A history of ambiguity:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2019]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031244806&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031244806&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Bibliographie: Seiten 405-454 |
| Umfang: | xii, 469 Seiten Illustrationen |
| ISBN: | 9780691228440 9780691167954 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents ւԱստԾօճօոտ ix Preface and Acknowledgements xi Abbreviations A Note on Citations and Translations Introduction: A Company of Two Armies xiii xv 1 Part One: Themes 25 Chapter One: The Old Rhetoric 27 Chapter Two: Forensic Idols 73 Chapter Three: Collusion and Delusion 99 Chapter Four: River and Ocean 129 Chapter Five: Satura Lame 185 Part Two: Variations 237 Chapter Six: The Faultless Die 239 Chapter Seven: Ambiguities of Type 284 Chapter Eight: Adloyada 306 Chapter Nine: An Equivocal Smile 326 Chapter Ten: The Combination Room 364 Afterword 402 BAliography 405 index 455
Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to commu nication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been writ ten on the broader trajectory of West ern thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood. A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criti cism, Anthony Ossa-Richardson ex plores the many ways in which readers and theorists posited, denied, concep tualised, and argued over the existence of multiple meanings in texts between antiquity and the twentieth century. This process took on a variety of inter connected forms, from the Renaissance delight in the ‘elegance’ of ambiguities in Horace, through the extraordinary Catholic claim that Scripture could contain multiple literal—and not just allegorical—senses, to the theory of dramatic irony developed in the nine teenth century, a theory intertwined with discoveries of the double mean ings in Greek tragedy. Such narratives are not merely of antiquarian interest: rather, they provide an insight into the foundations of modem criticism, re vealing deep resonances between acts of interpretation in disparate eras and contexts. A History of Ambiguity lays bare the long tradition of efforts to lib erate language, and even a poet’s in tention,
from the strictures of a single meaning.
|
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| dewey-hundreds | 400 - Language |
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| illustrated | Illustrated |
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| isbn | 9780691228440 9780691167954 |
| language | English |
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| title | A history of ambiguity |
| title_auth | A history of ambiguity |
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| title_short | A history of ambiguity |
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