Toward an archaeology of global rhythms: Melodie der Welt and its reception in France
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
2018
|
| Beschreibung: | Part II. Global ideality, history, representation |
| ISBN: | 978-0-8135-9273-2 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045484415 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t| | ||
| 008 | 190222s2018 xx |||| 00||| eng d | ||
| 035 | |a (DE-599)BVBBV045484415 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Guido, Laurent |0 (DE-588)18848048X |4 aut | |
| 245 | 1 | 0 | |a Toward an archaeology of global rhythms |b Melodie der Welt and its reception in France |c Laurent Guido |
| 264 | 1 | |c 2018 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Part II. Global ideality, history, representation | ||
| 773 | 1 | 8 | |g pages:97-116 |
| 773 | 0 | 8 | |t Global cinema networks / edited by Elena Gorfinkel and Tami Williams |d New Brunswick, [2018] |g Seiten 97-116 |k Media matters |w (DE-604)BV045088944 |z 978-0-8135-9273-2 |
| 941 | |s 97-116 | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030869397 | |
Datensatz im Suchindex
| _version_ | 1818985020333752320 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV045088944 |
| author | Guido, Laurent |
| author_GND | (DE-588)18848048X |
| author_facet | Guido, Laurent |
| author_role | aut |
| author_sort | Guido, Laurent |
| author_variant | l g lg |
| building | Verbundindex |
| bvnumber | BV045484415 |
| ctrlnum | (DE-599)BVBBV045484415 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00915naa a2200265 c 4500</leader><controlfield tag="001">BV045484415</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">190222s2018 xx |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045484415</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Guido, Laurent</subfield><subfield code="0">(DE-588)18848048X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Toward an archaeology of global rhythms</subfield><subfield code="b">Melodie der Welt and its reception in France</subfield><subfield code="c">Laurent Guido</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2018</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part II. Global ideality, history, representation</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:97-116</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Global cinema networks / edited by Elena Gorfinkel and Tami Williams</subfield><subfield code="d">New Brunswick, [2018]</subfield><subfield code="g">Seiten 97-116</subfield><subfield code="k">Media matters</subfield><subfield code="w">(DE-604)BV045088944</subfield><subfield code="z">978-0-8135-9273-2</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">97-116</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030869397</subfield></datafield></record></collection> |
| id | DE-604.BV045484415 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T18:28:15Z |
| institution | BVB |
| isbn | 978-0-8135-9273-2 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030869397 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| record_format | marc |
| spelling | Guido, Laurent (DE-588)18848048X aut Toward an archaeology of global rhythms Melodie der Welt and its reception in France Laurent Guido 2018 txt rdacontent n rdamedia nc rdacarrier Part II. Global ideality, history, representation pages:97-116 Global cinema networks / edited by Elena Gorfinkel and Tami Williams New Brunswick, [2018] Seiten 97-116 Media matters (DE-604)BV045088944 978-0-8135-9273-2 |
| spellingShingle | Guido, Laurent Toward an archaeology of global rhythms Melodie der Welt and its reception in France |
| title | Toward an archaeology of global rhythms Melodie der Welt and its reception in France |
| title_auth | Toward an archaeology of global rhythms Melodie der Welt and its reception in France |
| title_exact_search | Toward an archaeology of global rhythms Melodie der Welt and its reception in France |
| title_full | Toward an archaeology of global rhythms Melodie der Welt and its reception in France Laurent Guido |
| title_fullStr | Toward an archaeology of global rhythms Melodie der Welt and its reception in France Laurent Guido |
| title_full_unstemmed | Toward an archaeology of global rhythms Melodie der Welt and its reception in France Laurent Guido |
| title_short | Toward an archaeology of global rhythms |
| title_sort | toward an archaeology of global rhythms melodie der welt and its reception in france |
| title_sub | Melodie der Welt and its reception in France |
| work_keys_str_mv | AT guidolaurent towardanarchaeologyofglobalrhythmsmelodiederweltanditsreceptioninfrance |