Orlan before Orlan:
Gespeichert in:
Beteiligte Personen: | , , |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Saint-Etienne
Ceysson
2018
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Schlagwörter: | |
Abstract: | "For the first time, Orlan's paintings, serigraphs and collages series are compiled in a catalog on the occasion of an unprecedented exhibition. These works she made when she was young are very different from her current work, and they remind us that Orlan's work also began with painting. [...] One might also be tempted to see in these pictures' assemblages of geometrical shapes the inside of La Mettrie's fleshless "body-machine," re-examined through the lens of Picabia's mechanisms and Duchamp's solitary machines. Supports/Surfaces may have played a part in providing Orlan with an argument to recuse the primacy they were given as an avant-garde in the art world. She contrasted their free, creased, and floating canvases with hard, industrial, non-"artistic" supports devoid of any of the intrinsic denotations, connotations and significations that the canvas usually carries, thus enhancing the brilliance of the enameled color and the increased reification of object-paintings which can therefore almost be categorized as sculptures. In this case, a backing is added to the painting. The paint becomes more than the stain that Benjamin described it as. I might also add that each of these paintings, like some of Duchamp's works, includes a system of levels and networks in its areas of flat color, so much so that it is not the painting of its time that comes to mind, but rather of the yet-to-come works of Peter Halley."--Page 4 of cover |
Umfang: | 127 Seiten 32 cm |
ISBN: | 9782490083329 2490083325 |
Internformat
MARC
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003 | DE-604 | ||
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008 | 190625s2018 xx b||| 00||| eng d | ||
020 | |a 9782490083329 |9 9782490083329 | ||
020 | |a 2490083325 |9 2490083325 | ||
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041 | 0 | |a eng | |
049 | |a DE-11 | ||
084 | |a LI 99999 |0 (DE-625)97471: |2 rvk | ||
100 | 1 | |a Ceysson, Bernard |d 1939- |e Verfasser |0 (DE-588)1027559778 |4 aut | |
245 | 1 | 0 | |a Orlan before Orlan |c [texts:] Bernard Ceysson, Eli Hill and Léa Chauvel-Lévy |
264 | 1 | |a Saint-Etienne |b Ceysson |c 2018 | |
300 | |a 127 Seiten |c 32 cm | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Orlan, the fundamentals / Léa Chauvel-Lévy -- Orlan before Orlan / Eli Hill -- Works | |
520 | 3 | |a "For the first time, Orlan's paintings, serigraphs and collages series are compiled in a catalog on the occasion of an unprecedented exhibition. These works she made when she was young are very different from her current work, and they remind us that Orlan's work also began with painting. [...] One might also be tempted to see in these pictures' assemblages of geometrical shapes the inside of La Mettrie's fleshless "body-machine," re-examined through the lens of Picabia's mechanisms and Duchamp's solitary machines. Supports/Surfaces may have played a part in providing Orlan with an argument to recuse the primacy they were given as an avant-garde in the art world. She contrasted their free, creased, and floating canvases with hard, industrial, non-"artistic" supports devoid of any of the intrinsic denotations, connotations and significations that the canvas usually carries, thus enhancing the brilliance of the enameled color and the increased reification of object-paintings which can therefore almost be categorized as sculptures. In this case, a backing is added to the painting. The paint becomes more than the stain that Benjamin described it as. I might also add that each of these paintings, like some of Duchamp's works, includes a system of levels and networks in its areas of flat color, so much so that it is not the painting of its time that comes to mind, but rather of the yet-to-come works of Peter Halley."--Page 4 of cover | |
