I tondi di Venezia e Dumbarton Oaks: arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice
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Format: | Buch |
Sprache: | Italienisch Englisch |
Veröffentlicht: |
Roma
Viella
giugno 2019
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Ausgabe: | Prima edizione |
Schriftenreihe: | Venetiana
21 |
Schlagwörter: | |
Links: | http://www.sehepunkte.de/2020/01/33520.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031439971&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Umfang: | 258 Seiten, 64 ungezählte Seiten Tafeln Illustrationen |
ISBN: | 9788833131160 |
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Bibliografìa / Bibliography Fonti / Sources Andreae Danduli ducis Venetiarum Chronica per extensum descripta, aa. 46-1280 d.C.,a cura di E. Pastorello, Bologna 1938-1958 Annae Comnenae Alexias, ed. D.R. Reinsch, A. Kambylis, 2 voll., Berlin-New York 2001 Cassiodori senatoris Variae, ed. Th. Mommsen, Berlin 1894 Constantine Porphyrogenitus, De administrando imperio, ed. G. Moravcsik, R.J.H. Jenkins, Budapest 1949 Constantini Porphyrogeniti imperatoris De cerimoniis aulae Byzantinae, ed. Io. lac. Reiske, 2 voll, Bonn 1829-1830 Constantin VII Porphyrogénète, Le livre de cérémonies, 3 voll., ed. A. Vogt, Paris 1935-1940 Constitutiones et acta publica imperatorum et regum, vol. I, ed. L. Weiland, Han nover 1893 Eustathii Metropolitae Thessalonicensis Opuscula, accederant Trapezuntinae hi stóriáé scriptores Panaretus et Eugenicus, ed. Th.L.F. Tafel, Frankfurt a.M. 1832 (reprint Amsterdam 1964) Eustathii Thessalonicensis Opera minora magnam partem inedita, ed. P. Wirth, Berlin-New York 2000 Eustathios of Thessaloniki, Secular orations, 1167/8 to 1179, transi, by A.F. Stone with an introduction and commentary, Brisbane 2013 Fontes rerum Byzantinarum. Rhetorum saeculiXIIorationespoliticae, vol. 1/1-2, ed. VE. Regel, N.I. Novosadski, mit wissenschaftsgeschichtlichem Vorwort von A.P. Kazhdan, Leipzig 1982 (ed. orig. Petropoli 1892-1917) Georges et Demetrios Tomikès, Lettres et discours, ed. J. Darrouzès, Paris 1970 Giovanni Diacono, Istoria Veneticorum, ed. L. A. Berto, Bologna 1999
232 I tondi: Venezia Dumbarton Oaks / The Tondi: Venice Dumbarton Oaks Grégoire de Nazianze, Discours 4-5. Contre Julien, ed. J. Bernardi, Paris 1983 Gregorio di Nazianzo, Contro Giuliano l’Apostata. Orazione IV, ed. L. Lugaresi, Firenze 1993 Guillaume de Tyr, Chronique, ed. R.B.C. Huygens, Turnhout 1986 Ioannes Diaconus, Chronicon Venetum, ed. G.H. Pertz, Hannover 1846 Ioannis Cinnami Epitome rerum ab loanne et Alexio [sic pro Manuele] Comnenis gestarum, ed. A. Meineke, Bonn 1836 John Kinnamos, Deeds ofJohn and Manuel Comnenus, transi. Ch.M. Brand, New York 1976 Léon le Diacre, Empereurs du Xe siècle, présentation, traduction et notes par R. Bondoux et J.-P. Grélois, Paris 2014 Leonis Diaconi Caloensis Hìstoriarum libri X, ed. С.В. Hase, Bonn 1828 Leo the Deacon, The History. Byzantine Military Expansion in the Tenth Century, transi, and annotations by A.-M. Talbot, D.F. Sullivan, G.T. Dennis, S. Mc Grath, Washington, D.C., 2005 Liutprandi Cremonensis, Antapodosis, Homelia Paschalis, Historia Ottonis, Relatio de legatione Constantinopolitana, ed. P. Chiesa, Turnhout 1998 Martin da Canal, Les Estoires de Venise, ed. A. Limentani, Firenze 1973 Michael Glykas, Annales, ed. I. Bekker, Bonn 1836 Michel Italikos, Lettres et discours, ed. P. Gautier, Paris 1972 Michaelis Pselli Chronographia, ed. D.R. Reinsch, 2 voll., Berlin-Boston 2014 Michaelis Pselli Orationes Panegyricae, ed. G.T. Dennis, Stuttgart-Leipzig 1994 Michele Psello, Imperatori di Bisanzio (Cronografia), 2 voli., introd. di D. Del Como, testo critico di S. Impellizzeri, comm. di U. Criscuolo, trad, di S. Ronchey,
