0 | |a Landscape photography / Africa, Southern | |
653 | 0 | |a Video art / Political aspects / Africa, Southern | |
689 | 0 | 0 | |a Südafrika |0 (DE-588)4078012-0 |D g |
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689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Mofokeng, Santu |d 1956-2020 |0 (DE-588)11928765X |D p |
689 | 1 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-3500-2402-1 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-3500-2401-4 |
856 | 4 | 2 | |u http://www.sehepunkte.de/2022/09/34289.html |y rezensiert in: sehepunkte 22 (2022), Nr. 9 |3 Rezension |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031640678 |
Datensatz im Suchindex
DE-BY-TUM_call_number | 0002 KUN 415f 2020 A 1192 |
---|---|
DE-BY-TUM_katkey | 2458638 |
DE-BY-TUM_location | 00 |
DE-BY-TUM_media_number | 040010775743 |
_version_ | 1821934179694149632 |
any_adam_object | |
author | Brandt, Nicola |
author_facet | Brandt, Nicola |
author_role | aut |
author_sort | Brandt, Nicola |
author_variant | n b nb |
building | Verbundindex |
bvnumber | BV046262702 |
classification_rvk | AP 99077 |
classification_tum | KUN 415f |
contents | Introduction -- Beyond Bearing Witness -- Santu Mofokeng's Appropriated Landscapes -- Picturing Stillness, Aura and Ambivalence -- Namibia's War of Independence: Power, Knowledge and Amnesia -- Memorial Landscapes: Between Documentary Realism and the Imaginary -- Histories and Landscapes Embodied -- Imagined Geographies and Critical Practices of Self |
ctrlnum | (OCoLC)1140140997 (DE-599)BVBBV046262702 |
discipline | Allgemeines |
format | Book |
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geographic | Südafrika (DE-588)4078012-0 gnd |
geographic_facet | Südafrika |
id | DE-604.BV046262702 |
illustrated | Illustrated |
indexdate | 2024-12-20T18:47:38Z |
institution | BVB |
isbn | 9781350024007 1350024007 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031640678 |
oclc_num | 1140140997 |
open_access_boolean | |
owner | DE-703 DE-91 DE-BY-TUM DE-19 DE-BY-UBM |
owner_facet | DE-703 DE-91 DE-BY-TUM DE-19 DE-BY-UBM |
physical | xxi, 258 Seiten Illustrationen, 1 Karte 24 cm |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Bloomsbury Visual Arts |
record_format | marc |
series2 | Photography, place, environment |
spellingShingle | Brandt, Nicola Landscapes between then and now recent histories in Southern African photography, performance and video art Introduction -- Beyond Bearing Witness -- Santu Mofokeng's Appropriated Landscapes -- Picturing Stillness, Aura and Ambivalence -- Namibia's War of Independence: Power, Knowledge and Amnesia -- Memorial Landscapes: Between Documentary Realism and the Imaginary -- Histories and Landscapes Embodied -- Imagined Geographies and Critical Practices of Self Mofokeng, Santu 1956-2020 (DE-588)11928765X gnd Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)11928765X (DE-588)4045895-7 (DE-588)4078012-0 |
title | Landscapes between then and now recent histories in Southern African photography, performance and video art |
title_auth | Landscapes between then and now recent histories in Southern African photography, performance and video art |
title_exact_search | Landscapes between then and now recent histories in Southern African photography, performance and video art |
title_full | Landscapes between then and now recent histories in Southern African photography, performance and video art Nicola Brandt |
title_fullStr | Landscapes between then and now recent histories in Southern African photography, performance and video art Nicola Brandt |
title_full_unstemmed | Landscapes between then and now recent histories in Southern African photography, performance and video art Nicola Brandt |
title_short | Landscapes between then and now |
title_sort | landscapes between then and now recent histories in southern african photography performance and video art |
title_sub | recent histories in Southern African photography, performance and video art |
topic | Mofokeng, Santu 1956-2020 (DE-588)11928765X gnd Fotografie (DE-588)4045895-7 gnd |
topic_facet | Mofokeng, Santu 1956-2020 Fotografie Südafrika |
url | http://www.sehepunkte.de/2022/09/34289.html |
work_keys_str_mv | AT brandtnicola landscapesbetweenthenandnowrecenthistoriesinsouthernafricanphotographyperformanceandvideoart |
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0002 KUN 415f 2020 A 1192 Lageplan |
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Exemplar 1 | Ausleihbar Am Standort |