Crime and illusion: the art of truth in the Spanish Golden Age
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Harvey Miller Publishers
[2018]
|
| Schriftenreihe: | Harvey Miller studies in Baroque art
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| Schlagwörter: | |
| Abstract: | According to an old historiographic tradition, the Spanish Golden Age placed the imitation of nature at the service of religion: its radical naturalism responded to the deep faith of that culture and moment. Crime andlusion argues the opposite. It defends the thesis that the fundamental problem artists of the Golden Age confronted was not imitation but Truth. Moreover a large part, maybe the best part, of Spanish Baroque religious imagery is better understood as a complex exercise in addressing the spectators' doubts. Hovering on the horizon of an emerging empiricism, artists created their images as pieces of evidence, arguments for belief. Crime and Illusion reconstructs and interprets this judicial or forensic aspect of early modern visual culture at the center of a political, religious, and scientific triangle. Finally, the book explores the artists' skeptical reflection on the problematic relationship of painting and sculpture to the art of truth. --from the publisher |
| Umfang: | 334 Seiten Illustrationen |
| ISBN: | 9781912554096 |
Internformat
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| 520 | 3 | |a According to an old historiographic tradition, the Spanish Golden Age placed the imitation of nature at the service of religion: its radical naturalism responded to the deep faith of that culture and moment. Crime andlusion argues the opposite. It defends the thesis that the fundamental problem artists of the Golden Age confronted was not imitation but Truth. Moreover a large part, maybe the best part, of Spanish Baroque religious imagery is better understood as a complex exercise in addressing the spectators' doubts. Hovering on the horizon of an emerging empiricism, artists created their images as pieces of evidence, arguments for belief. Crime and Illusion reconstructs and interprets this judicial or forensic aspect of early modern visual culture at the center of a political, religious, and scientific triangle. Finally, the book explores the artists' skeptical reflection on the problematic relationship of painting and sculpture to the art of truth. --from the publisher | |
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Datensatz im Suchindex
| _version_ | 1818984981026832384 |
|---|---|
| any_adam_object | |
| author | Pereda, Felipe 1968- |
| author2 | López-Morillas, Consuelo 1944- |
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| author_GND | (DE-588)138696713 (DE-588)1047990369 |
| author_facet | Pereda, Felipe 1968- López-Morillas, Consuelo 1944- |
| author_role | aut |
| author_sort | Pereda, Felipe 1968- |
| author_variant | f p fp |
| building | Verbundindex |
| bvnumber | BV045455918 |
| classification_rvk | LO 37070 |
| ctrlnum | (OCoLC)1089716533 (DE-599)BVBBV045455918 |
| discipline | Kunstgeschichte |
| era | Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Book |
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| id | DE-604.BV045455918 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:27:38Z |
| institution | BVB |
| isbn | 9781912554096 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030841202 |
| oclc_num | 1089716533 |
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| physical | 334 Seiten Illustrationen |
| publishDate | 2018 |
| publishDateSearch | 2018 |
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| publisher | Harvey Miller Publishers |
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| series2 | Harvey Miller studies in Baroque art |
| spelling | Pereda, Felipe 1968- Verfasser (DE-588)138696713 aut Crimen e ilusión Crime and illusion the art of truth in the Spanish Golden Age Felipe Pereda (Harvard University) ; translated by Consuelo López-Morillas El arte de la verdad en el Siglo de Oro London Harvey Miller Publishers [2018] © 2018 334 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Harvey Miller studies in Baroque art According to an old historiographic tradition, the Spanish Golden Age placed the imitation of nature at the service of religion: its radical naturalism responded to the deep faith of that culture and moment. Crime andlusion argues the opposite. It defends the thesis that the fundamental problem artists of the Golden Age confronted was not imitation but Truth. Moreover a large part, maybe the best part, of Spanish Baroque religious imagery is better understood as a complex exercise in addressing the spectators' doubts. Hovering on the horizon of an emerging empiricism, artists created their images as pieces of evidence, arguments for belief. Crime and Illusion reconstructs and interprets this judicial or forensic aspect of early modern visual culture at the center of a political, religious, and scientific triangle. Finally, the book explores the artists' skeptical reflection on the problematic relationship of painting and sculpture to the art of truth. --from the publisher Geschichte 1600-1700 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Art, Spanish / 17th century Art and religion / Spain / History / 17th century Spanien (DE-588)4055964-6 g Kunst (DE-588)4114333-4 s Geschichte 1600-1700 z DE-604 López-Morillas, Consuelo 1944- (DE-588)1047990369 trl Übersetzung von Crimen e ilusión : el arte de la verdad en el Siglo de Oro spanische Ausgabe 978-84-16662-19-7 (DE-604)BV044874982 |
| spellingShingle | Pereda, Felipe 1968- Crime and illusion the art of truth in the Spanish Golden Age Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4055964-6 |
| title | Crime and illusion the art of truth in the Spanish Golden Age |
| title_alt | Crimen e ilusión El arte de la verdad en el Siglo de Oro |
| title_auth | Crime and illusion the art of truth in the Spanish Golden Age |
| title_exact_search | Crime and illusion the art of truth in the Spanish Golden Age |
| title_full | Crime and illusion the art of truth in the Spanish Golden Age Felipe Pereda (Harvard University) ; translated by Consuelo López-Morillas |
| title_fullStr | Crime and illusion the art of truth in the Spanish Golden Age Felipe Pereda (Harvard University) ; translated by Consuelo López-Morillas |
| title_full_unstemmed | Crime and illusion the art of truth in the Spanish Golden Age Felipe Pereda (Harvard University) ; translated by Consuelo López-Morillas |
| title_short | Crime and illusion |
| title_sort | crime and illusion the art of truth in the spanish golden age |
| title_sub | the art of truth in the Spanish Golden Age |
| topic | Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst Spanien |
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