Roma-Milano 1984 Ničeta Coniata, Grandezza e catastrofe di Bisanzio (Narrazione cronologica), voi. I (Libri I-VIII), a cura di A. Pontani et al., Roma-Milano 1994 (seconda ed. 2017); vol. II (Libri IX-XIV), a cura di A. Pontani et al., ibidem 1999; vol. Ili (Libri XV-XIX), a cura di A. Pontani et al., ibidem 2014. Nicetae Choniatae Historia, ed. LA. van Dieten, 2 voll., Berlin-New York 1975 Nicola Callide, Carmi, ed. R. Romano, Napoli 1980 Petms Damiani, Institutio monialis, in Patrologia Latina, voi. 145, Paris 1853 Procopii Caesariensis Opera omnia, ed. J. Нашу, G. Wirth, vol. IV, De aedificiis, Leipzig 1964 Pseudo-Kodinos, Traité des offices, ed. J. Verpeaux, Paris 1966 Sabellico Marco Antonio, Rerum Venetarum decades, Venezia 1487 Sansovino Francesco, Le cose meravigliose e notabili della città di Veneţia, Ve nezia 1612 The life of St Andrew the Fool, 2 voll., ed. L. Rydén, Uppsala 1995 Theodoras Pródromos, Historische Gedichte, ed. W. Hörandner, Wien 1974
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234 I tondi: Venezia Dumbarton Oaks / The Tondi: Venice Dumbarton Oaks Barsanti C., Una rara scultura costantinopolitana di epoca paleoioga a Murano, in «Venezia Arti», 24 (2014), pp. 10-25 ---- , Venezia e Costantinopoli: capitelli di reimpiego nelle dimore lagunari del Duecento, in “Hadriatica”. Attorno a Venezia e al Medioevo tra arti, storia e storiografia. Scritti in onore di Wladimiro Dorigo, a cura di E. Concina, G. Trovabene, M. Agazzi, Padova 2002, pp. 59-69 Barsanti C., M. Piiritti Namer, Da Costantinopoli a Venezia. Nuove spoglie della chie sa di S. Polieucto. Nota preliminare, in «Nea Rhome», 6 (2009), pp. 133-156 Baržos К., Η γενεαλογία των Κομνηνών, 2 voll., Thessaloniki 1984 Belting Η., Eine Gruppe Konstantinopler Reliefs aus dem 11. Jahrhunderts, in «Pantheon», 30 (1972), 2, pp. 263-271 Berger A., Untersuchungen zu den Patria Konstantinupoleos, Bonn 1988 Berges D., Hellenistische Rundaltäre Kleinasiens, Freiburg 1986 Bergmann B., Der Kranz des Kaisers. Genese und Bedeutung einer römischen Insignie, Berlin-New York 2010 Bergmann M., Chiragan, Äphrodisias, Konstantinopel. Zur mythologischen Skulp tur der Spätantike, Wiesbaden 1999 ---- , Die Strahlen der Herrscher. Theomorphes Herrscherbild undpolitische Sym bolik im Hellenismus und in der römischen Kaiserzeit, Mainz a.R. 1998 Berto L.A., In Search of the First Venetians. Prosopography of Early Medieval Venice, Turnhout 2014 Bezzi M., Iconologia della sacralità del potere: il tondo Angaran e l’etimasia, Spoleto 2007 IBizantini in Italia, a cura di G. Cavallo et al., Roma 1982 Blackburn M., Crosses and
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236 I tondi: Venezia Dumbarton Oaks / The Tondi: Venice Dumbarton Oaks Castelnuovo-Tedesco L., J. Soultanian, with contributions by R.Y. Tayar, Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters, New York-New Haven-London 2010 I cavalli di S. Marco, Catalogo della mostra (Venezia, giugno-agosto 1977), a cura di G. Perocco, Venezia 1977 Ceriam M., La scultura veneziana fra culto dell’antico e “maniera moderna”, in Aldo Manuzio. Il rinascimento a Venezia, Catalogo della mostra (Venezia, 19 marzo-31 luglio 2016), a cura di G. Beltramini, D. Gasparotto, G. Manieri Elia, Venezia 2016, pp. 45-46 Chatzidakis M., Hosios Lõukas, Athens 1997 ---- , Icons ofPatmos, Athina 1995 Chatzidakis Μ., I. Bitha, Corpus of the Byzantine Wall-Painting of Greece: The island ofKythera, Athina 2003 Cheynet J.-С., Pouvoir et contestations à Byzance (963-1210), Paris 1990 Christoforaki L, Cyprus between Byzantium and the Levant: Eclecticism and In terchange in the Cycle of the Life of the Virgin in the Church of the Holy Cross at Pelendri, in «Επετηρίς Κέντρου Επιστημονικών Ερευνών [Annual of the Cyprus Research Centre]», 22 (1996), pp. 215-245 Claussen PC., Ritratto, in Enciclopedia dell’arte medievale, vol. X, Roma 1999, pp. 33-46 Colombi E., Storie di cronache e reliquie nella “Veneţia" altomedievale, Trieste 2012 Concina EL, A. Flores David, M. Guidetti, Luce dell’invisibile. Itinerari del mo saico intorno al Mediterraneo orientale, Introd. e dir. scientifica di Ennio Concina, Venezia 2011 Concina En., Fondaci. Architettura, arte e mercatura tra Levante, Venezia e
