The final spectacle: military painting under the Second Empire, 1855-1867
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2019]
|
| Schlagwörter: | |
| Links: | http://d-nb.info/1091080429/04 http://swbplus.bsz-bw.de/bsz1662532911inh.htm http://www.sehepunkte.de/2020/07/33143.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031332537&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | X, 358 Seiten Illustrationen 25 cm |
| ISBN: | 9783110486681 3110486687 |
Internformat
MARC
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| 245 | 1 | 0 | |a The final spectacle |b military painting under the Second Empire, 1855-1867 |c Julia Thoma |
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Datensatz im Suchindex
| _version_ | 1819265475152969728 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
VII
ACKNOWLEDGEMENTS
IX
ABSTRACT
1
INTRODUCTION
15
I
MILITARY
PAINTINGS
IN
1855
15
HISTORICAL
BACKGROUND:
NAPOLEON
ILL
*
S
POLITICS
AND
THE
UNIVERSAL
EXHIBITION
OF
1855
23
VERNET
*
S
CAREER
AS
ILLUSTRATED
BY
THE
RETROSPECTIVE
OF
1855
33
VERNET
*
S
RETROSPECTIVE:
HISTORY
PAINTING
IN
QUESTION
57
VERNET
*
S
ART
IN
THE
SERVICE
OF
THE
SECOND
EMPIRE
67
II
THE
SECOND
EMPIRE
*
S
INFLUENCE
ON
MILITARY
PAINTINGS
95
PLATES
121
III
PAINTING
THE
CRIMEAN
WAR
121
HISTORICAL
BACKGROUND
132
THE
FAILURE
OF
TRADITIONAL
COMPOSITIONS
IN
DEPICTIONS
OF
THE
BATTLE
OF
THE
ALMA
147
THE
NARRATIVE
OF
THE
CRIMEAN
WAR
IN
THE
SALLE
DE
CRIMEE
IN
VERSAILLES
163
THE
SALLE
DE
CRIMEE
CENTREPIECE:
YVON
*
S
THREE
MALAKOFF
PAINTINGS
202
GENERAL
BOSQUET
*
S
*
MOUVEMENT
TOURNANT
*
IN
PILS
*
1861
BATAILLE
DE
UALMA
211
OUTSIDE
THE
SALLE
DE
CRIMEE:
PILS
*
PORTRAYAL
OF
THE
SOLDIERS
*
SUFFERING
IN
TRANCHEE
DEVANT
SEBASTOPOL
(1855)
221
221
235
255
264
272
281
282
285
292
298
304
306
312
316
320
325
331
339
357
TABLE
OF
CONTENTS
VI
IV
YVONS
BATAILLE
DE
SOLFERINO
(1861)
AND
THE
DECLINE
OF
THE
SPECTACULAR
MODE
HISTORICAL
BACKGROUND
OF
THE
CAMPAIGN
OF
ITALY
(1859)
RETURN
TO
TRADITION:
YVON
*
S
FAILED
CENTRE-STAGING
OF
NAPOLEON
III
IN
BATAILLE
DE
SOLFERINO
(1861)
THE
STATUS
OF
MILITARY
PAINTING
AT
THE
SALON
OF
1861
BACK
TO
THE
HEROIC
STRUGGLE
IN
MAGENTA
(1863):
YVON
*
S
FAILED
ATTEMPT
TO
RESTORE
HIS
REPUTATION
AS
A
MILITARY
PAINTER
MEISSONIER
*
S
L
*
EMPEREUR
A
SOLFERINO
(1864):
A
SOLUTION
TO
PAINTING
MODERN
WARFARE
V
GENRE
PAINTINGS
OF
MILITARY
SUBJECTS
SUBJECTIVITY
IN
MEISSONIER
*
S
SOLFERINO
(1864)
AND
STENDHAL
*
S
LA
CHARTREUSE
DE
PARME
(1839)
THE
HISTORY
OF
GENRE
PAINTING
A
FINE
LINE:
SENTIMENTALISM
IN
MILITARY
GENRE
PAINTINGS
BY
BELLANGE
AND
PROTAIS
MALE
COMPANIONSHIP
AND
ALLUSIONS
TO
HOMOEROTICISM
IN
MILITARY
GENRE
PAINTINGS
THE
EVOCATION
OF
ANTI-WAR
SENTIMENTS
IN
PROTAIS
*
EARLY
MILITARY
GENRE
PAINTINGS
THE
IMAGE
OF
NATIONAL
SACRIFICE
IN
PROTAIS
*
LE
MATIN
AND
LE
SOIR
AT
THE
SALON
OF
1863
LINKING
THE
ARMY
AND
CIVILIAN
SOCIETY?
