A history of art history:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2019]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031553393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "In this wide-ranging and authoritative book, the first of its kind in English, Christopher S. Wood tracks the evolution of the historical study of art from the late Middle Ages through the rise of the modern scholarly discipline of art history. Synthesising and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline"-- |
| Umfang: | 461 Seiten Illustrationen 25 cm |
| ISBN: | 9780691156521 |
Internformat
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| 520 | 3 | |a "In this wide-ranging and authoritative book, the first of its kind in English, Christopher S. Wood tracks the evolution of the historical study of art from the late Middle Ages through the rise of the modern scholarly discipline of art history. Synthesising and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline"-- | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
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| 653 | 0 | |a Art / Historiography | |
| 653 | 0 | |a Art / History | |
| 653 | 0 | |a Art | |
| 653 | 6 | |a History | |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031553393 | |
Datensatz im Suchindex
| _version_ | 1819342124016992256 |
|---|---|
| adam_text | CONTENTS
INTRODUCTION
RELATIVISM - A CAST
OF
THE
DICE - THE
ORIGIN
OF ART
HISTORY
- THREE
MODES
OF
ART
HISTORY:
ANNALS,
TYPOLOGY,
THE
PASTORAL
FABLE - EMPIRICAL
SCHOLARSHIP
800-1400
47
THE CLERIC ADAM VON BREMEN
ON
THE IMAGES
OF
THE NORSE GODS ST.
FRANCIS
OF
ASSISI AS RESTORER
OF
CHURCHES - EXCAVATION
OF
ETRUSCAN VASES
IN AREZZO - HISTORIOGRAPHIES
OF
ART
IN CHINA
1400-1500
57
A BYZANTINE
ICON
IN NUREMBERG - ANCIENT
SPOLIA
IN ROME - THE
CHRON
ICLES
OF
FLORENTINE
ART
HISTORY: FILIPPO VILLANI, CENNINO CENNINI, AND
LORENZO
GHIBERTI - PLINY
IN THE
BACKGROUND
1500-1550
MARTIN LUTHER
ON
PROGRESS IN THE ARTS - SOLICITOUS TREATMENT
OF
OLD
PICTURES IN ITALY - BARRIERS TO CHRISTIAN EVALUATION
OF
NON-CHRISTIAN ART:
LUDOVICO DE VARTHEMA
IN INDIA
- MEXICAN
ART
ADMIRED
BY
ALBRECHT
DTIRER
AND BARTOLOME DE LAS CAS
AS - PHILOLOGICAL RELATIVISM: CICERONIANS AND
ANTI-CICERONIANS - DOUBTS
ABOUT
PROGRESS - DILRER
AS
ART
TOURIST
- MARC
ANTONIO MICHIEL S DISCRIMINATIONS - GIORGIO VASARI, LIVES
OF
THE ARTISTS
- THE
ALBUM
PREFACE
OF
DUST
MUHAMMAD
1550-1600
VASARI, THE SECOND EDITION - HIS
LOW
OPINION
OF
MEDIEVAL ART, SHARED BY
HIS CONTEMPORARIES - REFORMATION AND COUNTER-REFORMATION - MIXED
REACTIONS TO THE REDISCOVERY
OF
EARLY CHRISTIAN
ART
- EUROPEAN
TRAVELERS
DESCRIPTIONS
OF
SOUTH
ASIAN
MONUMENTS
- NETHERLANDISH
ARTISTS
PERSPEC
TIVE
ON
THEIR
OWN
PAST
1600-1650
106
KAREL VAN MANDER,
BOOK
OF
PAINTERS -
ITALIAN CRITICS
OF
VASARI - HISTOR
ICAL
ART
IN THE BRITISH ROYAL COLLECTION - ANTIQUARIANS AND ICONOGRAPHERS
IN
ENGLAND AND ITALY - ARCHITECTURAL HISTORY, STILL TYPOLOGICAL - THE
PARTICIPATORY CONNOISSEURSHIP
OF
DONG QICHANG - FRANCISCUS JUNIUS S
HISTORY
OF
ANCIENT
PAINTING - FRANCIS BACON AGAINST
BOTH
ART
AND
HISTORY
127
ART
HISTORY
ACCORDING TO THE FRENCH
AND
ROMAN ACADEMIES - THE INTER
NATIONAL
ART
MARKET - CREATIVE ANTIQUARIANISM - THE
KUNST-
UND
WUNDERKAMMER -
EUROPEAN MISUNDERSTANDINGS
OF
AFRICAN CULT PRAC
TICES - ITALIAN REVISIONS
OF
VASARI - JOACHIM VON SANDRART S
HISTORY
OF
GERMAN
ART
-
ART
HISTORY
IN THE
QING
PERIOD
AND
THE
ART
THEORY
OF
SHITAO
1700-1750
141
BERNARD
DE MONTFAUCON S
PUBLICATION
OF
THE MEDIEVAL FRENCH
MONUMENTS
- LOCAL PATRIOTISM AMONG ITALIAN ANTIQUARIANS -
NORTHERN
EUROPEAN
CULTIVATION
OF
THE
GOTHIC STYLE - ROGER DE PILES, JEAN-BAPTISTE DUBOS,
AND
THE
SUBJECTIVIZATION
OF
AESTHETIC VALUE - CONNOISSEURSHIP
OF
DRAW
INGS: PIERRE-JEAN
MARIETTE
1750-1770
153
FOUR
APPROACHES
TO ART
AND
HISTORY:
JOHANN
JOACHIM
WINCKELMANN,
DENIS
DIDEROT,
HORACE
WALPOLE,
AND
GIOVANNI
BATTISTA
PIRANESI
1770-1790
J.
