Witnessing slavery: art and travel in the age of abolition
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Paul Mellon Centre for Studies in British Art
2019
|
| Schlagwörter: | |
| Abstract: | A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art. Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because of the empirical opportunities to document slave life it afforded but also because the imagery of the eyewitness was more credible than sketches and paintings created by the "armchair traveler" at home. Full of original insights that cast a new light on these highly charged images, this volume reconsiders how slavery was depicted within a historical context in which truth was a deeply contested subject |
| Umfang: | xiii, 286 Seiten 28 cm |
| ISBN: | 9781913107055 |
Internformat
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| 505 | 8 | |a Testamentary space -- Visual culture and abolition -- Envisioning a future for slavery: Agostino Brunias and the politics of reproduction -- Unmasking 'simple truth': John Gabriel Stedman in Suriname -- Visual testimony from a Jamaican resident: James Hakewill and the topographical imagination -- Slavery as spectacle: Debret, Earle and Rugendas in Rio de Janeiro | |
| 520 | 3 | |a A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art. Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because of the empirical opportunities to document slave life it afforded but also because the imagery of the eyewitness was more credible than sketches and paintings created by the "armchair traveler" at home. Full of original insights that cast a new light on these highly charged images, this volume reconsiders how slavery was depicted within a historical context in which truth was a deeply contested subject | |
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Datensatz im Suchindex
| _version_ | 1818986175841435648 |
|---|---|
| any_adam_object | |
| author | Thomas, Sarah 1965- |
| author_GND | (DE-588)174347278 |
| author_facet | Thomas, Sarah 1965- |
| author_role | aut |
| author_sort | Thomas, Sarah 1965- |
| author_variant | s t st |
| building | Verbundindex |
| bvnumber | BV046226578 |
| classification_rvk | LH 84123 |
| contents | Testamentary space -- Visual culture and abolition -- Envisioning a future for slavery: Agostino Brunias and the politics of reproduction -- Unmasking 'simple truth': John Gabriel Stedman in Suriname -- Visual testimony from a Jamaican resident: James Hakewill and the topographical imagination -- Slavery as spectacle: Debret, Earle and Rugendas in Rio de Janeiro |
| ctrlnum | (OCoLC)1127537691 (DE-599)BVBBV046226578 |
| discipline | Kunstgeschichte |
| era | Geschichte 1820-1821 gnd Geschichte 1760-1840 gnd Geschichte 1800-1840 gnd |
| era_facet | Geschichte 1820-1821 Geschichte 1760-1840 Geschichte 1800-1840 |
| format | Book |
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| genre | (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Bildband |
| geographic | Jamaika (DE-588)4028456-6 gnd Großbritannien (DE-588)4022153-2 gnd Europa (DE-588)4015701-5 gnd Rio de Janeiro (DE-588)4076741-3 gnd |
| geographic_facet | Jamaika Großbritannien Europa Rio de Janeiro |
| id | DE-604.BV046226578 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T18:46:37Z |
| institution | BVB |
| isbn | 9781913107055 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031605143 |
| oclc_num | 1127537691 |
| open_access_boolean | |
| owner | DE-12 DE-255 DE-Y2 DE-703 DE-19 DE-BY-UBM DE-11 DE-Y7 DE-188 |
| owner_facet | DE-12 DE-255 DE-Y2 DE-703 DE-19 DE-BY-UBM DE-11 DE-Y7 DE-188 |
