Verfügbarkeit: Abstraction and comics | Technische Universität München

Abstraction and comics: Volume 1

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Bibliographische Detailangaben
Weitere beteiligte Personen:	Rommens, Aarnoud (HerausgeberIn), Crucifix, Benoît (MitwirkendeR)
Format:	Buch
Sprache:	Französisch
Veröffentlicht:	Liège Presses universitaires de Liège 2019
Schriftenreihe:	ACME 4,1
Schlagwörter:	Bildband
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031432572&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	447 Seiten
ISBN:	9782390080398

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Datensatz im Suchindex

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adam_text	CONTENTS VOLUME I O ARCO DA NOITE BRANCA I DINIZ CONEFREY . INTRODUCTION I AARNOUD ROMMENS. RENAUD THOMAS. . . . . . . . ARCHEOLOGLES I ARCHEOLOGLES . . . 6 .25 .62 .75 PEUT-ON PARLER D ABSTRACTION DANS LES PREMIERES BANDES DESSINEES (CHAM, NADAR, DORE)? I JACQUES DORRENMATT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77 CLIFF STERRETT S JAZZ AGE ABSTRACTIONS I KATHERINE ROEDER. . . . . . . . . . . . . . . . . .91 DES CHEMINS VERS L ABSTRACTION: LA BANDE DESSINEE ABSTRAITE SELON IBN AL RABIN ET ANDREI MOLOTIU I JEAN-CHARLES ANDRIEU DE LEVIS . 109 PRACTICES I PRATLOUES . . . . . . . . . . 135 WHAT WOULD PAUL KLEE SAY? I KYM TABULO. . 136 ABSTRACT SEQUENTIAL ART: AN ARTIST S INSIGHT I KYM TABULO. 147 THE DRIFT OFIMPURE THOUGHTS I KYM TABULO. . . . . . . 166 A PROPOS DE DEUX POSSIBILITES DE BANDES DESSINEES ABSTRAITES I JESSIE BI . EXPERIMENTS IN COMICS: KAFKA S APHORISMS I MARTHA KUHLMAN NOTES ON TIME AND POETRY COMICS I BIANEA STONE. NARRATION I NARRATION . . . . . . . . . . . . . . C EST FINI. ~A COMMENCE. NOTES SUR WREK D OLIVIER DEPREZ, MILES O SHEA ET MARINE . 179 .201 .211 .231 PENHOUET I JAN BAETENS ................................. 233 ABSTRACTED NARRATION AND NARRATIVE ABSTRACTION: FORMS OFINTERPIAY BETWEEN NARRATION AND ABSTRACTION IN COMICS I KAI MIKKONEN . . . . . . . . . . . . . . . . . . . . 263 ADDING UP TO WHAT? DEGREES OF NARRATION AND ABSTRACTION IN WORDLESS COMICS I BARBARA POSTEMA. . . . . . . . . . . . . . . . . . . . . . . . . . . . 285 TANGRAM I BERLIAC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300 ABSTRACT PANELS AND SEQUENCES IN NARRATIVE COMICS I PASEA I LEFEVRE. . . . . . . . 313 THE POSSIBILITY OF A LIGNE CLAIRE ABSTRACTION: FROM JOCHEN GERNER AND SIEMON ALIEN TO FLOC H, PIERRE LE-TAN AND PATRICK CAUL FIELD I HUGO FREY . 329 SIGNIFICATLONS I SIGNIFICATIONS. . . . . . . . . . 341 ABSTRACTION AND NON-SEQUITUR I JAKOB F. DITTMAR . 343 TIC TAC COMIC I TOM6S ARGUELLO. . . . . . . . . . 356 ABSTRACTION AND COMICS FROM A SEMIOTIC POINT OF VIEW I FRED ANDERSSON . . 371 COMICS MACHINE I GENE KANNENBERG. . . . . . . . . . . . . . . . . . . . 398 CIMAGE BANDE DESSINEE, ENTRE FIGURATION ET ABSTRACTION. LE PARADOXE QUI FASCINE I JEAN-LOUIS TILLEUIL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .417
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title	Abstraction and comics
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