Artists in the Audience: Cults, Camp, and American Film Criticism
Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Princeton, NJ
Princeton University Press
[2018]
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| Subjects: | |
| Links: | https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276 |
| Summary: | Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
| Physical Description: | 1 online resource |
| ISBN: | 9780691186276 |
| DOI: | 10.1515/9780691186276 |
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| spelling | Taylor, Greg Verfasser aut Artists in the Audience Cults, Camp, and American Film Criticism Greg Taylor Princeton, NJ Princeton University Press [2018] © 1999 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator In English Camp (Style) Film criticism United States History Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmkritik (DE-588)4154367-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Filmkritik (DE-588)4154367-1 s Filmästhetik (DE-588)4140881-0 s 2\p DE-604 https://doi.org/10.1515/9780691186276 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Taylor, Greg Artists in the Audience Cults, Camp, and American Film Criticism Camp (Style) Film criticism United States History Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd Filmkritik (DE-588)4154367-1 gnd |
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| title | Artists in the Audience Cults, Camp, and American Film Criticism |
| title_auth | Artists in the Audience Cults, Camp, and American Film Criticism |
| title_exact_search | Artists in the Audience Cults, Camp, and American Film Criticism |
| title_full | Artists in the Audience Cults, Camp, and American Film Criticism Greg Taylor |
| title_fullStr | Artists in the Audience Cults, Camp, and American Film Criticism Greg Taylor |
| title_full_unstemmed | Artists in the Audience Cults, Camp, and American Film Criticism Greg Taylor |
| title_short | Artists in the Audience |
| title_sort | artists in the audience cults camp and american film criticism |
| title_sub | Cults, Camp, and American Film Criticism |
| topic | Camp (Style) Film criticism United States History Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd Filmkritik (DE-588)4154367-1 gnd |
| topic_facet | Camp (Style) Film criticism United States History Motion pictures Aesthetics Filmästhetik Filmkritik USA Aufsatzsammlung |
| url | https://doi.org/10.1515/9780691186276 |
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