Contemporary art, world cinema, and visual culture: essays
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London, UK ; New York, NY
Anthem Press
[2019]
|
| Schlagwörter: | |
| Abstract: | "The volume contains the collection of essays on modern and contemporary arts by Hamid Dabashi, the acclaimed cultural critic and scholar of Middle Eastern history and culture. It reintroduces the work of one theorist of modern and contemporary arts to extrapolate more universal issues of concern to art criticism in general"-- |
| Umfang: | viii, 361 Seiten Illustrationen 24 cm |
| ISBN: | 9781783089192 1783089199 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045908720 | ||
| 003 | DE-604 | ||
| 005 | 20190628 | ||
| 007 | t| | ||
| 008 | 190604s2019 xx a||| b||| 00||| eng d | ||
| 020 | |a 9781783089192 |c hardback |9 978-1-78308-919-2 | ||
| 020 | |a 1783089199 |c hardback |9 1-78308-919-9 | ||
| 035 | |a (OCoLC)1105594475 | ||
| 035 | |a (DE-599)BVBBV045908720 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 100 | 1 | |a Dabashi, Hamid |d 1951- |e Verfasser |0 (DE-588)133028003 |4 aut | |
| 240 | 1 | 0 | |a Essays |
| 245 | 1 | 0 | |a Contemporary art, world cinema, and visual culture |b essays |c by Hamid Dabashi ; edited with an introduction by Hamid Keshmirshekan |
| 264 | 1 | |a London, UK ; New York, NY |b Anthem Press |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a viii, 361 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Trauma, Memory, and History -- Récit de l'Exil Occidental -- Women Without Headaches -- Artists Without Borders : On Contemporary Iranian Art -- The Gun and the Gaze : Shirin Neshat's Photography -- Bordercrossings : Shirin Neshat's Body of Evidence -- Shirin Neshat : Transcending the Boundaries of an Imaginative Geography -- Capturing the Illusion of Reality : Mapping the Visual Subconscious of a People in the Photography of Bahman Jalali -- Tarek Al-Ghoussein Does Not Exist -- Ardeshir Mohassess, Etcetera -- Shoja Azari : Making the Homely Unhomely -- Nicky Nodjoumi, Nahid Haghighat : Liberating Fragments Against Totalizing Myths -- The Sublime and the Beautiful in the Time of Terror -- Warriors of Faith -- The '300' Stroke -- Amir Naderi's New York -- A Deadly Cinematic Subconscious | |
| 520 | 3 | |a "The volume contains the collection of essays on modern and contemporary arts by Hamid Dabashi, the acclaimed cultural critic and scholar of Middle Eastern history and culture. It reintroduces the work of one theorist of modern and contemporary arts to extrapolate more universal issues of concern to art criticism in general"-- | |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Arts, Modern / 20th century / Themes, motives | |
| 653 | 0 | |a Arts, Modern / 21st century / Themes, motives | |
| 653 | 0 | |a Arts and society / History / 20th century | |
| 653 | 0 | |a Arts and society / History / 21st century | |
| 653 | 0 | |a ART / Criticism & Theory | |
| 653 | 0 | |a ART / Middle Eastern | |
| 653 | 0 | |a LITERARY CRITICISM / Middle Eastern | |
| 653 | 0 | |a Arts and society | |
| 653 | 0 | |a Arts, Modern / Themes, motives | |
| 653 | 4 | |a 1900-2099 | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Keshmirshekan, Hamid |0 (DE-588)138845506 |4 edt | |
| 940 | 1 | |q BSB_NED_20190628 | |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 090511 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031291381 | |
Datensatz im Suchindex
| _version_ | 1818985645536706560 |
|---|---|
| any_adam_object | |
| author | Dabashi, Hamid 1951- |
| author2 | Keshmirshekan, Hamid |
| author2_role | edt |
| author2_variant | h k hk |
| author_GND | (DE-588)133028003 (DE-588)138845506 |
| author_facet | Dabashi, Hamid 1951- Keshmirshekan, Hamid |
| author_role | aut |
| author_sort | Dabashi, Hamid 1951- |
| author_variant | h d hd |
| building | Verbundindex |
| bvnumber | BV045908720 |
| contents | Trauma, Memory, and History -- Récit de l'Exil Occidental -- Women Without Headaches -- Artists Without Borders : On Contemporary Iranian Art -- The Gun and the Gaze : Shirin Neshat's Photography -- Bordercrossings : Shirin Neshat's Body of Evidence -- Shirin Neshat : Transcending the Boundaries of an Imaginative Geography -- Capturing the Illusion of Reality : Mapping the Visual Subconscious of a People in the Photography of Bahman Jalali -- Tarek Al-Ghoussein Does Not Exist -- Ardeshir Mohassess, Etcetera -- Shoja Azari : Making the Homely Unhomely -- Nicky Nodjoumi, Nahid Haghighat : Liberating Fragments Against Totalizing Myths -- The Sublime and the Beautiful in the Time of Terror -- Warriors of Faith -- The '300' Stroke -- Amir Naderi's New York -- A Deadly Cinematic Subconscious |