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XI, in La Venezia del Mille, a cura di F. Calasso, Firenze 1965, pp. 117-160 Pieralli L., L’editto conciliare emesso nel 1166 da Manuele I Comneno per dirimere la controversia del “Pater maior”, in «Rivista di studi bizantini e neoellenici», 47 (2010), pp. 330-356 Pierce Ch., W. Voelkle, S. L’Engle,
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e rilavorazione di materiali antichi nella Venezia medievale: al cuni esempi, in Riuso di monumenti [— ], p. 161 e sgg. ---- , Su alcuni “spolia” veneziani d’eccezione di età paleobizantina: і capitelli delle edicole dei Frari, in «Venezia Arti», 22-23 (2008-2009), pp. 69-78 Piltz E., Kamelaukion et mitra. Insignes byzantins impériaux et ecclésiastiques, Stockholm 1977 Piu E., Marano lagunare, Udine 1983 Podro M., The critical historians of art, New Haven 1982 Poeschke J., Mosaiken in Italien, 300-1300, München 2009 Polacco R., Marmi e mosaici paleocristiani e altomedievali del Museo Archeolo gico dì Venezia, Roma 1980 Porta P., Rilievi veneziani nella chiesa di S. Francesco di Bologna, in Studi in me moria di Giuseppe Bovini, Ravenna 1989, voi. II, pp. 557-573 Pozza M., G. Ravegnani,1 mattati con Bisanzio, 992-1198, Venezia 1992 Prinz Karl von Preußen und der Goslarer KaiserStuhl. Kunstgeschichte und Denk malpflege in Berlin und Preußen in der ersten Hälfte des 19. Jahrhunderts, ed. by G.-H. Zuchold, Berlin 1986
Bibliografia / Bibliography 247 Prinzing G., Das Bamberger Gunthertuch in neuer Sicht, in Byzantium and Its Neighbours, from the mid-9։h till the 12th Centuries, ed by. V. Vavrinek, in «Byzantinoslavica», 54 (1993), pp. 218-231 Prosopographie der mittelbyzantinischen Zeit. Zweite Abteilung, hrsg. v. R.-J. Li lie et al, 8 voll, Berlin 2009-2013 Protonotarios R, Η νομισματοκοπία του Βυζαντινού Κράτους της Ηπείρου (12041268), in «Ηπειρωτικά Χρονικά», 24 (1982), ρρ. 130-150 Prusac Μ., From Face to Face. Recarving of Roman Portraits and the Late-An tique Portrait Arts, Leiden-Boston 2011 Psarakis К., Ο τοιχογραφικός διάκοσμος του ναού του Αγίου Παντελεήμονα στα Ζυμβραγού Κισάμου, νομού Χανιών, m Μαργαρίτα։ [—^·], ρρ. 258-276 Quarta Crociata. Venezia, Bisanzio, Impero latino, a cura di G. Ortalli, G. Ravegnani, P. Schreiner, Venezia 2006 Ravegnani G., Bisanzio e Venezia, Bologna 2006 Rebaudo L., Il gruppo dei Tetrarchi: una lettura del reimpiego, in Riuso di monu menti [—»·], pp. 147-158 Restie M., Porträt. [3]. Byzanz, in Lexikon des Mittelalters, vol. VII, München 1995, eol. 115 Rhoby A., Byzantinische Epigramme aufFresken und Mosaiken, Wien 2009 Righetti R, Altari cilindrici a bucrani e festoni in Grecia. Studio preliminare, in «Xenia», 3 (1982), pp. 49-70 Riuso di monumenti e reimpiego di materiali antichi in età postclassica: il caso della “Veneţia”, Atti del Convegno (Aquileia 2011), a cura di G. Cuscito, Trieste 2012 Rizzi A., Altre patere veneto-bizantine nella terraferma veneta, in «Archeologia veneta», 10(1987), pp. 167-184 ---- , Catalogo delle patere e formelle
