Metaphors of confinement: the prison in fact, fiction, and fantasy
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
Oxford University Press
2019
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| Ausgabe: | First edition |
| Schriftenreihe: | Law and literature
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030949233&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030949233&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xxviii, 804 Seiten Illustrationen |
| ISBN: | 9780198840909 |
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Datensatz im Suchindex
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| adam_text | Contents List ofFigures List of Tables List ofAbbreviations Typographical Conventions Introduction: Prisons, Images of Confinement, and the Carcerai Imaginary 0.1 Confinement and Flight: Preliminaries 0.2 Prison—History and Theory: Beyond Foucault 0.3 Spatial Symbolism and Carcerai Topography 0.3.1 Inside/Out: The Carcerai Container Metaphor 0.4 Topology and Tropology: Some Definitions 0.5 Metaphorics: Metaphor Theory and the Carcerai 0.6 Ideology and Metaphor: The Carcerai Imaginary 1. The Prison as World—The World as Prison: Similitudes and Homologies 1.1 Prisons, Worlds, and Counterwo rids 1.2 The Prison as World: Elizabethan and Jacobean Similitudes 1.3 Renaissance Comedy: The‘Old’Prison 1.4 The Prison as Microcosm of General Depravity: Counterworlds and the Shift from Prison as World to World as Prison 1.5 The World as Prison: From More to Beckett and Bond 1.5.1 Metaphor into Metonymy 1.5.2 Carcerai Allegory and the Return to Social Criticism 1.6 Summary 2. Poeta in Vinculis I: Textualizations of the Carcerai Experience 2.1 Writing and Confinement 2.2 Autobiographical vs. Fictional Representations of the Carcerai 2.3 Sir Thomas More: The World as Prison 2.3.1 (Auto)biographical More 2.3.2 Why Imprisonment Need Not be Feared: The World as Prison Trope 2.3.3 A Meditation on Christ’s Sacrifice 2.4 Bunyan’s Carcerai Metaphorics 2.4.1 Bünyan in Jail 2.4.2 Bunyan’s Carcerai Poetics 2.4.3 Bünyan and the Prison Experience in Poetry ХХІХ xxxi xxxiii xxxv 1 5 11 23 25 38 42 52 60 60 64 72 81 92 92 98 105 109 109 112 121 121 128 136 140 140 146 153
XXVi CONTENTS 3. Poeta in Vinculis II: The Twentieth Century 3.1 The Perspective from Below: Brendan Behan (1923-1964) 3.1.1 Farce and Farts: The Quare Fellow 3.1.2 Irish Martyr and Borstal Scout 3.2 Ken Saro-Wiwa: Prison Satires in a Neocolonial Setting 3.3 Breyten Breytenbach: Parable and the Sublimation of the Prison Experience in Language 3.4 Summary 4. Prisons as Homes and Homes as Prisons: From the Happy Prison to Strangulation by Domesticity 4.1 Binary Oppositions and their Reversals 4.2 Homes and Prisons 4.2.1 Cocooning Oneself for Life: Emily Dickinsons Poetics of Confinement 4.2.2 Dickens’s Carcerai Homes: Metaphor and Psychology 4.3 The Home as Tomb and Gothic Fantasies of Live Burial 4.3.1 Hawthorne’s Home as Prison: The House of the Seven Gables 4.4 The Shackles of Marriage: The Home as Prison 4.5 Domestic Dungeons: Marital Confinement in the Home 4.5.1 The Domestic Tragedy of Marriage 4.5.2 ‘To Room Nineteen’: Choking on Freedom 4.5.3 Insidious Patriarchy and the Working Woman:‘Weekend’ 4.6. Summary 171 171 173 181 190 207 219 225 227 233 233 243 256 258 267 271 272 274 277 281 5. The Prison as Cage: Abjection and Transcendence 5.1 Prisoners as Animals 5.2 Metaphoric Cages in Literature 5.2.1 ‘Like a Bird i’th’Cage’: The Golden Cage Trope 5.2.2 ‘Like wild beasts in a cage’: The Prowl of the Fierce and the Despair of the Weak 5.3 Prison Cages in Breytenbach and O’Neill: The Cage-Like Prison in Literature 5.3.1 The Prison as Abattoir 5.3.2 Eugene O’Neill’s Working Man as Caged Ape 5.4 Soaring on the Wings of the Spirit—Fantasies of Escape or Transcendence 5.4.1
Caleb Williams and the Subversion of Carcerai Topoi 5.4.2 Romantic Inflections: Poetic Dungeons of Horror and Transcendence 5.4.3 The Imagination as Avenue of Escape 283 283 289 295 6. The Cancer of Punitivity: Prisons of Slavery and Hell 6.1 Crimes of Justice: Penal Hell in ‘The Ballad of Reading Gaol’ 6.2 From the Crime of Imprisonment to the Crime of Punishment· Mead, Shaw, Menninger, and Wilson 6.3 Vindictive Justice: The Lure of Punitivity 344 346 300 305 305 306 316 318 326 340 352 362
