Language, the singer and the song: the sociolinguistics of folk performance
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2019
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031575640&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | xvii, 372 Seiten Illustrationen, Noten |
| ISBN: | 9781107112711 |
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Datensatz im Suchindex
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| adam_text | Contents List ofImages List ofFigures List of Tables Preface Introduction 1 page x xi xii xiii 1 Essentials of Folk Performance The Structure of the Book A Reference Performance The Website Conventions A Functional Definition of Folk Song Bonding People Together through Song ‘All Music is Folk Music’ 1 3 4 7 8 9 11 15 Prologue 17 Language and Music 19 Language and Music as Communication Systems Languaging and Musicking Missing Links ‘Нтшштт’ and Human Language Mithen’s Hypothesis What Happened to ‘Hmmmmm’? Ontogenetic Evidence for the Priority of ‘FImmmnmť Song] and Song2: Distinguishing Hominins from Other Species Bird Song and Hominid Song Hominid Song as an Exaptive Ability or an Adaptive Faculty: Song]? The Emergence of Song2 A Footnote on the Development of Instrumental Music Containing Ritual Symbolic Containers The Symbolic Container of Ritual as the Source of Music The Sociolinguistics of Song Performance 19 19 21 22 23 25 26 29 29 31 32 33 33 34 35 37 v
vi Contents Part I: 2 3 Creating Community and Identity through Song ‘Breaking through’ into Performance 41 43 Singing, Languaging and Performing Hymes’ Notion of Breaking through into Performance The Chip Shop: Keying-in and Keying-out Performance in the Social Sciences since the 1950s Languaging in the Performance Mode and Conceptualising Performance in the Social Sciences Performance as Ritualised Social Drama Defining ‘Performance’ Constructing and Using the Container Constructing the Container in Emergent Social Practice Relational and Representational Singing Performances and the Performance Continuum Representational Performances The Performance Continuum and Hybrid Performance Types Classifying Performance Contexts 43 44 45 48 57 60 61 62 The Communality of Folk Song: Co-performance and Co-production 68 Singing to Create a Community The Eel’s Foot The Princess Charlotte The Monkseaton Arms Community Concepts in Sociolinguistics The Community of Practice The Discourse Community Co-performance and the Co-production of a ‘Folk’ Shanties and Rowing Songs Marching Songs Community in Song Song Choices Characteristics of Communal Songs From Rubber Soul to Rubber Folk 68 69 72 75 77 78 81 82 83 85 86 86 88 90 48 51 53 54 55 4 Answering Back: Rebels with and without a Cause 91 A Social Conundrum Finding a Voice The Voice of Folk Song Answering Back Folk Song and Modernity Folk Song and Protest The Nature of Protest in Song: Musical Aspects Strategies for ‘Answering Back’ in Song Answering Back in English-speaking Folk Worlds Answering Back in Scotland and Ireland: A
Historical Sketch Answering Back in the USA: A Historical Sketch Concluding Issues 91 92 93 94 96 98 98 100 102 103 106 109
Contents Part II: 5 6 7 vii Variation in Language and Folk Song 113 ‘The Times They Are a-Changin”: Language Change and Song Change 115 The Longevity of Songs The Actuation Process in Language Change and the Transmission Process in Song Change Three Hypothetical Principles for Tracing the History of Folk Songs A Song Schema Songs as Narratives Songs as Blueprints Variable Song Schemata, but One Song Two Minimally Different Song Schemata and Two Songs The Song Schema of ‘Geordie’ ‘Geordie’ in Child’s The English and Scottish Popular Ballads Two Seventeenth-Century ‘Geordie’ Broadsides Songs with No Apparent Song Schema ‘The Four Loom Weaver’ Creating New Songs from Old Material 116 119 121 122 123 126 132 132 135 136 139 141 144 Ideologies, Authenticities and Traditions 148 Tradition and Authenticity Tradition and ‘Traditional’ Songs ‘The Tradition’ The Discourse on Folk Song in Britain: The First Folk Song Revival Discourses and Discourse Archives History and Nostalgia The Discursive Expropriation of Folk Songs Searching for Authenticity: The Second Folk Song Revival Bonding the ‘Nation’ Redefining the ‘Folk’ The Authenticity Trope in Sociolinguistics and Music Performance Authenticity as the Process of Searching for the ‘Lost Other’ ‘The Good Ship Authenticity’ and the Second Folk Revival Adapting a Song to Different Performance Contexts: Authenticating the Singer 148 149 151 152 153 153 156 157 158 159 162 163 165 168 ‘Insects Caught in Amber’: Preserving Songs in Print, Transcript and Recording 173 Folk Song as a Process or a Product? Preservation in Performance and the
Perpetuation of Songs Standardisation Further Ideologies Types of Amber Preservation in Print Preservation in Notation Preservation in Recordings Perpetuation and Transmission 173 174 175 177 179 179 182 187 191 115
