Artists in the Audience: Cults, Camp, and American Film Criticism
Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film...
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Beteilige Person: | |
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2018]
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Schlagwörter: | |
Links: | https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276?locatt=mode:legacy https://doi.org/10.1515/9780691186276 |
Zusammenfassung: | Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
Umfang: | 1 online resource |
ISBN: | 9780691186276 |
DOI: | 10.1515/9780691186276 |
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Datensatz im Suchindex
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---|---|
adam_text | |
any_adam_object | |
author | Taylor, Greg |
author_facet | Taylor, Greg |
author_role | aut |
author_sort | Taylor, Greg |
author_variant | g t gt |
building | Verbundindex |
bvnumber | BV045878873 |
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dewey-ones | 791 - Public performances |
dewey-raw | 791.43/01/50973 |
dewey-search | 791.43/01/50973 |
dewey-sort | 3791.43 11 550973 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.1515/9780691186276 |
format | Electronic eBook |
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spelling | Taylor, Greg Verfasser aut Artists in the Audience Cults, Camp, and American Film Criticism Greg Taylor Princeton, NJ Princeton University Press [2018] © 1999 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator In English Camp (Style) Film criticism United States History Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmkritik (DE-588)4154367-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Filmkritik (DE-588)4154367-1 s Filmästhetik (DE-588)4140881-0 s 2\p DE-604 https://doi.org/10.1515/9780691186276 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Taylor, Greg Artists in the Audience Cults, Camp, and American Film Criticism Camp (Style) Film criticism United States History Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd Filmkritik (DE-588)4154367-1 gnd |
subject_GND | (DE-588)4140881-0 (DE-588)4154367-1 (DE-588)4078704-7 (DE-588)4143413-4 |
title | Artists in the Audience Cults, Camp, and American Film Criticism |
title_auth | Artists in the Audience Cults, Camp, and American Film Criticism |
title_exact_search | Artists in the Audience Cults, Camp, and American Film Criticism |
title_full | Artists in the Audience Cults, Camp, and American Film Criticism Greg Taylor |
title_fullStr | Artists in the Audience Cults, Camp, and American Film Criticism Greg Taylor |
title_full_unstemmed | Artists in the Audience Cults, Camp, and American Film Criticism Greg Taylor |
title_short | Artists in the Audience |
title_sort | artists in the audience cults camp and american film criticism |
title_sub | Cults, Camp, and American Film Criticism |
topic | Camp (Style) Film criticism United States History Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd Filmkritik (DE-588)4154367-1 gnd |
topic_facet | Camp (Style) Film criticism United States History Motion pictures Aesthetics Filmästhetik Filmkritik USA Aufsatzsammlung |
url | https://doi.org/10.1515/9780691186276 |
work_keys_str_mv | AT taylorgreg artistsintheaudiencecultscampandamericanfilmcriticism |