Performing arts in transition: moving between media
Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2019
|
| Schriftenreihe: | Routledge advances in theatre and performance studies
|
| Schlagwörter: | |
| Abstract: | "Performing artists - especially from dance and performance art, as well as opera - are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which 'survives' it. Case studies from a broad range of interdisciplinary scholars address phenomena such as: - the dynamics of transfer between the performing and visual arts - the philosophy and terminologies of transitioning between media - narratives and counternarratives in historical re-creations - the status of chronology and the document in art scholarship This is an essential contribution to a vibrant, multidisciplinary and international field of research emerging at the intersections of performance, visual arts, and media studies"-- |
| Umfang: | xvii, 255 Seiten Illustrationen |
| ISBN: | 9781138574014 |
Internformat
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| 245 | 1 | 0 | |a Performing arts in transition |b moving between media |c edited by Susanne Foellmer, Maria Katharina Schmidt, and Cornelia Schmitz |
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| 505 | 8 | |a Dance, performance, media, transfer: sketching notions and problems in the field / Susanne Foellmer -- Non-time of lived experience: colour, action, and dance in Hélio Oiticica's early works / André Lepecki -- Embodying, repeating, and working-through: the artistic practice of Rebecca Davis and Abigail Levine in the context of their re-enactments of Marina Abramovic's performances / Joy Kristin Kalu -- Micro-dramaturgical temporalities of media theatre: on the difference between performative and operative re-enactment / Wolfgang Ernst -- Trans(pos)ition: in the language of the curatorial / Beatrice von Bismarck -- Performative contours / Nicole Haitzinger -- Thumb and index mode: performance, digital art, and the ORLAN Network / Wolf-Dieter Ernst -- Videoed memories and movements, rediscovered and regained: "It's aching like birds" (2001) / Ulrike Hanstein -- The deadness of live opera / Christopher Morris -- The equally-valid image: considerations on Ragnar Kjartansson's art of challenging the hierarchy between attending a performance and relying on its photographic remains / Sandra Umathum -- Dance and building in dialogue: five propositions on the relationship between Trisha Brown's choreography and Diller + Scofidio's architecture / Susan Rosenberg -- On the margins of histories: trans-fusions between document and performance / Gabriele Brandstetter -- "Our method is transmission": the body as document in Christina Ciupke's and Anna Till's Undo, redo and repeat (2014) / Daniela Hahn -- Visible undercurrent, New York Berlin 1980/90-2014. reconsidering histori/es' negotiating the now / Kirsten Maar, Peter Pleyer -- Pictures, texts, sounds, zoo animals' on the materiality of documents / Renate Wöhrer -- Capturing dance: a report on a project in artistic research / Franz Anton Cramer, Sigrid Gareis, Alexandra Hennig -- Unseen: photography as a document of dance history writing / Isa Wortelkamp | |
| 520 | 3 | |a "Performing artists - especially from dance and performance art, as well as opera - are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which 'survives' it. Case studies from a broad range of interdisciplinary scholars address phenomena such as: - the dynamics of transfer between the performing and visual arts - the philosophy and terminologies of transitioning between media - narratives and counternarratives in historical re-creations - the status of chronology and the document in art scholarship This is an essential contribution to a vibrant, multidisciplinary and international field of research emerging at the intersections of performance, visual arts, and media studies"-- | |
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Datensatz im Suchindex
| _version_ | 1818985077124628480 |
|---|---|
| any_adam_object | |
| author2 | Foellmer, Susanne ca. 20. Jh Schmidt, Maria Katharina 1986- Schmitz, Cornelia 1981- |
| author2_role | edt edt edt |
| author2_variant | s f sf m k s mk mks c s cs |
| author_GND | (DE-588)13204112X (DE-588)1180676718 (DE-588)1179497643 |
| author_facet | Foellmer, Susanne ca. 20. Jh Schmidt, Maria Katharina 1986- Schmitz, Cornelia 1981- |
| building | Verbundindex |
| bvnumber | BV045516878 |
| classification_rvk | AP 72800 AP 70050 AP 83850 |
