Verfügbarkeit: Ruskinland | Technische Universität München

Ruskinland: how John Ruskin shapes our world

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Bibliographische Detailangaben
Beteilige Person:	Hill, Andrew (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	London Pallas Athene 2019
Ausgabe:	First edition
Schlagwörter:	Ruskin, John > 1819-1900 Geschichte 1900-2019 Rezeption Kultur Gesellschaft Großbritannien Ruskin, John / 1819-1900 Authors, English / 19th century / Biography Art critics / Great Britain / Biography Critics / Great Britain / Biography Social reformers / Great Britain / Biography
Links:	http://swbplus.bsz-bw.de/bsz1667188453inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031592140&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Hier auch später erschienene, unveränderte Nachdrucke
Umfang:	305 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 22 cm
ISBN:	9781843681755

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Datensatz im Suchindex

_version_	1819285692474195968
adam_text	CONTENTS ABOUT THIS BOOK, 13 CELEBRITY* P. 17 1900: DEATH OF JOHN RUSKIN. LAST MONTHS AND FINAL ILLNESS. CALL FOR WESTMINSTER ABBEY BURIAL, REJECTED. CONISTON LYING-IN-STATE AND FUNERAL. TRIBUTES: THEIR RANGE AND VARIETY. R S STRANGE AND CON- TRADICTORY FAME. HIS BRAND . IMPACT OF HIS PASSING. INSPIRATION OF ACTIVISTS AND UTOPIANS. R S REPUTATION PEAKS IN 1900, INEXPLICABLY- FADES THROUGH EARLY 20TH CENTURY. RUSKINLAND, P. 25 AUTHOR LAMENTS HOW FEW CALL ON R FOR IDEAS, INSPIRATION. CASE FOR R S LEGACY: ITS PIECEMEAL IMPACT. HIDDEN LANDSCAPE OF RUSKINLAND: A WHISTLESTOP TOUR, NATIONAL TRUST TO WELFARE STATE. WOULD R HAVE JOINEDTWITTER? DIFFICULTY OF READING R. AUTHOR UNAPOLOGETIC ABOUT QUOTING HIM. DIFFICULTY OF CATEGORISING R S WORK. WAYS R.GUIDES US TOWARDS A BETTER LIFE TODAY. SEEING, P. 35 1. SOUTH LONDON, AS SEEN BY YOUNG R. THE PLAIN OF CROYDON . * WHEN JOHN RUSKIN WAS WRITING HIS RAMBLING PROTO-BLOG FORS CLAVIGEM IN THE 1870S AND 1880S (DESCRIBED IN CHAPTER 8), HE PAUSED TO OFFER A ROUGH ABSTRACT OF THE FIRST LETTERS IN THE SERIES. I HAVE TRIED TO WRITE THESE CHAPTER DESCRIPTIONS IN SIMILAR STYLE. RUSKINLAND R S GIFT OF, JOY IN, SEEING. NEUROSIS ABOUT EYESIGHT. HIS LIFELONG HABITS OF OBSERVATION 2.1819: BIRTH AND CHILDHOOD IDYLL. R S OVER- BEARING PARENTS: THEIR INFLUENCE, GOOD AND BAD. R ON THE GIFTED AND TALENTED REGISTER. WHAT WOULD HIS SCHOOL REPORT AT 13 PRE- DICT? R S LOVE OF GEOLOGY. 3. THE BIG DRAW. AUTHOR ARGUES FOR RELEVANCE OF R S IDEAS ABOUT SEEING. R S LOVE OF GADGETS, CYANO- METERS TO DAGUERREOTYPES. R S INSTAGRAM ACCOUNT. AUTHOR SHARES R S DISDAIN FOR LOOKING BUT NOT SEEING. SEEING AS ANTIDOTE TO BUSY- NESS. 4. RUSKIN FAMILY S TRAVEL HABITS. R S DOUBLE BROUGHAM. MAPPING RUSKINLAND. 