Compositional artifice in the music of Henry Purcell:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY, USA
Cambridge University Press
2020
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| Schriftenreihe: | Musical performance and reception
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031606041&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges many misunderstandings about Purcell's music that led to him being categorized as old-fashioned and unimaginative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - both to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular |
| Umfang: | xxi, 292 Seiten Diagramme, Notenbeispiele, Faksimiles |
| ISBN: | 9781107006669 |
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Datensatz im Suchindex
| _version_ | 1819315600364666880 |
|---|---|
| adam_text | Compositional Artifice in the Music of Henry Purcell Fugai invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar inśights to the musiç of Henry Purcell, and proposes the first analytical approach to his music to examirie compositional methods alongside historically contemporary theory, focusing particularly on Purcell’s ‘artificial’ approach tp imitative counterpoint. Through this methodology Howard challenges previous responses to Purcell’s music that portrayed him as fundamentally conservative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell’s compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - to Purcell’s early instrumental works and to his later, concerted vocal music - and a critique Of the reception history surrounding the fantazias and sonatas in particular.
ALAN HOWARD is a Fellow of Selwyn College, Cambridge, where he is Lecturer and Director of Studies in Music. His edition of Odes on the Death ofHenry Purcell was published for the Purcell Society in 2013, and he has published widely on English music in journals including Journal of the Royal Music Association, Music and Letters, Early Music, Musical Times and EighteenthCentury Music. He is also co-editor of the journal Early Music, a member of the Purcell Society committee, a General Editor of the Works of John Eccles and a trustee of Cambridge Early Music.
|
| any_adam_object | 1 |
| author | Howard, Alan 1979- |
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| author_role | aut |
| author_sort | Howard, Alan 1979- |
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| building | Verbundindex |
| bvnumber | BV046227507 |
| classification_rvk | LP 41152 |
| ctrlnum | (OCoLC)1128844528 (DE-599)BVBBV046227507 |
| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Thesis Book |
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| indexdate | 2024-12-20T18:46:38Z |
| institution | BVB |
| isbn | 9781107006669 |
| language | English |
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| physical | xxi, 292 Seiten Diagramme, Notenbeispiele, Faksimiles |
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| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Cambridge University Press |
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| series2 | Musical performance and reception |
| spellingShingle | Howard, Alan 1979- Compositional artifice in the music of Henry Purcell Purcell, Henry 1659-1695 (DE-588)118742973 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)118742973 (DE-588)4133320-2 (DE-588)4113937-9 |
| title | Compositional artifice in the music of Henry Purcell |
| title_auth | Compositional artifice in the music of Henry Purcell |
| title_exact_search | Compositional artifice in the music of Henry Purcell |
| title_full | Compositional artifice in the music of Henry Purcell Alan Howard, Selwyn College, University of Cambridge |
| title_fullStr | Compositional artifice in the music of Henry Purcell Alan Howard, Selwyn College, University of Cambridge |
| title_full_unstemmed | Compositional artifice in the music of Henry Purcell Alan Howard, Selwyn College, University of Cambridge |
| title_short | Compositional artifice in the music of Henry Purcell |
| title_sort | compositional artifice in the music of henry purcell |
| topic | Purcell, Henry 1659-1695 (DE-588)118742973 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Purcell, Henry 1659-1695 Komposition Musik Hochschulschrift |
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