veneto-bizantine in Friuli, in «Atti dell’Ac cademia “San Marco” di Pordenone», 20 (2018), pp. 373-401. ---- , Guida della Dalmazia. Arte Storia Portolano, 2 voli., Trieste 2007-2010 ---- , “Raptim rapide note aggiuntive alla scultura erratica veneziana, in «Atti dell’Istituto Veneto di Scienze, Lettere ed Arti», 176 (2017-2018), pp. 149164 ---- , Scultura esterna a Venezia. Corpus delle sculture erratiche all’aperto di Ve nezia e della sua laguna, Venezia 2014 (prima ed. 1987) Roascio S., Note preliminari per un riesame delle sculture “veneto-bizantine conservate nel Museo Archeologico di Cividale del Friuli, in «Forum Iulii. Annuario del Museo Archeologico Nazionale di Cividale del Friuli», 25 (2001), pp. 47-66
248 I tondi: Venezia Dumbarton Oaks / The Tondi: Venice Dumbarton Oaks ---- , Le sculture ornamentali “veneto-bizantine ” di Cividale. Un itinerario arti stico e archeologico tra Oriente e Occidente medievale, Borgo San Lorenzo (FI) 2011 Romanin S., Storia documentata di Venezia, 9 voli, Venezia 1853-1861 Rösch G., Mercatura e moneta, in Storia di Venezia dalle origini alla caduta della Serenissima, vol. I, Origini-Età ducale, a cura di L. Cracco Ruggini, M. Pá ván, G. Cracco, G. Ortalli, Roma 1992, pp. 549-573 Rothkirch M., Prinz Carl von Preußen. Kenner und Beschützer des Schönen, 1801-1833, Osnabrück 1981 Rotili M., Arte Bizantina in Calabria e in Basilicata, Cava dei Tirreni 1980 Ruehl M.A., ‘1h This Time without Emperors ’: The Politics o/ErnstKantorowicz’s Kaiser Friedrich der Zweite Reconsidered, in «Journal of the Warburg and Courtauld Institutes», 63 (2000), pp. 187-242 Sarchi A., Antonio Lombardo, Venezia 2008 ---- , Cultura e pratica antiquaria nel percorso di Antonio Lombardo. Una propo sta per il cosiddetto “Ermafrodito Grimani ”, in Tullio Lombardo scultore e architetto nella Venezia del Rinascimento, Atti del Convegno (Venezia, 4-6 aprile 2006), a cura di M. Ceriana, Venezia 2007, pp. 345-360 Sartorio L., San Teodoro, statua composita, in «Arte Veneta», 1 (1947), pp. 132-134 Schlumberger G., Bas-relief du campo Angaran à Venise représentant un empereur byzantin du Xe siècle, in «Byzantinische Zeitschrift», 2 (1893), pp. 192-194 (reprint in Id., Mélanges d’archéologie byzantine [■—►], pp. 171-174) ---- , Un empereur byzantin au dixième siècle, Nicéphore
Phocas, Paris 1890 ---- , L’epopèe byzantine à lafin du dixième siècle, I, Paris 1896 ---- , Mélanges d’archéologie byzantine, Paris 1895 ---- , Mes souvenirs, 1844-1928, 2 voll., Paris 1934 Schmink A., Anmerkungen zur Beschreibung des Bildes Andronikos ’l. an der Kir che der 40 Märtyrer in Konstantinopel, in Inter cives necnon peregrinos. Es says in honour of Boudewijn Sirks, ed. by J. Jallebeel et al., Göttingen 2014 (rist. in Id., Ausgewälte Schriften zur byzantinischen Rechtsgeschichte und Kukturgeschichte, vol. II, Frankfurt am Main 2018, nr. XXXII, pp. 721-731) Schramm P.E., Das Herrscherbild in der Kunst des frühen Mittelalters, in Vorträ ge der Bibliothek Warburg, II, Vorträge 1922-1923, ed. by F. Saxl, Wiesba den 1924, pp. 145-224 ---- , Sphaira, Globus, Reichsapfel. Wanderung und Wandlung eines Herrschafts zeichens von Caesar bis zu Elisabeth II. Ein Beitrag zum ‘Nachleben ’ der Antike, Stuttgart 1958 Schulz J., The Origins of Venice: Urbanism on the Upper Adriatic Coast, in «Studi Veneziani», 61 (2010), pp. 15-56 Seals and Their Context in the Middle Ages, ed. Ph. Schofield, Oxford 2015
Bibliografìa / Bibliography 249 Sear D.R., Byzantine Coins and Their Values, London 1987 Seibt W., Der bisher jüngste Bleisiegeltypus byzantinischer Kaiser, in «Jahrbuch der Österreichischen Byzantinistik», 56 (2006), pp. 239-243 —, Die byzantinischen Bleisiegel in Österreich, voi. I, Kaiserhof, Wien 1978 Seibt W., L.-M. Zamitz, Das byzantinische Bleisiegel als Kunstwerk, Wien 1997 Seiler M., Entstehungsgeschichte des Landschaftgartens Klein-Glienicke, in Schloss Glienicke. Bewohner, Künstler, Parklandschaft, ed. by J. Julier, S. Leister, M. Schütte, Berlin 1987 Selvatico P., Sulla architettura e sulla scultura in Venezia, Venezia 1847 Sideris G., Jouer.du poil à Byzance: ange, eunuques etfemmes déguisées en moines, mHistoire du poil, dir. M.