Restoration: the fall of Napoleon in the course of European art, 1812-1820
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2018]
|
| Schriftenreihe: | Bollingen series
35, vol 64 The A. W. Mellon lectures in the fine arts vol 64 |
| Schlagwörter: | |
| Links: | https://doi.org/10.11588/frrec.2019.3.66368 |
| Abstract: | As the French Empire collapsed between 1812 and 1815, artists throughout Europe were left uncertain and adrift. The final abdication of Emperor Napoleon, clearing the way for a restored monarchy, profoundly unsettled prevailing national, religious, and social boundaries. In 'Restoration', Thomas Crow combines a sweeping view of European art centers-Rome, Paris, London, Madrid, Brussels, and Vienna-with a close-up look at pivotal and significant artists, including Antonio Canova, Jacques-Louis David, Theodore Gericault, Francisco Goya, Jean-Auguste-Dominique Ingres, Thomas Lawrence, and forgotten but meteoric painters Francois-Joseph Navez and Antoine Jean-Baptiste Thomas. Whether directly or indirectly, all became linked in a new international network in which changing artistic priorities and possibilities emerged from the ruins of the old. Crow examines how artists of this period faced dramatic circumstances, from political condemnation and difficult diplomatic missions to a catastrophic episode of climate change. Navigating ever-changing pressures, they invented creative ways of incorporating critical events and significant individuals into fresh artistic works. Crow discusses, among many topics, David's art and pedagogy during exile, Ingres's drive to reconcile religious art with contemporary mentalities, the titled victors over Napoleon all sitting for portraits by Lawrence, and the campaign to restore art objects expropriated by the French from Italy, prefiguring the restitution controversies of our own time |
| Beschreibung: | Includes index |
| Umfang: | 200 Seiten Illustrationen 27 cm |
| ISBN: | 9780691181646 |
| DOI: | 10.11588/frrec.2019.3.66368 |
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| 520 | 3 | |a As the French Empire collapsed between 1812 and 1815, artists throughout Europe were left uncertain and adrift. The final abdication of Emperor Napoleon, clearing the way for a restored monarchy, profoundly unsettled prevailing national, religious, and social boundaries. In 'Restoration', Thomas Crow combines a sweeping view of European art centers-Rome, Paris, London, Madrid, Brussels, and Vienna-with a close-up look at pivotal and significant artists, including Antonio Canova, Jacques-Louis David, Theodore Gericault, Francisco Goya, Jean-Auguste-Dominique Ingres, Thomas Lawrence, and forgotten but meteoric painters Francois-Joseph Navez and Antoine Jean-Baptiste Thomas. Whether directly or indirectly, all became linked in a new international network in which changing artistic priorities and possibilities emerged from the ruins of the old. Crow examines how artists of this period faced dramatic circumstances, from political condemnation and difficult diplomatic missions to a catastrophic episode of climate change. Navigating ever-changing pressures, they invented creative ways of incorporating critical events and significant individuals into fresh artistic works. Crow discusses, among many topics, David's art and pedagogy during exile, Ingres's drive to reconcile religious art with contemporary mentalities, the titled victors over Napoleon all sitting for portraits by Lawrence, and the campaign to restore art objects expropriated by the French from Italy, prefiguring the restitution controversies of our own time | |
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Datensatz im Suchindex
| _version_ | 1818984794957021184 |
|---|---|
| any_adam_object | |
| author | Crow, Thomas E. 1948- |
| author_GND | (DE-588)133810135 |
| author_facet | Crow, Thomas E. 1948- |
| author_role | aut |
| author_sort | Crow, Thomas E. 1948- |
| author_variant | t e c te tec |
| building | Verbundindex |
| bvnumber | BV045345888 |
| classification_rvk | LH 65811 |
| ctrlnum | (OCoLC)1077762796 (DE-599)BVBBV045345888 |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.11588/frrec.2019.3.66368 |
| era | Geschichte 1812-1820 gnd |