| contents | Dance, performance, media, transfer: sketching notions and problems in the field / Susanne Foellmer -- Non-time of lived experience: colour, action, and dance in Hélio Oiticica's early works / André Lepecki -- Embodying, repeating, and working-through: the artistic practice of Rebecca Davis and Abigail Levine in the context of their re-enactments of Marina Abramovic's performances / Joy Kristin Kalu -- Micro-dramaturgical temporalities of media theatre: on the difference between performative and operative re-enactment / Wolfgang Ernst -- Trans(pos)ition: in the language of the curatorial / Beatrice von Bismarck -- Performative contours / Nicole Haitzinger -- Thumb and index mode: performance, digital art, and the ORLAN Network / Wolf-Dieter Ernst -- Videoed memories and movements, rediscovered and regained: "It's aching like birds" (2001) / Ulrike Hanstein -- The deadness of live opera / Christopher Morris -- The equally-valid image: considerations on Ragnar Kjartansson's art of challenging the hierarchy between attending a performance and relying on its photographic remains / Sandra Umathum -- Dance and building in dialogue: five propositions on the relationship between Trisha Brown's choreography and Diller + Scofidio's architecture / Susan Rosenberg -- On the margins of histories: trans-fusions between document and performance / Gabriele Brandstetter -- "Our method is transmission": the body as document in Christina Ciupke's and Anna Till's Undo, redo and repeat (2014) / Daniela Hahn -- Visible undercurrent, New York Berlin 1980/90-2014. reconsidering histori/es' negotiating the now / Kirsten Maar, Peter Pleyer -- Pictures, texts, sounds, zoo animals' on the materiality of documents / Renate Wöhrer -- Capturing dance: a report on a project in artistic research / Franz Anton Cramer, Sigrid Gareis, Alexandra Hennig -- Unseen: photography as a document of dance history writing / Isa Wortelkamp |
| ctrlnum | (OCoLC)1090776363 (DE-599)BVBBV045516878 |
| discipline | Allgemeines |
| format | Book |
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| indexdate | 2024-12-20T18:29:09Z |
| institution | BVB |
| isbn | 9781138574014 |
| language | English |
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| series2 | Routledge advances in theatre and performance studies |
| spelling | Performing arts in transition moving between media edited by Susanne Foellmer, Maria Katharina Schmidt, and Cornelia Schmitz London ; New York Routledge, Taylor & Francis Group 2019 xvii, 255 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge advances in theatre and performance studies Dance, performance, media, transfer: sketching notions and problems in the field / Susanne Foellmer -- Non-time of lived experience: colour, action, and dance in Hélio Oiticica's early works / André Lepecki -- Embodying, repeating, and working-through: the artistic practice of Rebecca Davis and Abigail Levine in the context of their re-enactments of Marina Abramovic's performances / Joy Kristin Kalu -- Micro-dramaturgical temporalities of media theatre: on the difference between performative and operative re-enactment / Wolfgang Ernst -- Trans(pos)ition: in the language of the curatorial / Beatrice von Bismarck -- Performative contours / Nicole Haitzinger -- Thumb and index mode: performance, digital art, and the ORLAN Network / Wolf-Dieter Ernst -- Videoed memories and movements, rediscovered and regained: "It's aching like birds" (2001) / Ulrike Hanstein -- The deadness of live opera / Christopher Morris -- The equally-valid image: considerations on Ragnar Kjartansson's art of challenging the hierarchy between attending a performance and relying on its photographic remains / Sandra Umathum -- Dance and building in dialogue: five propositions on the relationship between Trisha Brown's choreography and Diller + Scofidio's architecture / Susan Rosenberg -- On the margins of histories: trans-fusions between document and performance / Gabriele Brandstetter -- "Our method is transmission": the body as document in Christina Ciupke's and Anna Till's Undo, redo and repeat (2014) / Daniela Hahn -- Visible undercurrent, New York Berlin 1980/90-2014. reconsidering histori/es' negotiating the now / Kirsten Maar, Peter Pleyer -- Pictures, texts, sounds, zoo animals' on the materiality of documents / Renate Wöhrer -- Capturing dance: a report on a project in artistic research / Franz Anton Cramer, Sigrid Gareis, Alexandra Hennig -- Unseen: photography as a document of dance history writing / Isa Wortelkamp "Performing artists - especially from dance and performance art, as well as opera - are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which 'survives' it. Case studies from a broad range of interdisciplinary scholars address phenomena such as: - the dynamics of transfer