-F. Auzépy, J. Cornette, Paris 2011, pp. 94-114 Σινά. Οι θησαυροί της Μονής, gen. ed. K. Manaphes, Athina 1990 Skampavias К., Ένδεκα ανάγλυφα μεταλλικά εικονίδια βυζαντινών χρόνων του Μουσείου Κανελλοπουλου, in Μαργαρίται [-+], ρρ. 122-137 Smyth Μ., Le patere medievali dì Venezia: il gruppo già affisso nel cortile della Ca’d’Oro e il gruppo in situ nel cortiletto di Sant’Antonin, Tesi di laurea, Università Ca’ Foscari, Corso di Laurea in Conservazione e gestione dei beni e delle attività culturali, relatore Prof. M. Agazzi, Venezia a.a. 2014-2015 Sokolova LV, Pechatì vìzantiiskikh imperátorov, Sankt Peterburg 2007 Spatharakis L, Corpus of dated illuminated Greek manuscripts to the year 1453, 2 voll., Leiden 1981 ---- , The portrait in Byzantine illuminated manuscripts, Leiden 1976 Sperti L., Osservazioni sulla cronologia e la
provenienza dei capitelli più antichi reimpiegati nella basilica di San Marco a Venezia, in Archeologia classica e post-classica tra Italia e Mediterraneo. Scritti in ricordo di Maria Pia Rossignani, a cura di S. Lusuardi Siena et al., Milano 2016, voi. I, pp. 285-296 ---- , Rilievi greci e romani del Museo Archeologico di Venezia, Roma 1988 ---- , Sul reimpiego di scultura antica a Venezia: l’altare di Palazzo Mastelli, in «Rivista di Archeologia», 20 (1996), pp. 119-138 ---- , La testa del Todaro: un palinsesto in marmo tra età costantiniana e tardo Medioevo, in Pietre di Venezia [— ], pp. 173-193 Spry A., Metamorphic Textures, Oxford 1976 St. John Hope, W.H., The Stall Plates of the Knights of the Order of the Garter 1348-1485: A Series ofNinety Full-Sized Coloured Facsimiles with Descrip tive Notes and Historical Introductions, Westminster 1901 Stankovič VI., A. Berger, The Komnenoi and Constantinople before the Building of the Pantokrator Complex, in The Pantokrator Monastery in Constantino ple, ed. by S. Kotzabassi, Berlin 2013, pp. 3-32 Stone A., Imperial Types in Byzantine Panegyric, in Basileia: Essays on Imperium and Culture in Honour ofE.M. and M.J. Jeffreys, ed. by G. Nathan, L. Gar land, Brisbane 2011, pp. 173-188
250 I tondi: Venezia Dumbarton Oaks / The Tondi: Venice Dumbarton Oaks Stylianou A., J. Stylianou, The Painted Churches of Cyprus. Treasures of Byzan tine Art, Nicosia 1997 Swiechowski Z., A. Rizzi, Romanische Reliefs von venezianischen Fassaden. “Patere e formelle ”, in Zusammenarbeit mit R. Hamann-Mac Lean, Geleit wort von A. Grabar, Wiesbaden 1982 Thacher J.S., Handbook of the Dumbarton Oaks Collection, Washington, D.C., 1955 Theochare Μ., Άγνωστες Βυζαντινές Τοιχογραφίες στην Κεφαλληνία, in «Πρακτικά της Ακαδημίας Αθηνών», 58 (1983), ρρ. 632-640 Tigler G., Catalogo delle sculture, in Le sculture esterne di San Marco, a cura di O. Dėmus, L. Lazzarini, M. Piana, Milano 1995, pp. 25-227 ---- , Intorno alle colonne di Piazza San Marco, in «Atti dell’Istituto Veneto di Scienze, Lettere ed Arti», 158 (1999-2000), pp. 1-46 ---- , Scultura medievale a Treviso, VI-ХНІ secolo: problemi di datazione, origine e provenienza, destinazione e reimpiego di pezzi di spoglio ed erratici. Gli ar redi architettonici di genere aniconico di cultura protobizantina, ravennate, altoadriatica e veneziana, e l ’enigma dell ’identità trevisana, in Treviso e la sua civiltà nell’Italia dei Comuni, Atti del Convegno (Treviso 3-5 die. 2009), a cura di P. Cammarosano, Treviso 2010, pp. 267-323 Tomo Ginnasi A., L’incoronazione celeste nel mondo bizantino, Oxford 2014 Touratsoglou J., P. Protonotarios, Les émissions de couronnement dans le monnaya ge byzantine du XIIIe siècle, in «Révue numismatique», s. VI, 19 (1977), pp. 68-76 Tramontana S., La monarchia normanna e sveva, in Storia d’Italia, voi.