| physical | xiii, 286 Seiten 28 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Paul Mellon Centre for Studies in British Art |
| record_format | marc |
| spelling | Thomas, Sarah 1965- Verfasser (DE-588)174347278 aut Witnessing slavery art and travel in the age of abolition Sarah Thomas London Paul Mellon Centre for Studies in British Art 2019 New Haven ; London Yale University Press xiii, 286 Seiten 28 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Testamentary space -- Visual culture and abolition -- Envisioning a future for slavery: Agostino Brunias and the politics of reproduction -- Unmasking 'simple truth': John Gabriel Stedman in Suriname -- Visual testimony from a Jamaican resident: James Hakewill and the topographical imagination -- Slavery as spectacle: Debret, Earle and Rugendas in Rio de Janeiro A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art. Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because of the empirical opportunities to document slave life it afforded but also because the imagery of the eyewitness was more credible than sketches and paintings created by the "armchair traveler" at home. Full of original insights that cast a new light on these highly charged images, this volume reconsiders how slavery was depicted within a historical context in which truth was a deeply contested subject Earle, Augustus 1793-1838 (DE-588)123476240 gnd rswk-swf Debret, Jean Baptiste 1768-1848 (DE-588)119057395 gnd rswk-swf Debret, Jean-Baptiste Voyage pittoresque au Brésil (DE-588)7528496-0 gnd rswk-swf Hakewill, James 1778-1843 (DE-588)130254959 gnd rswk-swf Rugendas, Johann Moritz 1802-1858 (DE-588)118750321 gnd rswk-swf Geschichte 1820-1821 gnd rswk-swf Geschichte 1760-1840 gnd rswk-swf Geschichte 1800-1840 gnd rswk-swf Recht (DE-588)4048737-4 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Grafik (DE-588)4021845-4 gnd rswk-swf Sklaverei (DE-588)4055260-3 gnd rswk-swf Aquatinta (DE-588)4132364-6 gnd rswk-swf Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf Sklavin Motiv (DE-588)4596400-2 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Politische Kunst (DE-588)4175029-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Abschaffung (DE-588)4200586-3 gnd rswk-swf Sklave (DE-588)4055252-4 gnd rswk-swf Mimesis (DE-588)4039392-6 gnd rswk-swf Bildungsreise (DE-588)4069466-5 gnd rswk-swf Sklave Motiv (DE-588)4204854-0 gnd rswk-swf Jamaika (DE-588)4028456-6 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Rio de Janeiro (DE-588)4076741-3 gnd rswk-swf Slavery in art Slave trade in art (DE-588)4145395-5 Bildband gnd-content Großbritannien (DE-588)4022153-2 g Europa (DE-588)4015701-5 g Kunst (DE-588)4114333-4 s Sklaverei Motiv (DE-588)4204853-9 s Geschichte 1760-1840 z DE-604 Sklave Motiv (DE-588)4204854-0 s Sklavin Motiv (DE-588)4596400-2 s Schwarze Motiv (DE-588)4116434-9 s Mimesis (DE-588)4039392-6 s Bildungsreise (DE-588)4069466-5 s Sklave (DE-588)4055252-4 s Recht (DE-588)4048737-4 s Sklaverei (DE-588)4055260-3 s Abschaffung (DE-588)4200586-3 s Politische Kunst (DE-588)4175029-9 s Grafik (DE-588)4021845-4 s Malerei (DE-588)4037220-0 s Hakewill, James 1778-1843 (DE-588)130254959 p Jamaika (DE-588)4028456-6 g Aquatinta (DE-588)4132364-6 s Kolonialismus (DE-588)4073624-6 s Geschichte 1820-1821 z Earle, Augustus 1793-1838 (DE-588)123476240 p Debret, Jean Baptiste 1768-1848 (DE-588)119057395 p Rugendas, Johann Moritz 1802-1858 (DE-588)118750321 p Rio de Janeiro (DE-588)4076741-3 g Geschichte 1800-1840 z Debret, Jean-Baptiste Voyage pittoresque au Brésil (DE-588)7528496-0 u |