between the performing and visual arts - the philosophy and terminologies of transitioning between media - narratives and counternarratives in historical re-creations - the status of chronology and the document in art scholarship This is an essential contribution to a vibrant, multidisciplinary and international field of research emerging at the intersections of performance, visual arts, and media studies"-- Musiktheater (DE-588)4040874-7 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Medien (DE-588)4169187-8 gnd rswk-swf Interdisziplinarität (DE-588)4449808-1 gnd rswk-swf Performing arts archives Arts / Documentation (DE-588)4143413-4 Aufsatzsammlung gnd-content Performance Künste (DE-588)4173750-7 s Tanz (DE-588)4059028-8 s Musiktheater (DE-588)4040874-7 s Medien (DE-588)4169187-8 s Interdisziplinarität (DE-588)4449808-1 s DE-604 Foellmer, Susanne ca. 20. Jh. (DE-588)13204112X edt Schmidt, Maria Katharina 1986- (DE-588)1180676718 edt Schmitz, Cornelia 1981- (DE-588)1179497643 edt Erscheint auch als Online-Ausgabe, ebk. 978-0-203-70132-4 |
| spellingShingle | Performing arts in transition moving between media Dance, performance, media, transfer: sketching notions and problems in the field / Susanne Foellmer -- Non-time of lived experience: colour, action, and dance in Hélio Oiticica's early works / André Lepecki -- Embodying, repeating, and working-through: the artistic practice of Rebecca Davis and Abigail Levine in the context of their re-enactments of Marina Abramovic's performances / Joy Kristin Kalu -- Micro-dramaturgical temporalities of media theatre: on the difference between performative and operative re-enactment / Wolfgang Ernst -- Trans(pos)ition: in the language of the curatorial / Beatrice von Bismarck -- Performative contours / Nicole Haitzinger -- Thumb and index mode: performance, digital art, and the ORLAN Network / Wolf-Dieter Ernst -- Videoed memories and movements, rediscovered and regained: "It's aching like birds" (2001) / Ulrike Hanstein -- The deadness of live opera / Christopher Morris -- The equally-valid image: considerations on Ragnar Kjartansson's art of challenging the hierarchy between attending a performance and relying on its photographic remains / Sandra Umathum -- Dance and building in dialogue: five propositions on the relationship between Trisha Brown's choreography and Diller + Scofidio's architecture / Susan Rosenberg -- On the margins of histories: trans-fusions between document and performance / Gabriele Brandstetter -- "Our method is transmission": the body as document in Christina Ciupke's and Anna Till's Undo, redo and repeat (2014) / Daniela Hahn -- Visible undercurrent, New York Berlin 1980/90-2014. reconsidering histori/es' negotiating the now / Kirsten Maar, Peter Pleyer -- Pictures, texts, sounds, zoo animals' on the materiality of documents / Renate Wöhrer -- Capturing dance: a report on a project in artistic research / Franz Anton Cramer, Sigrid Gareis, Alexandra Hennig -- Unseen: photography as a document of dance history writing / Isa Wortelkamp Musiktheater (DE-588)4040874-7 gnd Tanz (DE-588)4059028-8 gnd Performance Künste (DE-588)4173750-7 gnd Medien (DE-588)4169187-8 gnd Interdisziplinarität (DE-588)4449808-1 gnd |
| subject_GND | (DE-588)4040874-7 (DE-588)4059028-8 (DE-588)4173750-7 (DE-588)4169187-8 (DE-588)4449808-1 (DE-588)4143413-4 |
| title | Performing arts in transition moving between media |
| title_auth | Performing arts in transition moving between media |
| title_exact_search | Performing arts in transition moving between media |
| title_full | Performing arts in transition moving between media edited by Susanne Foellmer, Maria Katharina Schmidt, and Cornelia Schmitz |
| title_fullStr | Performing arts in transition moving between media edited by Susanne Foellmer, Maria Katharina Schmidt, and Cornelia Schmitz |
| title_full_unstemmed | Performing arts in transition moving between media edited by Susanne Foellmer, Maria Katharina Schmidt, and Cornelia Schmitz |
| title_short | Performing arts in transition |
| title_sort | performing arts in transition moving between media |
| title_sub | moving between media |
| topic | Musiktheater (DE-588)4040874-7 gnd Tanz (DE-588)4059028-8 gnd Performance Künste (DE-588)4173750-7 gnd Medien (DE-588)4169187-8 gnd Interdisziplinarität (DE-588)4449808-1 gnd |
| topic_facet | Musiktheater Tanz Performance Künste Medien Interdisziplinarität Aufsatzsammlung |
| work_keys_str_mv | AT foellmersusanne performingartsintransitionmovingbetweenmedia AT schmidtmariakatharina performingartsintransitionmovingbetweenmedia AT schmitzcornelia performingartsintransitionmovingbetweenmedia |