PROTAIS
*
FIN
DE
LA
HALTE
(1864)
AND
THE
VULNERABLE
MALE
BODY
PROTAIS
*
ASSIMILATION
OF
PREVIOUS
CRITICISM
IN
LES
VAINQUEURS
(1865)
TIPPING
OVER
INTO
SENTIMENTALISM:
PROTAIS
*
LE
SOLDAT
BLESSE
(1866)
CONCLUSION
BIBLIOGRAPHY
IMAGE
CREDITS
|
| any_adam_object | 1 |
| author | Thoma, Julia ca. 20. Jh |
| author_GND | (DE-588)1182043992 |
| author_facet | Thoma, Julia ca. 20. Jh |
| author_role | aut |
| author_sort | Thoma, Julia ca. 20. Jh |
| author_variant | j t jt |
| building | Verbundindex |
| bvnumber | BV045950148 |
| ctrlnum | (OCoLC)1100119842 (DE-599)DNB1091080429 |
| dewey-full | 100 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 100 - Philosophy & psychology |
| dewey-raw | 100 |
| dewey-search | 100 |
| dewey-sort | 3100 |
| dewey-tens | 100 - Philosophy & psychology |
| discipline | Philosophie |
| era | Geschichte 1855-1867 gnd |
| era_facet | Geschichte 1855-1867 |
| format | Thesis Book |
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| geographic_facet | Frankreich |
| id | DE-604.BV045950148 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:39:30Z |
| institution | BVB |
| isbn | 9783110486681 3110486687 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031332537 |
| oclc_num | 1100119842 |
| open_access_boolean | |
| owner | DE-255 DE-706 DE-M341 DE-209 |
| owner_facet | DE-255 DE-706 DE-M341 DE-209 |
| physical | X, 358 Seiten Illustrationen 25 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | De Gruyter |
| record_format | marc |
| spellingShingle | Thoma, Julia ca. 20. Jh The final spectacle military painting under the Second Empire, 1855-1867 Schlachtenbild (DE-588)4203238-6 gnd Militärmalerei (DE-588)4169958-0 gnd |
| subject_GND | (DE-588)4203238-6 (DE-588)4169958-0 (DE-588)4018145-5 (DE-588)4113937-9 |
| title | The final spectacle military painting under the Second Empire, 1855-1867 |
| title_alt | Military painting under the Second Empire |
| title_auth | The final spectacle military painting under the Second Empire, 1855-1867 |
| title_exact_search | The final spectacle military painting under the Second Empire, 1855-1867 |
| title_full | The final spectacle military painting under the Second Empire, 1855-1867 Julia Thoma |
| title_fullStr | The final spectacle military painting under the Second Empire, 1855-1867 Julia Thoma |
| title_full_unstemmed | The final spectacle military painting under the Second Empire, 1855-1867 Julia Thoma |
| title_short | The final spectacle |
| title_sort | the final spectacle military painting under the second empire 1855 1867 |
| title_sub | military painting under the Second Empire, 1855-1867 |
| topic | Schlachtenbild (DE-588)4203238-6 gnd Militärmalerei (DE-588)4169958-0 gnd |
| topic_facet | Schlachtenbild Militärmalerei Frankreich Hochschulschrift |
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