viii Contents Partili: 8 9 10 Folk Song Performance and Linguistics Voices in the Folk Song 197 199 Voices in Performance Frith’s Voices Voice and Voicing Performance Voices Exemplifying Performance Voices Voices and Music in Narrative Songs Exemplifying Fictional Voices: Two Songs about a Tailor Voicing and Ventriloquising Looking for Voices in the Ballad Voice Complexity in Ballads Voicing and Ventriloquising in Ballads The Role of the First-person Narrator in Implied Narratives Presenting a Representative T’ Imagining a ‘You’ Song Voices 199 200 201 203 205 206 206 211 212 214 216 217 218 220 223 The Song: Text and Entextualisation in Performance 226 In Search of the Text Written Texts vs Performance Blueprints Text and Entextualisation Revisited A ‘Flexible Schematic’ for Performance The ‘Flexible Schematic’ The ‘Components’ The Language of Folk Song Formulaic Lexis and Phrases Formulaic Lines, Stanzas and Episodes Formulae for Structuring Narratives The ‘Song Elements’: Functions of Language and Form for Entextualisation Song Schemata Formulaic Song Motifs (FSMs) Stanza and Verse 226 228 228 230 230 231 235 236 237 238 241 242 244 246 Going Out There and Doing Your Thing 249 Performances in Relational and Representational Frames Performance Types A Focus on Representational Performance ‘Billy Grey’ : A Case Study Norman Blake’s Song and First Recording Adopters and Adapters Lyrics and Pronunciation The North American Instantiations The Old World Adaptations Preliminary Conclusions From Perpetuation to Performance Two Types of Language ‘Standardisation’ Dealing with
Differences 249 249 250 251 252 254 257 257 259 262 263 263 265
Contents Style and Stylisation Style as a Sociolingüístic Dimension Phonological Constraints Rounding Off: The Impact of and on Performance 11 12 ix 267 269 272 274 Enregisterment through Song: The Performer’s Credibility 276 Enregistering Social Practices and Beliefs through Song Registers and Enregisterment Voices, Indexicality, Styles and Enregisterment Enregisterment, De-enregisterment and Re-enregisterment Features of Enregisterment Enregisterment in America De- and Re֊enregisterment in British and ‘New Folk’ Versions Shifts in Enregisterment and ‘Answering Back’ Enregistering ‘Folk Talk’ in Performance: Enregisterment] Characterological Figures and Distinctive Features Enregisterment] in Maddy Prior’s Performance ‘Back to the Tradition’ Enregistering Geordie through Song: Enregisterment2 Songs from Bell’s Rhymes ofNorthern Bards (1812) Nineteenth-century Enregisterment of Geordie in Song De-enregistering and Re-enregistering Geordie: ‘Byker Hill’ 276 277 278 278 279 280 281 282 283 283 286 292 292 298 302 Epilogue 309 Whither Folk Song, whither Sociolinguistics? 311 Tying the Ends Together Performance in Languaging Folk Song as Song that Bonds Communities New Approaches in Sociolinguistic Research In Defence of Appropriation and Authenticity: The Resilience of Folk Song And So to Conclude Appendix: Overview ofMusical Concepts Modes and Scales Basic Chords and Keys Harmonies/Chords for the Modal Scales References Index 311 313 316 320 322 327 328 328 329 331 332 347
|
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| isbn | 9781107112711 |
| language | English |
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| physical | xvii, 372 Seiten Illustrationen, Noten |
| psigel | BSB_NED_20191107 |
| publishDate | 2019 |
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| spellingShingle | Watts, Richard J. 1943- Morrissey, Franz Andres 1957- Language, the singer and the song the sociolinguistics of folk performance Music Performance Social aspects Music and language Folk songs History and criticism Gemeinschaft (DE-588)4020015-2 gnd Aufführung (DE-588)4143388-9 gnd Kommunikation (DE-588)4031883-7 gnd Folk music (DE-588)4137558-0 gnd Soziolinguistik (DE-588)4077623-2 gnd Musik (DE-588)4040802-4 gnd Identität (DE-588)4026482-8 gnd Sprache (DE-588)4056449-6 gnd |
| subject_GND | (DE-588)4020015-2 (DE-588)4143388-9 (DE-588)4031883-7 (DE-588)4137558-0 (DE-588)4077623-2 (DE-588)4040802-4 (DE-588)4026482-8 (DE-588)4056449-6 |
| title | Language, the singer and the song the sociolinguistics of folk performance |
| title_auth | Language, the singer and the song the sociolinguistics of folk performance |
| title_exact_search | Language, the singer and the song the sociolinguistics of folk performance |
| title_full | Language, the singer and the song the sociolinguistics of folk performance Richard J. Watts (University of Bern, Switzerland), Franz Andres Morrissey (University of Bern, Switzerland) |
| title_fullStr | Language, the singer and the song the sociolinguistics of folk performance Richard J. Watts (University of Bern, Switzerland), Franz Andres Morrissey (University of Bern, Switzerland) |
| title_full_unstemmed | Language, the singer and the song the sociolinguistics of folk performance Richard J. Watts (University of Bern, Switzerland), Franz Andres Morrissey (University of Bern, Switzerland) |
| title_short | Language, the singer and the song |
| title_sort | language the singer and the song the sociolinguistics of folk performance |
| title_sub | the sociolinguistics of folk performance |
| topic | Music Performance Social aspects Music and language Folk songs History and criticism Gemeinschaft (DE-588)4020015-2 gnd Aufführung (DE-588)4143388-9 gnd Kommunikation (DE-588)4031883-7 gnd Folk music (DE-588)4137558-0 gnd Soziolinguistik (DE-588)4077623-2 gnd Musik (DE-588)4040802-4 gnd Identität (DE-588)4026482-8 gnd Sprache (DE-588)4056449-6 gnd |
| topic_facet | Music Performance Social aspects Music and language Folk songs History and criticism Gemeinschaft Aufführung Kommunikation Folk music Soziolinguistik Musik Identität Sprache |
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