653 | 1 | |a Orlan / Criticism and interpretation | |
653 | 0 | |a Painting / France | |
653 | 0 | |a Conceptual art / France | |
653 | 1 | |a Orlan | |
700 | 1 | |a Hill, Eli |e Verfasser |4 aut | |
700 | 1 | |a Chauvel-Lévy, Léa |e Verfasser |4 aut | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031333352 |
Datensatz im Suchindex
_version_ | 1818985729811808256 |
---|---|
any_adam_object | |
author | Ceysson, Bernard 1939- Hill, Eli Chauvel-Lévy, Léa |
author_GND | (DE-588)1027559778 |
author_facet | Ceysson, Bernard 1939- Hill, Eli Chauvel-Lévy, Léa |
author_role | aut aut aut |
author_sort | Ceysson, Bernard 1939- |
author_variant | b c bc e h eh l c l lcl |
building | Verbundindex |
bvnumber | BV045951271 |
classification_rvk | LI 99999 |
contents | Orlan, the fundamentals / Léa Chauvel-Lévy -- Orlan before Orlan / Eli Hill -- Works |
ctrlnum | (OCoLC)1112131728 (DE-599)BVBBV045951271 |
discipline | Kunstgeschichte |
format | Book |
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id | DE-604.BV045951271 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T18:39:32Z |
institution | BVB |
isbn | 9782490083329 2490083325 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031333352 |
oclc_num | 1112131728 |
open_access_boolean | |
owner | DE-11 |
owner_facet | DE-11 |
physical | 127 Seiten 32 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Ceysson |
record_format | marc |
spelling | Ceysson, Bernard 1939- Verfasser (DE-588)1027559778 aut Orlan before Orlan [texts:] Bernard Ceysson, Eli Hill and Léa Chauvel-Lévy Saint-Etienne Ceysson 2018 127 Seiten 32 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Orlan, the fundamentals / Léa Chauvel-Lévy -- Orlan before Orlan / Eli Hill -- Works "For the first time, Orlan's paintings, serigraphs and collages series are compiled in a catalog on the occasion of an unprecedented exhibition. These works she made when she was young are very different from her current work, and they remind us that Orlan's work also began with painting. [...] One might also be tempted to see in these pictures' assemblages of geometrical shapes the inside of La Mettrie's fleshless "body-machine," re-examined through the lens of Picabia's mechanisms and Duchamp's solitary machines. Supports/Surfaces may have played a part in providing Orlan with an argument to recuse the primacy they were given as an avant-garde in the art world. She contrasted their free, creased, and floating canvases with hard, industrial, non-"artistic" supports devoid of any of the intrinsic denotations, connotations and significations that the canvas usually carries, thus enhancing the brilliance of the enameled color and the increased reification of object-paintings which can therefore almost be categorized as sculptures. In this case, a backing is added to the painting. The paint becomes more than the stain that Benjamin described it as. I might also add that each of these paintings, like some of Duchamp's works, includes a system of levels and networks in its areas of flat color, so much so that it is not the painting of its time that comes to mind, but rather of the yet-to-come works of Peter Halley."--Page 4 of cover Orlan / Criticism and interpretation Painting / France Conceptual art / France Orlan Hill, Eli Verfasser aut Chauvel-Lévy, Léa Verfasser aut |
spellingShingle | Ceysson, Bernard 1939- Hill, Eli Chauvel-Lévy, Léa Orlan before Orlan Orlan, the fundamentals / Léa Chauvel-Lévy -- Orlan before Orlan / Eli Hill -- Works |
title | Orlan before Orlan |
title_auth | Orlan before Orlan |
title_exact_search | Orlan before Orlan |
title_full | Orlan before Orlan [texts:] Bernard Ceysson, Eli Hill and Léa Chauvel-Lévy |
title_fullStr | Orlan before Orlan [texts:] Bernard Ceysson, Eli Hill and Léa Chauvel-Lévy |
title_full_unstemmed | Orlan before Orlan [texts:] Bernard Ceysson, Eli Hill and Léa Chauvel-Lévy |
title_short | Orlan before Orlan |
title_sort | orlan before orlan |
work_keys_str_mv | AT ceyssonbernard orlanbeforeorlan AT hilleli orlanbeforeorlan AT chauvellevylea orlanbeforeorlan |