| ctrlnum | (OCoLC)1105594475 (DE-599)BVBBV045908720 |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-12-20T18:38:12Z |
| institution | BVB |
| isbn | 9781783089192 1783089199 |
| language | English |
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| physical | viii, 361 Seiten Illustrationen 24 cm |
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| publisher | Anthem Press |
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| spelling | Dabashi, Hamid 1951- Verfasser (DE-588)133028003 aut Essays Contemporary art, world cinema, and visual culture essays by Hamid Dabashi ; edited with an introduction by Hamid Keshmirshekan London, UK ; New York, NY Anthem Press [2019] © 2019 viii, 361 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Trauma, Memory, and History -- Récit de l'Exil Occidental -- Women Without Headaches -- Artists Without Borders : On Contemporary Iranian Art -- The Gun and the Gaze : Shirin Neshat's Photography -- Bordercrossings : Shirin Neshat's Body of Evidence -- Shirin Neshat : Transcending the Boundaries of an Imaginative Geography -- Capturing the Illusion of Reality : Mapping the Visual Subconscious of a People in the Photography of Bahman Jalali -- Tarek Al-Ghoussein Does Not Exist -- Ardeshir Mohassess, Etcetera -- Shoja Azari : Making the Homely Unhomely -- Nicky Nodjoumi, Nahid Haghighat : Liberating Fragments Against Totalizing Myths -- The Sublime and the Beautiful in the Time of Terror -- Warriors of Faith -- The '300' Stroke -- Amir Naderi's New York -- A Deadly Cinematic Subconscious "The volume contains the collection of essays on modern and contemporary arts by Hamid Dabashi, the acclaimed cultural critic and scholar of Middle Eastern history and culture. It reintroduces the work of one theorist of modern and contemporary arts to extrapolate more universal issues of concern to art criticism in general"-- Film (DE-588)4017102-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Arts, Modern / 20th century / Themes, motives Arts, Modern / 21st century / Themes, motives Arts and society / History / 20th century Arts and society / History / 21st century ART / Criticism & Theory ART / Middle Eastern LITERARY CRITICISM / Middle Eastern Arts and society Arts, Modern / Themes, motives 1900-2099 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Film (DE-588)4017102-4 s DE-604 Keshmirshekan, Hamid (DE-588)138845506 edt |
| spellingShingle | Dabashi, Hamid 1951- Contemporary art, world cinema, and visual culture essays Trauma, Memory, and History -- Récit de l'Exil Occidental -- Women Without Headaches -- Artists Without Borders : On Contemporary Iranian Art -- The Gun and the Gaze : Shirin Neshat's Photography -- Bordercrossings : Shirin Neshat's Body of Evidence -- Shirin Neshat : Transcending the Boundaries of an Imaginative Geography -- Capturing the Illusion of Reality : Mapping the Visual Subconscious of a People in the Photography of Bahman Jalali -- Tarek Al-Ghoussein Does Not Exist -- Ardeshir Mohassess, Etcetera -- Shoja Azari : Making the Homely Unhomely -- Nicky Nodjoumi, Nahid Haghighat : Liberating Fragments Against Totalizing Myths -- The Sublime and the Beautiful in the Time of Terror -- Warriors of Faith -- The '300' Stroke -- Amir Naderi's New York -- A Deadly Cinematic Subconscious Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4114333-4 (DE-588)4143413-4 |
| title | Contemporary art, world cinema, and visual culture essays |
| title_alt | Essays |
| title_auth | Contemporary art, world cinema, and visual culture essays |
| title_exact_search | Contemporary art, world cinema, and visual culture essays |
| title_full | Contemporary art, world cinema, and visual culture essays by Hamid Dabashi ; edited with an introduction by Hamid Keshmirshekan |
| title_fullStr | Contemporary art, world cinema, and visual culture essays by Hamid Dabashi ; edited with an introduction by Hamid Keshmirshekan |
| title_full_unstemmed | Contemporary art, world cinema, and visual culture essays by Hamid Dabashi ; edited with an introduction by Hamid Keshmirshekan |
| title_short | Contemporary art, world cinema, and visual culture |
| title_sort | contemporary art world cinema and visual culture essays |
| title_sub | essays |
| topic | Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Film Kunst Aufsatzsammlung |
| work_keys_str_mv | AT dabashihamid essays AT keshmirshekanhamid essays AT dabashihamid contemporaryartworldcinemaandvisualcultureessays AT keshmirshekanhamid contemporaryartworldcinemaandvisualcultureessays |