1833: R S ALPINE EPIPHANY IN SCHAFFHAUSEN. DRAWING AND PAINTING, P. 53 1.1837: OXFORD. R S ODDITY AND GENIUS AS UNDERGRADUATE. FIRST LOVE, UNREQUITED. FIRST ILLNESS. AWARDED DOUBLE FOURTH . 2. R S FACILITY FOR DRAWING, INABILITY TO INVENT . DRAWING AS DATA . AUTHOR ADVOCATES FOR R AS GREAT ARTIST. R S DRAWING HABITS. HIS INSIGHTS INTO DIFFICULTY OF DRAWING. THE UNIVERSAL LAW OF OBSCURITY . 3. R AS CRITIC. 1840: FIRST ENCOUNTERS WITH TURNER. MODERN PAINTERS. R S RECIPE FOR GREAT ART. FATHER S INSIDER TRADING IN ARTWORKS. MIKE LEIGH S UNFAIR CARICA- TURE OF R. 4.THE PRE-RAPHAELITES: WHY DID R BACK THEM? AUTHOR PRAISES R S ABILITY TO CHANGE HIS MIND. R INVENTS WORLD WIDE WEB. 5. R AS ART TEACHER. THE ELEMENTS OF DRAWING. MODERN ARTISTS DEBT TO R. RUSKIN PRIZE-WINNERS INTERVIEWED. RUSKIN SCHOOL OF ART TODAY. AUTHOR WORRIES ABOUT DECLINE OF DRAWING. BUILDING, P. 8L 1. I845:VENICE. R S FIRST TWO ART ATTACKS : TOMB OF LIANA DI CARETTO; TINTORETTO S CRUCIFIXION. R S CONCERN FOR WAR-TORN VENICE. HIS TIGHT CONTENTS FOCUS AND WIDE-ANGLE VIEWS. 2. 1848: MARRIAGE TO EFFIE GRAY. ILL OMENS, MYTHS, PUBIC HAIR (OR LACK OF). EMMA THOMPSONS UNFAIR CARICATURE OF R. AUTHOR UNHAPPY ABOUT PERSISTENT OBSESSION WITH R S SEX LIFE (OR LACK OF). 3. R S VENICE NOTEBOOKS, ACCURACY OF. R S DILIGENCE AS HERO OF ARCHITECTURE . HIS ARCHITECTURAL FAVOURITES (AND LEAST FAVOURITES) IN VENICE. 4. DID R SAVE OR DOOM VENICE? LA RUSKIN PIZZA. THE SEVEN LAMPS OF ARCHITECTURE. THE STONES OF VENICE. R DEFINES ARCHITECTURE. ADVISES HOW TO DESIGN YOUR EXTENSION. SUBURBAN GOTHIC. R S MOST HATED BUILDINGS. THE OXFORD MUSEUM AND ITS HAPPY CARVERS . 6. AUTHOR PUZZLES OVER R S INFLUENCE ON GAUDI AND FRANK LLOYD WRIGHT. WHY NOT STOP DECLUTTERING AND START DECORATING? 7. 1852: R AND EFFIE RETURN FROM VENICE. THEIR LOATHING OF SUBURBAN EXISTENCE. GLEN FINGLAS: MILLAIS AND EFFIE THRUST TOGETHER. 1854: ANNULMENT. LANDSCAPE AND NATURE, P. 117 1. 1858: FRANCE, SWITZERLAND AND ITALY. R S APPEARANCE AND PERSON- ALITY IN HIS LATE 30S. TURNER BEQUEST: TWO MYTHS BUSTED. R S QUALMS ABOUT TURNER. HIS UNCONVERSION .ART ATTACK #3:VERONESE IN TURIN. THE LAW OF HELP . 2. R S LOVE OF THE ALPS, DISLIKE OF ALPIN- ISTS. GEOLOGY AND SCIENCE. JOHN MUIR, DIFFERENCES AND SIMILARITIES. CHARLES DARWIN, DIFFERENCES AND SIMILARITIES. MATTERHORN S IMPACT ON BRITISH BUILDERS. 3. BEAUTY OF MONSAL DALE, DESTROYED BY RAIL- WAY, LATER RESTORED. NATIONAL PARKS. TRAINS, UNEXPECTEDLY PRAISED BY R. R AS CULTURAL PILLAR OF MODERN LAKE DISTRICT. AUTHOR SITS ON RUSKIN S SEAT, BRANTWOOD. 4. RUSKIN LAND: RURAL COMPROMISES AND CONTRADICTIONS. SUSTAINABILITY. 5. R COMPARES BRADFORD TO PISA. R S INFLUENCE ON TOWN PLANNING, GARDEN CITIES, SUBURBS AND VILLAGES. AUTHOR SPECULATES ABOUT R S VIEW OF GREEN BELT. R ON NIMBYISM . RUSKINLAND 5. 