Uncrossing the borders: performing Chinese in gendered (trans)nationalism
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Ann Arbor
University of Michigan
[2019]
|
| Schlagwörter: | |
| Abstract: | "Over many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today"-- |
| Umfang: | xiv, 336 Seiten illustrations 24 cm |
| ISBN: | 9780472131372 |
Internformat
MARC
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| 246 | 1 | 3 | |a Uncrossing the borders |
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| 520 | 3 | |a "Over many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today"-- | |
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| 653 | 0 | |a Women in literature | |
| 653 | 0 | |a Operas, Chinese / History and criticism | |
| 653 | 0 | |a Boundaries in literature | |
| 653 | 0 | |a Suicide in literature | |
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| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-4721-2523-4 |
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Datensatz im Suchindex
| _version_ | 1818986179442245632 |
|---|---|
| any_adam_object | |
| author | Lei, Daphne Pi-Wei |
| author_GND | (DE-588)115919758X |
| author_facet | Lei, Daphne Pi-Wei |
| author_role | aut |
| author_sort | Lei, Daphne Pi-Wei |
| author_variant | d p w l dpw dpwl |
| building | Verbundindex |
| bvnumber | BV046228914 |
| ctrlnum | (OCoLC)1137824878 (DE-599)BVBBV046228914 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV046228914 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:46:41Z |
| institution | BVB |
| isbn | 9780472131372 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031607424 |
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| owner_facet | DE-12 |
| physical | xiv, 336 Seiten illustrations 24 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | University of Michigan |
| record_format | marc |
| spelling | Lei, Daphne Pi-Wei Verfasser (DE-588)115919758X aut Uncrossing the borders performing Chinese in gendered (trans)nationalism Daphne P. Lei Uncrossing the borders Ann Arbor University of Michigan [2019] xiv, 336 Seiten illustrations 24 cm txt rdacontent n rdamedia nc rdacarrier "Over many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today"-- Geschichte gnd rswk-swf Suizid Motiv (DE-588)4180847-2 gnd rswk-swf Mischehe (DE-588)4125565-3 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Grenzüberschreitung (DE-588)4367340-5 gnd rswk-swf Chinesische Oper (DE-588)4336518-8 gnd rswk-swf Chinese drama / History and criticism Women in literature Operas, Chinese / History and criticism Boundaries in literature Suicide in literature Chinese drama Operas, Chinese Criticism, interpretation, etc Chinesische Oper (DE-588)4336518-8 s Drama (DE-588)4012899-4 s Mischehe (DE-588)4125565-3 s Grenzüberschreitung (DE-588)4367340-5 s Frau (DE-588)4018202-2 s Suizid Motiv (DE-588)4180847-2 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-4721-2523-4 |
| spellingShingle | Lei, Daphne Pi-Wei Uncrossing the borders performing Chinese in gendered (trans)nationalism Suizid Motiv (DE-588)4180847-2 gnd Mischehe (DE-588)4125565-3 gnd Drama (DE-588)4012899-4 gnd Frau (DE-588)4018202-2 gnd Grenzüberschreitung (DE-588)4367340-5 gnd Chinesische Oper (DE-588)4336518-8 gnd |
| subject_GND | (DE-588)4180847-2 (DE-588)4125565-3 (DE-588)4012899-4 (DE-588)4018202-2 (DE-588)4367340-5 (DE-588)4336518-8 |
| title | Uncrossing the borders performing Chinese in gendered (trans)nationalism |
| title_alt | Uncrossing the borders |
| title_auth | Uncrossing the borders performing Chinese in gendered (trans)nationalism |
| title_exact_search | Uncrossing the borders performing Chinese in gendered (trans)nationalism |
| title_full | Uncrossing the borders performing Chinese in gendered (trans)nationalism Daphne P. Lei |
| title_fullStr | Uncrossing the borders performing Chinese in gendered (trans)nationalism Daphne P. Lei |
| title_full_unstemmed | Uncrossing the borders performing Chinese in gendered (trans)nationalism Daphne P. Lei |
| title_short | Uncrossing the borders |
| title_sort | uncrossing the borders performing chinese in gendered trans nationalism |
| title_sub | performing Chinese in gendered (trans)nationalism |
| topic | Suizid Motiv (DE-588)4180847-2 gnd Mischehe (DE-588)4125565-3 gnd Drama (DE-588)4012899-4 gnd Frau (DE-588)4018202-2 gnd Grenzüberschreitung (DE-588)4367340-5 gnd Chinesische Oper (DE-588)4336518-8 gnd |
| topic_facet | Suizid Motiv Mischehe Drama Frau Grenzüberschreitung Chinesische Oper |
| work_keys_str_mv | AT leidaphnepiwei uncrossingthebordersperformingchineseingenderedtransnationalism AT leidaphnepiwei uncrossingtheborders |