On haiku:
"Who doesn't love haiku? It is not only America's most popular cultural import from Japan but also our most popular poetic form: instantly recognizable, more mobile than a sonnet, and loved for its simplicity and compression, as well as for its ease of composition. Haiku is an ancient...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
New Directions Publishing Corporation
2018
|
| Schriftenreihe: | NDP
1426 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030733794&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | "Who doesn't love haiku? It is not only America's most popular cultural import from Japan but also our most popular poetic form: instantly recognizable, more mobile than a sonnet, and loved for its simplicity and compression, as well as for its ease of composition. Haiku is an ancient literary form seemingly made for the Twittersphere...Jack Kerouac and Langston Hughes wrote them, Ezra Pound and the Imagists were inspired by them, first-grade students across the country still learn to write them. But what really is a haiku? Where does the form come from? Who were the Japanese poets who originated them? And how has their work been translated into English over the years? The haiku form comes down to us today as a cliché: a three-line poem of 5-7-5 syllables. And yet its story is actually much more colorful and multifaceted. And of course to write a good one can be as difficult as writing a Homeric epic...or it can materialize in an instant of epic inspiration. In On Haiku, Hiroaki Sato explores the many styles and genres of haiku on both sides of the Pacific, from the classical haiku of Basho, Issa, and Zen monks, to modern haiku about swimsuits and atomic bombs, and to the haiku of famous American writers such as J. D. Salinger and Allen Ginsburg. As if conversing over beers in a favorite pub, Sato explains everything you want to know about the haiku in this endearing and pleasurable book, destined to be a classic" ... |
| Beschreibung: | "A New Directions Paperbook Original.". - "First published as a New Directions Paperbook (NDP ) in 2018" ... Verso title page. - "I would like to thank Jeffrey Yang for patiently, meticulously, editing these essays" ... Preface, page. - A collection of essays, some previously published, some given as speeches by the first president of the American Haiku Society, and including many haiku translated from the Japanese |
| Umfang: | x, 294 Seiten |
| ISBN: | 9780811227414 |
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| 520 | |a "Who doesn't love haiku? It is not only America's most popular cultural import from Japan but also our most popular poetic form: instantly recognizable, more mobile than a sonnet, and loved for its simplicity and compression, as well as for its ease of composition. Haiku is an ancient literary form seemingly made for the Twittersphere...Jack Kerouac and Langston Hughes wrote them, Ezra Pound and the Imagists were inspired by them, first-grade students across the country still learn to write them. But what really is a haiku? Where does the form come from? Who were the Japanese poets who originated them? And how has their work been translated into English over the years? The haiku form comes down to us today as a cliché: a three-line poem of 5-7-5 syllables. And yet its story is actually much more colorful and multifaceted. And of course to write a good one can be as difficult as writing a Homeric epic...or it can materialize in an instant of epic inspiration. In On Haiku, Hiroaki Sato explores the many styles and genres of haiku on both sides of the Pacific, from the classical haiku of Basho, Issa, and Zen monks, to modern haiku about swimsuits and atomic bombs, and to the haiku of famous American writers such as J. D. Salinger and Allen Ginsburg. As if conversing over beers in a favorite pub, Sato explains everything you want to know about the haiku in this endearing and pleasurable book, destined to be a classic" ... | ||
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| 650 | 4 | |a Japanese poetry |x History and criticism | |
| 650 | 4 | |a Haiku, American |x History and criticism | |
| 650 | 4 | |a American poetry |x Japanese influences | |
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Datensatz im Suchindex
| _version_ | 1819260586977918976 |
|---|---|
| adam_text | ON HAIKU
/ SATO, HIROAKIYYD1942-YYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
PREFACE
NOTE AND ACKNOWLEDGMENTS
HAIKU TALK: FROM BASH? TO J. D. SALINGER
WHAT IS HAIKU? SERIOUS AND PLAYFUL ASPECTS
HAIKU AND ZEN: ASSOCIATION AND DISSOCIATION
HEARN, BICKERTON, HUBBELL: TRANSLATION AND DEFINITION
WHITE QUACKS AND WHALE MEAT: BASH? S KASEN, THE SEA DARKENS
RENGA AND ASSASSINATION: THE CULTURED WARLORD AKECHI MITSUHIDE
MITSUHASHI TAKAJO: SOME FURTHER EXPLICATION
ISSA AND HOKUSAI
FROM WOODEN CLOGS TO THE SWIMSUIT: WOMEN IN HAIKAI AND HAIKU
THE HAIKU REFORMER SHIKI: HOW IMPORTANT IS HIS HAIKU?
THE GUN-SMOKE HAIKU POET HASEGAWA SOSEI
FROM THE 2.26 INCIDENT TO THE ATOMIC BOMBS: HAIKU DURING THE
ASIA-PACIFIC WAR
HAIKU POET CALLED A HOOKER : SUZUKI SHIZUKO
GENDAI HAIKU : WHAT IS IT?
MISHIMA YUKIO AND HATANO S?HA
OUTR? HAIKU OF KATOI IKUYA
IN THE CANCER WARD: TADA CHIMAKO
RECEIVING A FALCONER S HAIBUN
THROUGH THE LOOKING GLASS
GLOSSARY OF TERMS
GLOSSARY OF NAMES
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| dewey-full | 809.1/41 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.1/41 |
| dewey-search | 809.1/41 |
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| discipline | Literaturwissenschaft |
| format | Book |
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| id | DE-604.BV045347113 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T18:24:42Z |
| institution | BVB |
| isbn | 9780811227414 |
| language | English |
| lccn | 018021511 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030733794 |
| oclc_num | 1197682770 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 |
| owner_facet | DE-19 DE-BY-UBM DE-12 |
| physical | x, 294 Seiten |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | New Directions Publishing Corporation |
| record_format | marc |
| series2 | NDP |
| spellingShingle | Sato, Hiroaki 1942- On haiku Haiku History and criticism Japanese poetry History and criticism Haiku, American History and criticism American poetry Japanese influences Haiku (DE-588)4022963-4 gnd |
| subject_GND | (DE-588)4022963-4 |
| title | On haiku |
| title_auth | On haiku |
| title_exact_search | On haiku |
| title_full | On haiku Hiroaki Sato |
| title_fullStr | On haiku Hiroaki Sato |
| title_full_unstemmed | On haiku Hiroaki Sato |
| title_short | On haiku |
| title_sort | on haiku |
| topic | Haiku History and criticism Japanese poetry History and criticism Haiku, American History and criticism American poetry Japanese influences Haiku (DE-588)4022963-4 gnd |
| topic_facet | Haiku History and criticism Japanese poetry History and criticism Haiku, American History and criticism American poetry Japanese influences Haiku |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030733794&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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