CONTENTS 6.4 Colonialism as Carcerality 6.4.1 The Colonial Roots of Punitivity 6.4.2 Colonial Surveillance; or, Strickland among the Natives 6.4.3 Slavery and Carcerality 6.4.4 Colonial Imprisonment as Slavery on Robben Island 6.5 Real-Life Abjection in the Neocolonial Prison Archipelago 6.6 Summary 7. Industry and Idleness: Discipline and Punishment in the Capitalist Prison 7.1 Work as Punishment 7.2 Work, Silence, and Solitude 7.3 The Victorian Convict Prison 7.4 Prison Work in British Literature: It is Never Too Late to Mend: Work as Torture 7.5 The Factory as Prison in the Victorian Novel and its American Equivalents up until Modernism 7.5.1 Romantic Anti-Industrialism and the Factories 7.5.2 Prison, Slavery, and Hell: Fleetwood as a Factory Novel 7.5.3 Factories, Slavery, and Prisons in the 1840s 7.5.4 Carcerai Working Conditions: Melville andSinclair 7.6 Summary XXVÍÍ 373 373 375 383 385 390 396 399 400 406 414 423 432 432 441 445 451 462 8. Enthralment and Bondage: Love as a Prison 8.1 ‘Fast Bound in Misery and Iron : Mary Cholmondeley s Prisoners 8.2 Fettered by Love: The prison amoureuse Topos in English Literature 8.2.1 ‘Martyr I am and prisonere’ 8.2.2 Prisoners as Lovers in Renaissance Religious and Secular Verse 8.3 Love as Bondage: The Sadeian Tradition in English Literature 8.3.1 Cruel Ladies 8.3.2 Masochism in Literature 8.3.3 Angela Carter’s Poetics of Cruelty 8.4 Love versus Bondage: Dryd ens Allfor Love 8.5 Summary 466 469 478 480 489 496 496 504 512 520 529 9. Prisons of Femininity 532 9.1 Womens Double Confinement in the Penitentiary 533 9.2 Feminism
and Queer Inflections of the Panopticon 9.2.1 Allegories of Femininity: Carcerai Parables in Nights at the Circus 9.2.2 Linking Criminality and Madness: Sarah Waters’s Affinity and Fingersmith 9.3 Domesticity and the Body 9.3.1 Communal Surveillance and Sexual Abuse: Maps for Lost Lovers 9.3.2 Trifles: Domestic Confinement 9.4 Avenues of Escape: Transgressions into Madness 9.4.1 Driving You Mad: Confinement Breeds Insanity 542 542 548 561 562 567 570 572
xxviii CONTENTS 9.4.2 Verging on the Insane: Female Creativity and the Prison of Conventional Gender Roles 9.5 Womens Prisons: A Summary 10. Conclusions: The Aesthetics and Ethics of Carcerality 10.1 Carcerai Spaces 10.2 Carcerai Metaphorics 10.2.1 The Historical Range of Carcerai Metaphors 10.2.2 Prison is x Metaphors 10.2.3 The Mind in Chains: Prison-Houses of Language, Morality, or Ideology 10.3 The Ambivalences of Carcerai Topography and Metaphorics 10.4 The Aesthetics of Carcerality 10.4.1 Poetic Confinement 10.5 The Ethical Imperative: The Cultural Role of the Literary Prison and the Politics of Incarceration 577 586 592 595 597 597 606 611 620 625 633 637 Appendix 646 Works Cited 1. Texts 2. Criticism 3. Online Sources Author Index Subject Index 691 691 713 771 773 783
Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy offers a historical survey of imaginings of the prison as expressed in carcerai metaphors in a range of texts about imprisonment from Antiquity to the present as well as non-penal situations described as confining or restrictive. These imaginings coalesce into a carcerai imaginary’ that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way carcerai imaginary develops over time. Examining not only English-language prose fiction but also poetry and drama from the Middle Ages to postcolonial, particularly African, literature, the book juxtaposes literary and non-literary contexts and contrasts fictional and nonfictional representations of (im)prison(ment) and discussions about the prison as institution and experiential reality. It comments on present-day trends of punitivity and foregrounds the ethical dimensions of penal punishment. The main argument concerns the continuity of carcerai metaphors through the centuries despite historical developments that included major shifts in policy (such as the invention of the penitentiary). The study looks at selected carcerai metaphors, often from two complementary perspectives, such as the home as prison or the prison as home or the factory as prison and the prison as factory. The case studies present particularly relevant genres and texts that employ these metaphors, often from a historical perspective that analyses development through different periods.
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| title | Metaphors of confinement the prison in fact, fiction, and fantasy |
| title_auth | Metaphors of confinement the prison in fact, fiction, and fantasy |
| title_exact_search | Metaphors of confinement the prison in fact, fiction, and fantasy |
| title_full | Metaphors of confinement the prison in fact, fiction, and fantasy Monika Fludernik |
| title_fullStr | Metaphors of confinement the prison in fact, fiction, and fantasy Monika Fludernik |
| title_full_unstemmed | Metaphors of confinement the prison in fact, fiction, and fantasy Monika Fludernik |
| title_short | Metaphors of confinement |
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| title_sub | the prison in fact, fiction, and fantasy |
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