The Signature Style of Frans Hals: Painting, Subjectivity, and the Market in Early Modernity
The painters of the Dutch Golden Age have a reputation for favoring a dark, serious aesthetic and subdued, everyday scenes over the bravado of their Catholic counterparts. But in fact, Dutch paintings of this period often contain witty visual puns and a fierce vibrancy in their choice of color and s...
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| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2012]
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| Schriftenreihe: | Amsterdam Studies in the Dutch Golden Age
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9789048514595 https://doi.org/10.1515/9789048514595 https://doi.org/10.1515/9789048514595 https://doi.org/10.1515/9789048514595 https://doi.org/10.1515/9789048514595 https://doi.org/10.1515/9789048514595 https://doi.org/10.1515/9789048514595 https://doi.org/10.1515/9789048514595 |
| Zusammenfassung: | The painters of the Dutch Golden Age have a reputation for favoring a dark, serious aesthetic and subdued, everyday scenes over the bravado of their Catholic counterparts. But in fact, Dutch paintings of this period often contain witty visual puns and a fierce vibrancy in their choice of color and subjects. No one more exemplifies this lushness and vividness more than Frans Hals. This richly illustrated volume considers Hals’s lively brush strokes and distinctive handling of paint within the context of Dutch Golden Age painting as a whole, and itprovides powerful insight into his influence during his own time and for generations afterward. Christopher D. M. Atkins looks at the world in which Hals lived, mining the Dutch economy, as well as Hals’s relationships with clients, pupils, and assistants, in order to gain a fuller grasp of the evolution of Hals’s instantly recognizable style. A thoughtful study of the commercial and artistic concerns that shaped Hals’s work, this book reflects on ideas of authorship, consumption, and subjectivity in early modern Europe. Combining smart historical analysis and a deep understanding of Dutch consumer culture with a strong sense of Hals as an artist, The Signature Style of Frans Hals offers a wholly new understanding of both the painter and his world. With discussions of two of Hals’s most famous paintings, The Laughing Cavalier and The Gypsy Girl, this book is required reading for scholars of economic history, art historians, and anyone interested in gaining a deeper insight into life and times of this Dutch master |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018) |
| Umfang: | 1 online resource 129 color plates |
| ISBN: | 9789048514595 |
| DOI: | 10.1515/9789048514595 |
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| 520 | |a The painters of the Dutch Golden Age have a reputation for favoring a dark, serious aesthetic and subdued, everyday scenes over the bravado of their Catholic counterparts. But in fact, Dutch paintings of this period often contain witty visual puns and a fierce vibrancy in their choice of color and subjects. No one more exemplifies this lushness and vividness more than Frans Hals. This richly illustrated volume considers Hals’s lively brush strokes and distinctive handling of paint within the context of Dutch Golden Age painting as a whole, and itprovides powerful insight into his influence during his own time and for generations afterward. Christopher D. M. Atkins looks at the world in which Hals lived, mining the Dutch economy, as well as Hals’s relationships with clients, pupils, and assistants, in order to gain a fuller grasp of the evolution of Hals’s instantly recognizable style. A thoughtful study of the commercial and artistic concerns that shaped Hals’s work, this book reflects on ideas of authorship, consumption, and subjectivity in early modern Europe. Combining smart historical analysis and a deep understanding of Dutch consumer culture with a strong sense of Hals as an artist, The Signature Style of Frans Hals offers a wholly new understanding of both the painter and his world. With discussions of two of Hals’s most famous paintings, The Laughing Cavalier and The Gypsy Girl, this book is required reading for scholars of economic history, art historians, and anyone interested in gaining a deeper insight into life and times of this Dutch master | ||
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| id | DE-604.BV045877752 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-18T17:09:04Z |
| institution | BVB |
| isbn | 9789048514595 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031260948 |
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| spelling | Atkins, Christopher D. M. Verfasser aut The Signature Style of Frans Hals Painting, Subjectivity, and the Market in Early Modernity Christopher D. M. Atkins Amsterdam Amsterdam University Press [2012] © 2012 1 online resource 129 color plates txt rdacontent c rdamedia cr rdacarrier Amsterdam Studies in the Dutch Golden Age Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018) The painters of the Dutch Golden Age have a reputation for favoring a dark, serious aesthetic and subdued, everyday scenes over the bravado of their Catholic counterparts. But in fact, Dutch paintings of this period often contain witty visual puns and a fierce vibrancy in their choice of color and subjects. No one more exemplifies this lushness and vividness more than Frans Hals. This richly illustrated volume considers Hals’s lively brush strokes and distinctive handling of paint within the context of Dutch Golden Age painting as a whole, and itprovides powerful insight into his influence during his own time and for generations afterward. Christopher D. M. Atkins looks at the world in which Hals lived, mining the Dutch economy, as well as Hals’s relationships with clients, pupils, and assistants, in order to gain a fuller grasp of the evolution of Hals’s instantly recognizable style. A thoughtful study of the commercial and artistic concerns that shaped Hals’s work, this book reflects on ideas of authorship, consumption, and subjectivity in early modern Europe. Combining smart historical analysis and a deep understanding of Dutch consumer culture with a strong sense of Hals as an artist, The Signature Style of Frans Hals offers a wholly new understanding of both the painter and his world. With discussions of two of Hals’s most famous paintings, The Laughing Cavalier and The Gypsy Girl, this book is required reading for scholars of economic history, art historians, and anyone interested in gaining a deeper insight into life and times of this Dutch master In English Hals, Frans 1581-1666 (DE-588)118545221 gnd rswk-swf Geschichte 1700-1900 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Hals, Frans 1581-1666 (DE-588)118545221 p Rezeption (DE-588)4049716-1 s Malerei (DE-588)4037220-0 s Kunsthandel (DE-588)4033647-5 s Geschichte 1700-1900 z 1\p DE-604 https://doi.org/10.1515/9789048514595 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Atkins, Christopher D. M. The Signature Style of Frans Hals Painting, Subjectivity, and the Market in Early Modernity Hals, Frans 1581-1666 (DE-588)118545221 gnd Kunsthandel (DE-588)4033647-5 gnd Rezeption (DE-588)4049716-1 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118545221 (DE-588)4033647-5 (DE-588)4049716-1 (DE-588)4037220-0 |
| title | The Signature Style of Frans Hals Painting, Subjectivity, and the Market in Early Modernity |
| title_auth | The Signature Style of Frans Hals Painting, Subjectivity, and the Market in Early Modernity |
| title_exact_search | The Signature Style of Frans Hals Painting, Subjectivity, and the Market in Early Modernity |
| title_full | The Signature Style of Frans Hals Painting, Subjectivity, and the Market in Early Modernity Christopher D. M. Atkins |
| title_fullStr | The Signature Style of Frans Hals Painting, Subjectivity, and the Market in Early Modernity Christopher D. M. Atkins |
| title_full_unstemmed | The Signature Style of Frans Hals Painting, Subjectivity, and the Market in Early Modernity Christopher D. M. Atkins |
| title_short | The Signature Style of Frans Hals |
| title_sort | the signature style of frans hals painting subjectivity and the market in early modernity |
| title_sub | Painting, Subjectivity, and the Market in Early Modernity |
| topic | Hals, Frans 1581-1666 (DE-588)118545221 gnd Kunsthandel (DE-588)4033647-5 gnd Rezeption (DE-588)4049716-1 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Hals, Frans 1581-1666 Kunsthandel Rezeption Malerei |
| url | https://doi.org/10.1515/9789048514595 |
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