W.
GOETHE
ON
STRASBOURG
CATHEDRAL -
OTHER
PARTISANS
OF
MEDIEVAL
FORM
- SOME
EARLY
FORMULATIONS
OF
AESTHETIC
RELATIVISM
1790-1810
17
6
THE HISTORY
OF
ART
ON
DISPLAY IN THE REVOLUTIONARY LOUVRE FRIEDRICH
SCHLEGEL AT THE
LOUVRE - COPYING AND
COLLECTING
OF
MEDIEVAL
ART
IN ROME
AND
PARIS -
W.
H.
WACKENRODER S
AND
LUDWIG
TIECK S
FANTASIES
OFLATE
MEDI
EVAL
ART
- CONTEXTUALISM
OF
J.
G.
HERDER - EARLY STUDIES
OF
SOUTH ASIAN
ART
- GOETHE
AND
THE
REASSERTION
OF
IDEALISM
1810-1830
THE ROMANTIC FLIGHT FROM HISTORY: PHILIPP
OTTO
RUNGE - THE ROMAN
TIC RE-ENACTMENT
OF
HISTORY: THE NAZARENES - ROMANTIC SCHOLARSHIP: THE
MONOGRAPHIC
OR
LIFE AND
WORKS MODEL - THE
HISTORY
OF
ART
ACCORDING
TO
WILLIAM
BLAKE - GOETHE S
STUDIES
OFLATE
MEDIEVAL
NORTHERN
ART
215
G.
W.
F.
HEGEL: A THEORY
OF
ART
SUPPORTED
BY A HISTORY
OF
ART
- ART
HISTORY
IN THE GERMAN UNIVERSITIES - THE SOCIAL MNEMONICS
OF
RESTORATION AND
FESTIVE RE-ENACTMENT - ARCHEOLOGICAL RESEARCH - NEW PUBLIC MUSEUMS
- IMPLICATIONS
OF
PROSAIC
OR REALIST
ART
FOR
ART
HISTORICAL
THOUGHT
232
LEOPOLD VON RANKE AND
HISTORICISM: EACH EPOCH
IS
IMMEDIATE
TO GOD -
EXPANSION
OF
THE ARCHITECT S
MENU
OF
FORMS - TRAVELERS
GUIDEBOOKS -
CONSERVATION
AND RESTORATION - MODERNITY RE-ROUTED THROUGH THE PAST:
JOHN
RUSKIN,
GOTTFRIED
SEMPER,
EUGENE
VIOLLET-IE-DUC - JACOB BURCKHARDT
AND
THE
IDEA
OF
THE
RENAISSANCE -
ART
CRITICISM
IN FRANCE
252
PROFESSIONALIZATION OF UNIVERSITY-BASED
ART
HISTORY BOURGEOIS FANTA
SIES
OF
THE
ART
HISTORICAL PAST, ESPECIALLY IN VIENNA - FRIEDRICH NIETZSCHE
ON THE
PREDICAMENT
OF
THE MODERN
HISTORIAN - RESISTANCE TO HISTORICISM
FROM BEYOND THE UNIVERSITY: EUGENE FROMENTIN, GIOVANNI MORELLI, WAITER
PATER - THE
NON-RECEPTION
OF
ALTAMIRA
ALOIS
RIEGL AND
THE
INDEPENDENT
LIFE
OF
FORM - THE
ENNOBLING
THEORIES
OF
FORM
OF
KONRAD FIEDLER AND ADOLF
VON HILDEBRAND - ABSOLUTE AESTHETI
CISM: OSCAR
WILDE - POETIC
ART
HISTORY:
BERNARD
BERENSON
AND
VERNON
LEE
1900-1910
282
VARIETIES
OF
WELL-INFORMED TOURISM - THE CULTURE
OF
THE RENAISSANCE,
CONTINUED:
ABY
WARBURG - HIS
THEORY
OF
THE
IMAGE - RIEGL S
INVERSION
OF
EUROPEAN
ART
HISTORY
- WILHELM
WORRINGER S
SYMPATHY
FOR THE
BARBARIANS
1910-1920
302
THE
AVANT-GARDE
AND
ART
HISTORY:
BLUE RIDER
AND
DADA - HEINRICH
WOLFFLIN,
THE
STORY
OF
HARMONY
AND
DISSONANCE
1920-193
0
318
THE DISCIPLINE REFLECTS
ON
ITS
OWN
HISTORY: WILHELM WAETZOLDT, JULIUS
VON SCHLOSSER, ERWIN
PANOFSKY
- A THEORY
OF
ART LIBERATED FROM HISTORY:
CARL
EINSTEIN
1930-194
0
3
2
9
ART
HISTORY AND FASCISM
GERMAN
AND AUSTRIAN ART HISTORIANS
IN
THE
V.S. -
WAITER
BENJAMIN
AND
MARTIN
HEIDEGGER: ART
AND
ORIGIN - THE
LIFE
OF
FORMS, EXTENDED:
HENRI
FOCILLON
- CONNOISSEURIAL
ART
HISTORY
1940-195
0
347
STELLA KRAMRISCH ON HINDU
ARCHITECTURE
AND TIME ARCHITECTURAL HIS