| spellingShingle | Thomas, Sarah 1965- Witnessing slavery art and travel in the age of abolition Testamentary space -- Visual culture and abolition -- Envisioning a future for slavery: Agostino Brunias and the politics of reproduction -- Unmasking 'simple truth': John Gabriel Stedman in Suriname -- Visual testimony from a Jamaican resident: James Hakewill and the topographical imagination -- Slavery as spectacle: Debret, Earle and Rugendas in Rio de Janeiro Earle, Augustus 1793-1838 (DE-588)123476240 gnd Debret, Jean Baptiste 1768-1848 (DE-588)119057395 gnd Debret, Jean-Baptiste Voyage pittoresque au Brésil (DE-588)7528496-0 gnd Hakewill, James 1778-1843 (DE-588)130254959 gnd Rugendas, Johann Moritz 1802-1858 (DE-588)118750321 gnd Recht (DE-588)4048737-4 gnd Malerei (DE-588)4037220-0 gnd Schwarze Motiv (DE-588)4116434-9 gnd Grafik (DE-588)4021845-4 gnd Sklaverei (DE-588)4055260-3 gnd Aquatinta (DE-588)4132364-6 gnd Sklaverei Motiv (DE-588)4204853-9 gnd Sklavin Motiv (DE-588)4596400-2 gnd Kolonialismus (DE-588)4073624-6 gnd Politische Kunst (DE-588)4175029-9 gnd Kunst (DE-588)4114333-4 gnd Abschaffung (DE-588)4200586-3 gnd Sklave (DE-588)4055252-4 gnd Mimesis (DE-588)4039392-6 gnd Bildungsreise (DE-588)4069466-5 gnd Sklave Motiv (DE-588)4204854-0 gnd |
| subject_GND | (DE-588)123476240 (DE-588)119057395 (DE-588)7528496-0 (DE-588)130254959 (DE-588)118750321 (DE-588)4048737-4 (DE-588)4037220-0 (DE-588)4116434-9 (DE-588)4021845-4 (DE-588)4055260-3 (DE-588)4132364-6 (DE-588)4204853-9 (DE-588)4596400-2 (DE-588)4073624-6 (DE-588)4175029-9 (DE-588)4114333-4 (DE-588)4200586-3 (DE-588)4055252-4 (DE-588)4039392-6 (DE-588)4069466-5 (DE-588)4204854-0 (DE-588)4028456-6 (DE-588)4022153-2 (DE-588)4015701-5 (DE-588)4076741-3 (DE-588)4145395-5 |
| title | Witnessing slavery art and travel in the age of abolition |
| title_auth | Witnessing slavery art and travel in the age of abolition |
| title_exact_search | Witnessing slavery art and travel in the age of abolition |
| title_full | Witnessing slavery art and travel in the age of abolition Sarah Thomas |
| title_fullStr | Witnessing slavery art and travel in the age of abolition Sarah Thomas |
| title_full_unstemmed | Witnessing slavery art and travel in the age of abolition Sarah Thomas |
| title_short | Witnessing slavery |
| title_sort | witnessing slavery art and travel in the age of abolition |
| title_sub | art and travel in the age of abolition |
| topic | Earle, Augustus 1793-1838 (DE-588)123476240 gnd Debret, Jean Baptiste 1768-1848 (DE-588)119057395 gnd Debret, Jean-Baptiste Voyage pittoresque au Brésil (DE-588)7528496-0 gnd Hakewill, James 1778-1843 (DE-588)130254959 gnd Rugendas, Johann Moritz 1802-1858 (DE-588)118750321 gnd Recht (DE-588)4048737-4 gnd Malerei (DE-588)4037220-0 gnd Schwarze Motiv (DE-588)4116434-9 gnd Grafik (DE-588)4021845-4 gnd Sklaverei (DE-588)4055260-3 gnd Aquatinta (DE-588)4132364-6 gnd Sklaverei Motiv (DE-588)4204853-9 gnd Sklavin Motiv (DE-588)4596400-2 gnd Kolonialismus (DE-588)4073624-6 gnd Politische Kunst (DE-588)4175029-9 gnd Kunst (DE-588)4114333-4 gnd Abschaffung (DE-588)4200586-3 gnd Sklave (DE-588)4055252-4 gnd Mimesis (DE-588)4039392-6 gnd Bildungsreise (DE-588)4069466-5 gnd Sklave Motiv (DE-588)4204854-0 gnd |
| topic_facet | Earle, Augustus 1793-1838 Debret, Jean Baptiste 1768-1848 Debret, Jean-Baptiste Voyage pittoresque au Brésil Hakewill, James 1778-1843 Rugendas, Johann Moritz 1802-1858 Recht Malerei Schwarze Motiv Grafik Sklaverei Aquatinta Sklaverei Motiv Sklavin Motiv Kolonialismus Politische Kunst Kunst Abschaffung Sklave Mimesis Bildungsreise Sklave Motiv Jamaika Großbritannien Europa Rio de Janeiro Bildband |
| work_keys_str_mv | AT thomassarah witnessingslaveryartandtravelintheageofabolition |