| era_facet | Geschichte 1812-1820 |
| format | Book |
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| geographic | Paris (DE-588)4044660-8 gnd London (DE-588)4074335-4 gnd Wien (DE-588)4066009-6 gnd Madrid (DE-588)4036862-2 gnd Rom (DE-588)4050471-2 gnd |
| geographic_facet | Paris London Wien Madrid Rom |
| id | DE-604.BV045345888 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:24:40Z |
| institution | BVB |
| isbn | 9780691181646 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030732700 |
| oclc_num | 1077762796 |
| open_access_boolean | |
| owner | DE-M341 DE-19 DE-BY-UBM DE-Y3 DE-12 DE-29 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-M341 DE-19 DE-BY-UBM DE-Y3 DE-12 DE-29 DE-255 DE-Y7 DE-Y2 |
| physical | 200 Seiten Illustrationen 27 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Princeton University Press |
| record_format | marc |
| series | Bollingen series The A. W. Mellon lectures in the fine arts |
| series2 | Bollingen series The A. W. Mellon lectures in the fine arts |
| spelling | Crow, Thomas E. 1948- Verfasser (DE-588)133810135 aut Restoration the fall of Napoleon in the course of European art, 1812-1820 Thomas Crow Princeton ; Oxford Princeton University Press [2018] © 2018 200 Seiten Illustrationen 27 cm txt rdacontent n rdamedia nc rdacarrier Bollingen series 35, vol 64 The A. W. Mellon lectures in the fine arts vol 64 Includes index As the French Empire collapsed between 1812 and 1815, artists throughout Europe were left uncertain and adrift. The final abdication of Emperor Napoleon, clearing the way for a restored monarchy, profoundly unsettled prevailing national, religious, and social boundaries. In 'Restoration', Thomas Crow combines a sweeping view of European art centers-Rome, Paris, London, Madrid, Brussels, and Vienna-with a close-up look at pivotal and significant artists, including Antonio Canova, Jacques-Louis David, Theodore Gericault, Francisco Goya, Jean-Auguste-Dominique Ingres, Thomas Lawrence, and forgotten but meteoric painters Francois-Joseph Navez and Antoine Jean-Baptiste Thomas. Whether directly or indirectly, all became linked in a new international network in which changing artistic priorities and possibilities emerged from the ruins of the old. Crow examines how artists of this period faced dramatic circumstances, from political condemnation and difficult diplomatic missions to a catastrophic episode of climate change. Navigating ever-changing pressures, they invented creative ways of incorporating critical events and significant individuals into fresh artistic works. Crow discusses, among many topics, David's art and pedagogy during exile, Ingres's drive to reconcile religious art with contemporary mentalities, the titled victors over Napoleon all sitting for portraits by Lawrence, and the campaign to restore art objects expropriated by the French from Italy, prefiguring the restitution controversies of our own time Lawrence, Thomas 1769-1830 (DE-588)118778994 gnd rswk-swf Navez, François-Joseph 1787-1869 (DE-588)117548499 gnd rswk-swf Canova, Antonio 1757-1822 (DE-588)118518860 gnd rswk-swf Ingres, Jean-Auguste-Dominique 1780-1867 (DE-588)11855560X gnd rswk-swf Géricault, Théodore 1791-1824 (DE-588)118538675 gnd rswk-swf Napoleon I. Frankreich, Kaiser 1769-1821 (DE-588)118586408 gnd rswk-swf Thomas, Antoine Jean Baptiste 1791-1834 (DE-588)123118204 gnd rswk-swf Goya y Lucientes, Francisco José de 1746-1828 (DE-588)118541064 gnd rswk-swf David, Jacques Louis 1748-1825 (DE-588)118523945 gnd rswk-swf Geschichte 1812-1820 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Restauration (DE-588)4133527-2 gnd rswk-swf Vormärz (DE-588)4063986-1 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf London (DE-588)4074335-4 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf Madrid (DE-588)4036862-2 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Canova, Antonio / 1757-1822 David, Jacques Louis / 1748-1825 Géricault, Théodore / 1791-1824 Goya, Francisco / 1746-1828 Ingres, Jean-Auguste-Dominique / 1780-1867 Lawrence, Thomas / Sir / 1769-1830 Navez, François-Joseph / 1787-1869 Thomas, Antoine Jean-Baptiste / 1791-1834 Napoleon / I / Emperor of the French / 1769-1821 / In art Napoleon / I / Emperor of the French / 1769-1821 Neoclassicism (Art) / Europe Art, Modern / 19th century Art, Modern Neoclassicism (Art) Europe 1800-1899 Art Napoleon I. Frankreich, Kaiser 1769-1821 (DE-588)118586408 p Kunst (DE-588)4114333-4 s Vormärz (DE-588)4063986-1 s Restauration (DE-588)4133527-2 s Geschichte 1812-1820 z DE-604 Rom (DE-588)4050471-2 g Paris (DE-588)4044660-8 g London (DE-588)4074335-4 g Madrid (DE-588)4036862-2 g Wien (DE-588)4066009-6 g Canova, Antonio 1757-1822 (DE-588)118518860 p David, Jacques Louis 1748-1825 (DE-588)118523945 p Géricault, Théodore 1791-1824 (DE-588)118538675 p Goya y Lucientes, Francisco José de 1746-1828 (DE-588)118541064 p Ingres, Jean-Auguste-Dominique 1780-1867 (DE-588)11855560X p Lawrence, Thomas 1769-1830 (DE-588)118778994 p Navez, François-Joseph 1787-1869 (DE-588)117548499 p Thomas, Antoine Jean Baptiste 1791-1834 (DE-588)123118204 p Bollingen series 35, vol 64 (DE-604)BV000006786 35, 64 The A. W. Mellon lectures in the fine arts vol 64 (DE-604)BV023553919 64 https://doi.org/10.11588/frrec.2019.3.66368 rezensiert in: Francia-Recensio; 2019/3 Rezension |
| spellingShingle | Crow, Thomas E. 1948- Restoration the fall of Napoleon in the course of European art, 1812-1820 Bollingen series The A. W. Mellon lectures in the fine arts Lawrence, Thomas 1769-1830 (DE-588)118778994 gnd Navez, François-Joseph 1787-1869 (DE-588)117548499 gnd Canova, Antonio 1757-1822 (DE-588)118518860 gnd Ingres, Jean-Auguste-Dominique 1780-1867 (DE-588)11855560X gnd Géricault, Théodore 1791-1824 (DE-588)118538675 gnd Napoleon I. Frankreich, Kaiser 1769-1821 (DE-588)118586408 gnd Thomas, Antoine Jean Baptiste 1791-1834 (DE-588)123118204 gnd Goya y Lucientes, Francisco José de 1746-1828 (DE-588)118541064 gnd David, Jacques Louis 1748-1825 (DE-588)118523945 gnd Kunst (DE-588)4114333-4 gnd Restauration (DE-588)4133527-2 gnd Vormärz (DE-588)4063986-1 gnd |
| subject_GND | (DE-588)118778994 (DE-588)117548499 (DE-588)118518860 (DE-588)11855560X (DE-588)118538675 (DE-588)118586408 (DE-588)123118204 (DE-588)118541064 (DE-588)118523945 (DE-588)4114333-4 (DE-588)4133527-2 (DE-588)4063986-1 (DE-588)4044660-8 (DE-588)4074335-4 (DE-588)4066009-6 (DE-588)4036862-2 (DE-588)4050471-2 |
| title | Restoration the fall of Napoleon in the course of European art, 1812-1820 |
| title_auth | Restoration the fall of Napoleon in the course of European art, 1812-1820 |
| title_exact_search | Restoration the fall of Napoleon in the course of European art, 1812-1820 |
| title_full | Restoration the fall of Napoleon in the course of European art, 1812-1820 Thomas Crow |
| title_fullStr | Restoration the fall of Napoleon in the course of European art, 1812-1820 Thomas Crow |
| title_full_unstemmed | Restoration the fall of Napoleon in the course of European art, 1812-1820 Thomas Crow |
| title_short | Restoration |
| title_sort | restoration the fall of napoleon in the course of european art 1812 1820 |
| title_sub | the fall of Napoleon in the course of European art, 1812-1820 |
| topic | Lawrence, Thomas 1769-1830 (DE-588)118778994 gnd Navez, François-Joseph 1787-1869 (DE-588)117548499 gnd Canova, Antonio 1757-1822 (DE-588)118518860 gnd Ingres, Jean-Auguste-Dominique 1780-1867 (DE-588)11855560X gnd Géricault, Théodore 1791-1824 (DE-588)118538675 gnd Napoleon I. Frankreich, Kaiser 1769-1821 (DE-588)118586408 gnd Thomas, Antoine Jean Baptiste 1791-1834 (DE-588)123118204 gnd Goya y Lucientes, Francisco José de 1746-1828 (DE-588)118541064 gnd David, Jacques Louis 1748-1825 (DE-588)118523945 gnd Kunst (DE-588)4114333-4 gnd Restauration (DE-588)4133527-2 gnd Vormärz (DE-588)4063986-1 gnd |
| topic_facet | Lawrence, Thomas 1769-1830 Navez, François-Joseph 1787-1869 Canova, Antonio 1757-1822 Ingres, Jean-Auguste-Dominique 1780-1867 Géricault, Théodore 1791-1824 Napoleon I. Frankreich, Kaiser 1769-1821 Thomas, Antoine Jean Baptiste 1791-1834 Goya y Lucientes, Francisco José de 1746-1828 David, Jacques Louis 1748-1825 Kunst Restauration Vormärz Paris London Wien Madrid Rom |
| url | https://doi.org/10.11588/frrec.2019.3.66368 |
| volume_link | (DE-604)BV000006786 (DE-604)BV023553919 |
| work_keys_str_mv | AT crowthomase restorationthefallofnapoleoninthecourseofeuropeanart18121820 |