Anthropology of forgery: a multidisciplinary approach to the study of archaeological fakes
Gespeichert in:
| Weitere beteiligte Personen: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch Deutsch Französisch Italienisch |
| Veröffentlicht: |
Padova
Padova University Press
[2019]
|
| Schriftenreihe: | Antenor. Quaderni
46 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031575428&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 328 Seiten Illustrationen |
| ISBN: | 9788869381546 |
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Datensatz im Suchindex
| _version_ | 1819268757443313664 |
|---|---|
| adam_text | TABLE OF CONTENTS Monica Salvadori, Monica Baggio, “Il falso è misterioso e assai più oscuro se mescolato insieme a un po’ di vero”. Anthropology of Forgery: an Introduction............................................... 9 RESTORATIONS, REPRODUCTIONS, REVIVAL Anne-Marie Guimier-Sokbets, Où s’arrête l’authenticité, où commence la falsification d’une mosaïque? Quelques études de cas..................................................................................................... 15 Marcella De Paoli, When an Old Restoration Ends Up Being a Fake. “Cold Cases” from the Historical Collections of the Archaeological Museum, Venice..........................................................29 Angela Luppino, Il restauro dei vasi antichi nella prima metà del XIX secolo nel Real Museo Borbonico di Napoli: Raffaele Gargiulo e la sua collezione di vasi.................................................41 Federica Giacobello, The Intesa Sanpaolo Pottery Collection: from Research to Valorization....... 55 Stefania Mainieri, An Example of “Dangerous” 19th-century Restoration Work at the National Archaeological Museum of Naples (MANN).....................................................................................63 Gianluca Tagliamonte, Etruscan Fakes............................................................................................... 73 Karoline Zhuber-Okrog, Hier stimmt doch etwas nicht! Vier angeblich etruskische Spiegel in der Wiener Antikensammlung............................................................................................................ 77 Hélène Anton,
Campana, Pennelli and the Art of Forgery. A Series of Fake Roman Paintings in the Louvre’s Collections.................................................................................................................. 87 Flavia Fiorillo, Martina Cataldo, From Originals to Fakes. Classification of Paintings Through Case Studies..........................................................................................................................99 Michael Matzke, Art or Forgery ? Coin Imitation from Antiquity to the Present Day................... Ill Cristina Boschetti, Making Archaeological Glass............................................................................. 121 IN PURSUE OF THE AUTHENTIC: ARCHAEOLOGICAL AND ARCHAEOMETRIC INVESTIGATIONS Luca Zamparo, From Materiality to Authenticity: Methodological Observations............................133 Elisa Bernard, Serial Forger? Some Pseudo-Apulian Vases in the Marchetti Collection in Padua... 145 Anthropology of Forgery. A Multidisciplinary Approach to the Study of Archaeological Fakes
6 Table of Contents Ludovico Rebaudo, The Forger’s Modus Operandi. The Case of Some Pseudo-Attic Vases in a Private Collection in Gorizia (Italy)................................................................................................165 Cara Grace Tremain, Non-invasive Techniques to Authenticate the Painted Surfaces of Ancient Maya Ceramics..................................................................................................................... 173 Andrea Stella, The Impact of Modern Fakes in the Analysis of Monetary Circulation: a Case Study from Aquileia........................................................................................................................... 181 Alessandra Cannataro, “Ffor Fake?” The Strange Case of a “Pompeian” Surgical Set from a Private Collection in Padua.............................................................................................................. 187 Davide Delfino, The Estrada Collection in the Project of Museu Ibérico de Arqueologia e Arte (Ahrantes, Portugal). Evaluation Techniques in Archaeological Private Collections, Identification of Forgeries and Valorization....................................................................................197 Paul Craddock, Aspects ofSurface Examination in Authenticity: Investigating the Life History of an Artefact...................................................................................................................................... 209 ARCHAEOLOGICAL FORGERIES AND THE HISTORY OF CULTURE(S) Andrea Saccocci, Coin Counterfeiting in Medieval
Italy: the Archaeological Evidence (12th13th Centuries)..................................................................................................................................... 225 Annamaria Pazienza, Narrating the Lombards through Archaeological Fakes. Visions of the Early Middle Ages in Italian Cultural Memory..............................................................................235 Eduardo Corrochano Labrador, Nationalism as Motivation: Faking the Visigoth Past in Early 20th Century.............................................................................................................................. 259 Gabriella Prisco, Two Exhibitions and the Project of a Museum Dedicated to Forgery. A History between France and Italy (1930-1933)...............................................................................269 Kateryna Chuyeva, The Forgeries of Antiquities in Ukrainian Museums: the History of the Problem............................................................................................................................................... 287 LEGISLATION AND THE ANTIQUITIES MARKET: INSTITUTIONS, REGULATIONS AND PROCEDURES Julia Weiler-Esser, Preventing the Sale of Forgeries and Illegally Excavated Goods. A Legal Point of View.......................................................................................................................................295 Agnese Babini, The Regulation on Counterfeiting of Works of Art in the Italian Code of the Cultural and Landscape
Heritage.....................................................................................................305 Elena Pettenò, Vero о falso? La tutela dei beni culturali tra pubblico e privato: domande, problemi e prospettive.........................................................................................................................311 Andrea Pancotti, Da Archeologo ad Antiquario: l’esperienza di lavoro in una casa d’aste.......... 321 Anthropology of Forgery. A Multidisciplinary Approach to the Study of Archaeological Fakes
|
| any_adam_object | 1 |
| author2 | Baggio, Monica Bernard, Elisa Salvadori, Monica Zamparo, Luca |
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| indexdate | 2024-12-20T18:45:44Z |
| institution | BVB |
| isbn | 9788869381546 |
| language | English German French Italian |
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| publisher | Padova University Press |
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| series | Antenor. Quaderni |
| series2 | Antenor. Quaderni |
| spellingShingle | Anthropology of forgery a multidisciplinary approach to the study of archaeological fakes Antenor. Quaderni Fälschung (DE-588)4016247-3 gnd Archäologie (DE-588)4002827-6 gnd |
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| title | Anthropology of forgery a multidisciplinary approach to the study of archaeological fakes |
| title_auth | Anthropology of forgery a multidisciplinary approach to the study of archaeological fakes |
| title_exact_search | Anthropology of forgery a multidisciplinary approach to the study of archaeological fakes |
| title_full | Anthropology of forgery a multidisciplinary approach to the study of archaeological fakes edited by Monica Baggio, Elisa Bernard, Monica Salvadori, Luca Zamparo |
| title_fullStr | Anthropology of forgery a multidisciplinary approach to the study of archaeological fakes edited by Monica Baggio, Elisa Bernard, Monica Salvadori, Luca Zamparo |
| title_full_unstemmed | Anthropology of forgery a multidisciplinary approach to the study of archaeological fakes edited by Monica Baggio, Elisa Bernard, Monica Salvadori, Luca Zamparo |
| title_short | Anthropology of forgery |
| title_sort | anthropology of forgery a multidisciplinary approach to the study of archaeological fakes |
| title_sub | a multidisciplinary approach to the study of archaeological fakes |
| topic | Fälschung (DE-588)4016247-3 gnd Archäologie (DE-588)4002827-6 gnd |
| topic_facet | Fälschung Archäologie Aufsatzsammlung |
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