1884: THE STORM-CLOUD OF THE NINETEENTH CENTURY . R AND AL GORE COMPARED. R S WARNINGS PROVED RIGHT. 6. LOS ANGELES. THE RUSKIN ART CLUB S APPLIED RUSKIN . R-INSPIRED CAMPAIGNS, FROM THIRLMERE TO ZIPWIRES.THE GENTEEL NATIONAL TRUST. WORK AND EDUCATION, P. 149 1. UNTO THIS LAST, THE 21ST-CENTURY FURNITURE WORKSHOP; UNTO THIS LAST, R S 19TH-CENTURY POLEMIC, I860: R SWITCHES FROM ART TO ECO- NOMIC CRITICISM. CONTROVERSY, PREFIGURED IN EARLIER WORKS. R S INFLU- ENCE ON LABOUR MPS, GANDHI ETC. AUTHOR S BRANTWOOD EPIPHANY. PARALLELS WITH 2008 FINANCIAL CRISIS. 2. R S WORK ETHIC AND WORKA- HOLISM. THE NATURE OF GOTHIC AND THE SPIRIT OF THE WORKER. 1854: R AS TEACHER AT WORKING MEN S COLLEGE. HAPPY CARPENTERS . 3. 1858: ROSE LA TOUCHE: FIRST MEETING. 1866: ILL-JUDGED PROPOSAL OF MARRIAGE. 4. AUTHOR ADDRESSES R S LIKING FOR YOUNG GIRLS. 1864: OF QUEEN S GARDENS : 19TH-CENTURY PROGRESSIVE INFLUENCE, 20TH-CENTURY FEMINIST OUTRAGE, PARADOX EXPLORED. GIRLS SCHOOLS INSPIRED. 5.THE RUSKIN CURRICULUM. R S DETESTATION OF THE THREE RS . VOCATIONAL EDUCATION. 6. SCHOOLS THAT FOLLOWED R S LEAD. INTEGRATED EDUCA- TION TODAY. 7. THE WORKING MEN S COLLEGE TODAY: LIFE-DRAWING TO ENGLISH AS A SECOND LANGUAGE. 8. R S IDEAS SPREAD TO THE WORKPLACE. ROBOTS: AUTHOR WONDERS IF R WOULD APPROVE. WORK BY FORD MADOX BROWN. CRAFT P. 185 I.JOHN LEWIS AND THE RUSKIN HOUSE LOOK. R AND WILLIAM MORRIS NOT THE SIMON AND GARFUNKEL OF CRAFT. MORRIS: HIS R-INSPIRED PATH, 10 ABOUT THE BOOK WHERE IT DIVERGED. R S PREFERENCE FOR MORRIS S OBJECTS OVER HIS POL- ITICS. 2. 1864: DEATH OF R S FATHER. R S 1830S PREJUDICES. THE EYRE AFFAIR AND OTHER IMPERIALIST BLOTS ON R S LEGACY. 1870: SPEECH ON ENGLAND S COLONIAL DESTINY AND IMPACT ON CECIL RHODES. 3. 1869: ROSE LA TOUCHE OFFERS NO SOLACE TO R. ART ATTACK #4: CARPACCIO. 1870: R S RETURN TO OXFORD. SUCCESS AS LECTURER AND PUBLIC FAME. FORS CLAVIGERA: R S PROTO-BLOG, ITS MEANING AND CRAZY GENIUS. 1871: R S OMINOUS ILLNESS. BRANTWOOD PURCHASED. R AS HANDS-ON LAND- OWNER. BRANTWOOD AS HUB FOR CRAFT. AUTHOR S LINK TO ARTS AND CRAFTS. THE US ARTS AND CRAFTS CONNECTION. 4. ROOTEDNESS OF MODERN CRAFT. RUSKIN INSIDE LAND ROVERS, BEER, BAGS. 5. STEAMPUNK, STEVE JOBS AND SOFTWARE. NEW NOTIONS OF WORK WITH OUR HANDS. 6.1874: R S ROAD-BUILDING EXPERIMENT. HIS INTELLECTUAL CHAIN-GANG, INCLUD- ING OSCAR WILDE. WEALTH AND WELFARE, P. 223 1. WAS R A LEFTIE ? HIS ATTITUDE TO WEALTH. HIS DEFINITION OF ILLTH AND MODERN EXAMPLES. R S PHILANTHROPY. 1877: THE GUILD OF ST GEORGE, R S OMNI-CHARITY . ST GEORGE AS ANTI-CAPITALIST SYMBOL. RS GLASS POCKETS . 1875: ROSE, DECLINE AND DEATH. 