III, II Mezzogiorno dai Bizantini a Federico II, a cura di A. Guillou, Torino 1983, pp. 435-768 Travaini L., Ritratto. Monetazione, in Enciclopedia dell’arte medievale, vol. X, Roma 1999, p. 49 Traversati G., La statua di Asklepios-San Paolo della chiesa di San Polo a Vene zia, in Studi di archeologia della “XRegio ” in ricordo di Michele Tombolam, Roma 1994, pp. 255-260 Treitinger O., Die oströmische Kaiser- und Reichsidee, Jena 1938 (reprint 1956) Turetta VL, Alle origini del piedistallo cilindrico decorato nell’architettura venezìana del primo Rinascimento, in «Rivista di Archeologia», 30 (2006), pp. 141-160 ---- , Modelli antichi nella decorazione architettonica veneziana del primo Rina scimento: і plinti cilindrici decorati, Tesi di laurea Università Ca’ Foscari Venezia, a.a. 2005-2006 Underwood P.A., The evidence of restorations in the sanctuary mosaics of the Church ofthe Dormition at Nicaea, in «Dumbarton Oaks Papers», 13 ( 1959), pp. 235-242
Bibliografia / Bibliography 251 Vannier J.-E, Familles byzantines: les Argyroi, IXe-XIIe siècles, Paris 1975 Vamer E.R., Mutilation and Transformation. “Damnatio memoriae” and Roman Imperial Portraiture, Leiden 2004 Velmans T., Ritratto. Area bizantina, in Enciclopedia dell’arte medievale, vol. X, Roma 1999, pp. 46-49 —, L’église de Khé, en Géorgie, in L’Art Médiéval de l’Orient Chrétien, Recueil d’études (2e ed. revue et augmentée), Paris 2002, pp. 115-130 (già in «Zograf», 10, 1979, pp. 5-36) Venezia e Bisanzio, introd. di S. Bettini, a cura di I. Furlan et al., Venezia [1974] Venezia e Creta, Atti del Convegno Intemazionale di Studi (Iraklion-Chanià, 30 settembre-5 ottobre 1997), a cura di G. Ortalli, Venezia 1998 Venturi A., Storia dell’arte italiana, vol. II, Dall’arte barbarica alla romanica, Milano 1902 Vikan G., Catalogue of the Sculpture in the Dumbarton Oaks Collection from the Ptolemaic period to the Renaissance, Washington, D.C., 1995 Vocotopoulos P.L., Εικόνες της Κέρκυρας, Athina 1990 Vokotopoulos P.L., P. Demetrakopoulou, D. Rigakou, D.D. Triantafyllopoulos, I.P. Chouliaras, Ευρετήριο Βυζαντινών Τοιχογραφιών Ελλάδος. Ιόνια νησιά, Athi na 2018 Vocotopoulos P.L. et ai., Ιόνια νησιά, Athina 2018 Volbách W.F., J. Lafontaine-Dosogne, Byzanz und der christliche Osten, Berlin 1968 Walter Ch., Raising on a Shield in Byzantine Iconography, in «Revue des études byzantines», 33/1 (1975), pp. 133-176 Webb R., Ekphrasis. Imagination and Persuasion in Ancient Rhetorical Theory and Practice, Famham 2009 Weitzmann K., recensione a H. Peirce, R. Tyler, Three Byzantine Works
ofArt, in «The Art Bulletin», 25/2 (1943), pp. 163-164 Wessel К., Bildnis. В. Byzanz, т Lexikon des Mittelalters, München-Zürich 1983 (reprint Stuttgart-Weimar 1999), col. 174-181 -----, Kaiserbild, in Reallexikon der byzantinischen Kunst, hrsg. v. K. Wessel, M. Restle, voi. III, Stuttgart 1978, coll. 722-853 Wimmer M., Kantorowicz’s oaths. A Californian moment in the history of acade mic freedom, in «Österreichische Zeitschrift für Geschichtswissenschaften», 25 (2014), pį. 116-147 Winfield D., J. Winfield, The Church of the Panaghia tou Arakos at Lagoudera, Cyprus: The Paintings and Their Painterly Significance, Washington, D.C., 2003 The World of the Byzantine Museum, Athina 2004 Wolters W, San Marco a Venezia. Un filo d’Arianna per la visita, Sommacampagna (VR) 2014
