Seven keys to modern art:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Thames & Hudson
[2019]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven "keys". History, biography, aesthetics, experience, theory, criticism and the market represent conventional 'modes of existence' for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. 0Rather than proceeding on the basis of familiar art "movements" or "-isms", Morley focuses on just twenty individual works of art, from Matisse's The Red Studio to Doris Salcedo's Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art |
| Umfang: | 256 Seiten Illustrationen, Portraits 22 cm |
| ISBN: | 9780500021620 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV045530072 | ||
| 003 | DE-604 | ||
| 005 | 20190529 | ||
| 007 | t| | ||
| 008 | 190327s2019 xx ac|| b||| 00||| eng d | ||
| 020 | |a 9780500021620 |c hardback |9 978-0-500-02162-0 | ||
| 035 | |a (OCoLC)1098190461 | ||
| 035 | |a (DE-599)BVBBV045530072 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-255 |a DE-384 | ||
| 100 | 1 | |a Morley, Simon |d 1958- |e Verfasser |0 (DE-588)1154802302 |4 aut | |
| 245 | 1 | 0 | |a Seven keys to modern art |c Simon Morley |
| 246 | 1 | 3 | |a 7 keys to modern art |
| 264 | 1 | |a London |b Thames & Hudson |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a 256 Seiten |b Illustrationen, Portraits |c 22 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958) | |
| 520 | 3 | |a As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven "keys". History, biography, aesthetics, experience, theory, criticism and the market represent conventional 'modes of existence' for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. 0Rather than proceeding on the basis of familiar art "movements" or "-isms", Morley focuses on just twenty individual works of art, from Matisse's The Red Studio to Doris Salcedo's Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art | |
| 648 | 7 | |a Geschichte 1900-2015 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Wahrnehmung |0 (DE-588)4064317-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Art, Modern / 21st century / Appreciation | |
| 653 | 0 | |a ART / Criticism | |
| 653 | 4 | |a 2000-2099 | |
| 689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 1 | |a Wahrnehmung |0 (DE-588)4064317-7 |D s |
| 689 | 0 | 2 | |a Geschichte 1900-2015 |A z |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung UB Augsburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Augsburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030914203 | |
Datensatz im Suchindex
| _version_ | 1818985098818617345 |
|---|---|
| any_adam_object | 1 |
| author | Morley, Simon 1958- |
| author_GND | (DE-588)1154802302 |
| author_facet | Morley, Simon 1958- |
| author_role | aut |
| author_sort | Morley, Simon 1958- |
| author_variant | s m sm |
| building | Verbundindex |
| bvnumber | BV045530072 |
| contents | Introduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958) |
| ctrlnum | (OCoLC)1098190461 (DE-599)BVBBV045530072 |
| era | Geschichte 1900-2015 gnd |
| era_facet | Geschichte 1900-2015 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03941nam a22004458c 4500</leader><controlfield tag="001">BV045530072</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190529 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">190327s2019 xx ac|| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780500021620</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-500-02162-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1098190461</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045530072</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-384</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Morley, Simon</subfield><subfield code="d">1958-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1154802302</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Seven keys to modern art</subfield><subfield code="c">Simon Morley</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">7 keys to modern art</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Thames & Hudson</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">256 Seiten</subfield><subfield code="b">Illustrationen, Portraits</subfield><subfield code="c">22 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958)</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven "keys". History, biography, aesthetics, experience, theory, criticism and the market represent conventional 'modes of existence' for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. 0Rather than proceeding on the basis of familiar art "movements" or "-isms", Morley focuses on just twenty individual works of art, from Matisse's The Red Studio to Doris Salcedo's Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2015</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, Modern / 21st century / Appreciation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">ART / Criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">2000-2099</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1900-2015</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Augsburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Augsburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030914203</subfield></datafield></record></collection> |
| id | DE-604.BV045530072 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:29:30Z |
| institution | BVB |
| isbn | 9780500021620 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030914203 |
| oclc_num | 1098190461 |
| open_access_boolean | |
| owner | DE-12 DE-255 DE-384 |
| owner_facet | DE-12 DE-255 DE-384 |
| physical | 256 Seiten Illustrationen, Portraits 22 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Thames & Hudson |
| record_format | marc |
| spelling | Morley, Simon 1958- Verfasser (DE-588)1154802302 aut Seven keys to modern art Simon Morley 7 keys to modern art London Thames & Hudson [2019] © 2019 256 Seiten Illustrationen, Portraits 22 cm txt rdacontent n rdamedia nc rdacarrier Introduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958) As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven "keys". History, biography, aesthetics, experience, theory, criticism and the market represent conventional 'modes of existence' for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. 0Rather than proceeding on the basis of familiar art "movements" or "-isms", Morley focuses on just twenty individual works of art, from Matisse's The Red Studio to Doris Salcedo's Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art Geschichte 1900-2015 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Art, Modern / 21st century / Appreciation ART / Criticism 2000-2099 Kunst (DE-588)4114333-4 s Wahrnehmung (DE-588)4064317-7 s Geschichte 1900-2015 z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Morley, Simon 1958- Seven keys to modern art Introduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958) Wahrnehmung (DE-588)4064317-7 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4064317-7 (DE-588)4114333-4 |
| title | Seven keys to modern art |
| title_alt | 7 keys to modern art |
| title_auth | Seven keys to modern art |
| title_exact_search | Seven keys to modern art |
| title_full | Seven keys to modern art Simon Morley |
| title_fullStr | Seven keys to modern art Simon Morley |
| title_full_unstemmed | Seven keys to modern art Simon Morley |
| title_short | Seven keys to modern art |
| title_sort | seven keys to modern art |
| topic | Wahrnehmung (DE-588)4064317-7 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Wahrnehmung Kunst |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT morleysimon sevenkeystomodernart AT morleysimon 7keystomodernart |