2. R S SEANCES. THE GUILD S QUIXOTIC SCHEMES. R S UTOPIANISM. AUTHOR VISITS CUR- RENT MASTER OF THE GUILD.WAYS IT LIVES UP TO R S VISION.THE RUSKIN COLLECTION, SHEFFIELD. HOW R CATERS TO OUR HUNGER TO RECONNECT WORK, NATURE, CRAFT. 3. ARNOLD TOYNBEE,TOYNBEE HALL AND THE UNI- VERSITIES MOVEMENT. THOMAS HORSFALL, THE ANCOATS MUSEUM AND MODERN DESCENDANT.. R HATES MANCHESTER. 4.THE PATH FROM R TO THE WELFARE STATE, VIA BEVERIDGE, ATTLEE, HARDIE. SURPRISING ABSENCE OF R FROM MODERN LABOUR PARTY; WHY R WOULD NOT HAVE MINDED. DARKNESS VOLUBLE . 5. 1870: R OVERWORKED, UNDERAPPRECIATED. 11 RUSKINLAND THE WHISTLER TRIAL. R ON OPIUM. IDEALISM VERSUS PRAGMATISM. 1881: DEATH OF THOMAS CARLYLE; R S BREAKDOWN. 1883: SECOND, ILL-FATED STINT AS OXFORD PROFESSOR. BABY-TALK TO JOAN SEVERN. 1888: FINAL TRIP TO VENICE. FINISH, P. 259 1. AUTHOR VISITS RUSKIN, FLORIDA. MCMANSIONS AND MANATEES. 2. HOW RUSKINITES MADE IT TO FLORIDA, AND WHY. 3. IMPOSSIBILITY OF BEING A TRUE RUSKINIAN.THE RUSKINLAND NETWORK. AUTHOR DE- SCRIBES CHANGE IN HIS ATTITUDE. BASIL FOTHERINGTON-THOMAS AND KENNETH CLARK EVOKED. AUTHOR MAKES FINAL CASE FOR SELECTIVE RE- VIVAL OF R S LEGACY. 4. R THE MAN SURVIVES IN RUSKIN THE PLACE. 5. AUTHOR SHARES R S DIFFICULTY IN FINISHING. FINISHES NONETHELESS. DRAWINGS AND WATERCOLOURS BY RUSKIN IN COLOUR PLATE SECTION BETWEEN PP. I30 & 131 ACKNOWLEDGEMENTS, 277 FURTHER READING, 280 LIST OF ILLUSTRATIONS, 284 NOTES, 286 INDEX,292
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spellingShingle	Hill, Andrew Ruskinland how John Ruskin shapes our world Ruskin, John 1819-1900 (DE-588)118604279 gnd Rezeption (DE-588)4049716-1 gnd Kultur (DE-588)4125698-0 gnd Gesellschaft (DE-588)4020588-5 gnd
subject_GND	(DE-588)118604279 (DE-588)4049716-1 (DE-588)4125698-0 (DE-588)4020588-5 (DE-588)4022153-2
title	Ruskinland how John Ruskin shapes our world
title_auth	Ruskinland how John Ruskin shapes our world
title_exact_search	Ruskinland how John Ruskin shapes our world
title_full	Ruskinland how John Ruskin shapes our world Andrew Hill
title_fullStr	Ruskinland how John Ruskin shapes our world Andrew Hill
title_full_unstemmed	Ruskinland how John Ruskin shapes our world Andrew Hill
title_short	Ruskinland
title_sort	ruskinland how john ruskin shapes our world
title_sub	how John Ruskin shapes our world
topic	Ruskin, John 1819-1900 (DE-588)118604279 gnd Rezeption (DE-588)4049716-1 gnd Kultur (DE-588)4125698-0 gnd Gesellschaft (DE-588)4020588-5 gnd
topic_facet	Ruskin, John 1819-1900 Rezeption Kultur Gesellschaft Großbritannien
url	http://swbplus.bsz-bw.de/bsz1667188453inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031592140&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT hillandrew ruskinlandhowjohnruskinshapesourworld

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