TORIES, REAL AND UNREAL:
RUDOLF
WITTKOWER,
SIGFRIED GIEDION, HANS SEDL
MAYR - THE
RENDEZVOUS
WITH PALEOLITHIC
PAINTING - MARXIST
ART
HISTORIES
IN THE
V.K.
AND
THE
V.S.
1950-1960
3
61
PAX AESTHETICA: POST-WAR
RECONCILIATION
BETWEEN
ART
AND MODERNITY, BRO
KERED BY FORM -
THERAPEUTIC
MEDIEVALISMS - GERMAN MELANCHOLIA
- HOPE IN ABSTRACTION:
MEYER
SCHAPIRO
- PANOFSKY IN SEARCH
OF
EQUILIB
RIUM - THE
COLLEGE
SURVEY
COURSE
CONCLUSIONS:
NOVISSIMA
THE FAULT-LINE IN THE
DISCIPLINE:
CONTEMPORARY
ART AND EVERYTHING ELSE -
REALIZATION
OF
THE
MODERNIST
BREACH
WITH
THE
PAST - CONSEQUENCES
OF
ART S
DISENGAGEMENT FROM THE
DRAMA
OF
FORM
- CONTENT
AND
TRUTH-TELLING
OVER
FORM AND
FICTION - AGAINST
THE
RELATIVIST
PLURALITY
OF
VALUES - THE REALIST
OR
TECHNOLOGICAL
APPROACH
TO
REPRESENTATION:
ERNST
GOMBRICH - MORPHOL
OGIES
OF
NON-ART:
GEORGE
KUBLER
- GOMBRICH
AND
KUBLER S
REALIST
MISTRUST
OF
ART - ICONOCLASM
OF
JOHN
BERGER
- ART HISTORY AND ITS READERSHIP -
IRREALIST
THOUGHT,
ACQUAINTED
WITH
ART
-
OUR
PRESENTISMS
REFERENCES
409
INDEX
445
PHOTO
CREDITS
|
| any_adam_object | 1 |
| author | Wood, Christopher S. 1961- |
| author_GND | (DE-588)139285296 |
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| bvnumber | BV046173697 |
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| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV046173697 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:45:06Z |
| institution | BVB |
| isbn | 9780691156521 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031553393 |
| oclc_num | 1122750931 |
| open_access_boolean | |
| owner | DE-12 DE-Y3 DE-B170 DE-255 DE-Y2 DE-19 DE-BY-UBM DE-11 DE-824 DE-29 DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-Y3 DE-B170 DE-255 DE-Y2 DE-19 DE-BY-UBM DE-11 DE-824 DE-29 DE-355 DE-BY-UBR |
| physical | 461 Seiten Illustrationen 25 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Princeton University Press |
| record_format | marc |
| spellingShingle | Wood, Christopher S. 1961- A history of art history Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd |
| subject_GND | (DE-588)4033643-8 (DE-588)4138803-3 |
| title | A history of art history |
| title_auth | A history of art history |
| title_exact_search | A history of art history |
| title_full | A history of art history Christopher S. Wood |
| title_fullStr | A history of art history Christopher S. Wood |
| title_full_unstemmed | A history of art history Christopher S. Wood |
| title_short | A history of art history |
| title_sort | a history of art history |
| topic | Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd |
| topic_facet | Kunstgeschichtsschreibung Kunstgeschichte Fach |
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