252 I tondi: Venezia Dumbarton Oaks / The Tondi: Venice Dumbarton Oaks Wulff О., Altchristliche und byzantinische Kunst, voi. II, Die byzantinische Kunst von der ersten Blüte bis zu ihrem Ausgang, Berlin 1914 Zacos G., A. Veglery, Byzantine Lead Seals, Basel 1972 —, Byzantine Lead Seals, voi. II, compiled and ed. by J.W. Nesbitt, Beme 19841985 Zanotto R, Nuovissima guida di Venezia e delle isole della sua laguna, Venezia 1856 Zorzi A., Venezia scomparsa, 2 voli, Milano 1972 (reprint 1977) Zorzi N., La Storia di Ničeta Coniata, Libri І-ѴІП: Giovanni II e Manuele I Comneno. Materiali per un commento, Venezia 2012 Zuchold G.-H., Friedrich Wilhelm IV. und die Byzanzrezeption in derpreussischen Baukunst, in Friedrich Wilhelm IV. in seiner Zeit, ed. by О. Büsch, Berlin 1987 ---- , Der «Klosterhof» des Prinzen Karl von Preussen im Park von Schloss Glie nicke in Berlin, Berlin 1993 ---- , Der «Klosterhof» im Park von Schloß Glienicke. Privates Refugium oder Aus drucksträger eines konservativen Staatsmodells?, in Schloss Glienicke. Be wohner, Künstler, Parklandschaft, ed. by J. Julier, S. Leister, M. Schütte, Berlin 1987, pp. 237-242 |
any_adam_object | 1 |
author2 | Zorzi, Niccolò Berger, Albrecht 1957- Lazzarini, Lorenzo 1947- |
author2_role | edt edt edt |
author2_variant | n z nz a b ab l l ll |
author_GND | (DE-588)134214366 (DE-588)143886290 (DE-588)133230945 |
author_facet | Zorzi, Niccolò Berger, Albrecht 1957- Lazzarini, Lorenzo 1947- |
building | Verbundindex |
bvnumber | BV046058612 |
classification_rvk | LH 65460 NK 4760 |
ctrlnum | (OCoLC)1110073008 (DE-599)KXP1667959301 |
discipline | Kunstgeschichte Geschichte |
edition | Prima edizione |
era | Geschichte 900-1230 gnd |
era_facet | Geschichte 900-1230 |
format | Book |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
geographic | Venedig (DE-588)4062501-1 gnd Campiello Angaran Venedig (DE-588)7589487-7 gnd Byzanz (DE-588)4088772-8 gnd |
geographic_facet | Venedig Campiello Angaran Venedig Byzanz |
id | DE-604.BV046058612 |
illustrated | Illustrated |
indexdate | 2025-01-11T16:01:28Z |
institution | BVB |
isbn | 9788833131160 |
language | Italian English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031439971 |
oclc_num | 1110073008 |
open_access_boolean | |
owner | DE-M341 DE-Y2 DE-19 DE-BY-UBM DE-Y3 DE-Re13 DE-BY-UBR DE-255 DE-12 |
owner_facet | DE-M341 DE-Y2 DE-19 DE-BY-UBM DE-Y3 DE-Re13 DE-BY-UBR DE-255 DE-12 |
physical | 258 Seiten, 64 ungezählte Seiten Tafeln Illustrationen |
psigel | BSB_NED_20190926 gbd_0 |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Viella |
record_format | marc |
series | Venetiana |
series2 | Venetiana |
spelling | I tondi di Venezia e Dumbarton Oaks arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice a cura di/edited by Niccolò Zorzi, Albrecht Berger, Lorenzo Lazzarini The tondi in Venice and Dumbarton Oaks The tondi in Venice and Dumbarton Oaks Prima edizione Roma Viella giugno 2019 258 Seiten, 64 ungezählte Seiten Tafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier Venetiana 21 Dumbarton Oaks Research Library and Collection (DE-588)1025980-6 gnd rswk-swf Geschichte 900-1230 gnd rswk-swf Abbild (DE-588)4604932-0 gnd rswk-swf Kaiser Motiv (DE-588)4192932-9 gnd rswk-swf Spolie (DE-588)4277138-9 gnd rswk-swf Tondo (DE-588)4314547-4 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Kaiser (DE-588)4114123-4 gnd rswk-swf Relief (DE-588)4049373-8 gnd rswk-swf Venedig (DE-588)4062501-1 gnd rswk-swf Campiello Angaran Venedig (DE-588)7589487-7 gnd rswk-swf Byzanz (DE-588)4088772-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Byzanz (DE-588)4088772-8 g Tondo (DE-588)4314547-4 s Abbild (DE-588)4604932-0 s Kaiser (DE-588)4114123-4 s DE-604 Campiello Angaran Venedig (DE-588)7589487-7 g Relief (DE-588)4049373-8 s Kaiser Motiv (DE-588)4192932-9 s Geschichte 900-1230 z Dumbarton Oaks Research Library and Collection (DE-588)1025980-6 b Venedig (DE-588)4062501-1 g Spolie (DE-588)4277138-9 s Antike (DE-588)4068754-5 s Zorzi, Niccolò (DE-588)134214366 edt Berger, Albrecht 1957- (DE-588)143886290 edt Lazzarini, Lorenzo 1947- (DE-588)133230945 edt Venetiana 21 (DE-604)BV019344254 21 http://www.sehepunkte.de/2020/01/33520.html rezensiert in: sehepunkte 20 (2020), Nr. 1 Rezension Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031439971&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis |
spellingShingle | I tondi di Venezia e Dumbarton Oaks arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice Venetiana Dumbarton Oaks Research Library and Collection (DE-588)1025980-6 gnd Abbild (DE-588)4604932-0 gnd Kaiser Motiv (DE-588)4192932-9 gnd Spolie (DE-588)4277138-9 gnd Tondo (DE-588)4314547-4 gnd Antike (DE-588)4068754-5 gnd Kaiser (DE-588)4114123-4 gnd Relief (DE-588)4049373-8 gnd |
subject_GND | (DE-588)1025980-6 (DE-588)4604932-0 (DE-588)4192932-9 (DE-588)4277138-9 (DE-588)4314547-4 (DE-588)4068754-5 (DE-588)4114123-4 (DE-588)4049373-8 (DE-588)4062501-1 (DE-588)7589487-7 (DE-588)4088772-8 (DE-588)4143413-4 |
title | I tondi di Venezia e Dumbarton Oaks arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice |
title_alt | The tondi in Venice and Dumbarton Oaks The tondi in Venice and Dumbarton Oaks |
title_auth | I tondi di Venezia e Dumbarton Oaks arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice |
title_exact_search | I tondi di Venezia e Dumbarton Oaks arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice |
title_full | I tondi di Venezia e Dumbarton Oaks arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice a cura di/edited by Niccolò Zorzi, Albrecht Berger, Lorenzo Lazzarini |
title_fullStr | I tondi di Venezia e Dumbarton Oaks arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice a cura di/edited by Niccolò Zorzi, Albrecht Berger, Lorenzo Lazzarini |
title_full_unstemmed | I tondi di Venezia e Dumbarton Oaks arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice a cura di/edited by Niccolò Zorzi, Albrecht Berger, Lorenzo Lazzarini |
title_short | I tondi di Venezia e Dumbarton Oaks |
title_sort | i tondi di venezia e dumbarton oaks arte e ideologia imperiale tra bisanzio e venezia the tondi in venice and dumbarton oaks art and imperial ideology between byzantium and venice |
title_sub | arte e ideologia imperiale tra Bisanzio e Venezia = The tondi in Venice and Dumbarton Oaks : art and imperial ideology between Byzantium and Venice |
topic | Dumbarton Oaks Research Library and Collection (DE-588)1025980-6 gnd Abbild (DE-588)4604932-0 gnd Kaiser Motiv (DE-588)4192932-9 gnd Spolie (DE-588)4277138-9 gnd Tondo (DE-588)4314547-4 gnd Antike (DE-588)4068754-5 gnd Kaiser (DE-588)4114123-4 gnd Relief (DE-588)4049373-8 gnd |
topic_facet | Dumbarton Oaks Research Library and Collection Abbild Kaiser Motiv Spolie Tondo Antike Kaiser Relief Venedig Campiello Angaran Venedig Byzanz Aufsatzsammlung |
url | http://www.sehepunkte.de/2020/01/33520.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031439971&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV019344254 |
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