Chaucer and the subversion of form:
Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very li...
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2018
|
| Schriftenreihe: | Cambridge studies in medieval literature
104 |
| Schlagwörter: | |
| Links: | https://doi.org/10.1017/9781108147682 https://doi.org/10.1017/9781108147682 https://doi.org/10.1017/9781108147682 |
| Zusammenfassung: | Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 15 May 2018) Machine generated contents note: Introduction: failure, figure, reception Thomas A. Prendergast and Jessica Rosenfeld; Part I. The Failures of Form: 1. 'Many a lay and many a thing': Chaucer's technical terms Jenni Nuttall; 2. Chaucer's aesthetic resources: nature, longing, and economies of form Jennifer Jahner; 3. Against order: medieval, modern, and contemporary critiques of causality Eleanor Johnson; Part II. The Corporeality and Form: 4. Diverging forms: disability and the Monk's Tales Jonathan Hsy; 5. Figures for 'Gretter knowing': forms in the Treatise on the Astrolabe Lisa H. Cooper; 6. The heaviness of prosopoeial form in Chaucer's Book of the Duchess Julie Orlemanski; Part III. The Forms of Reception: 7. Reading badly: what the Physician's Tale isn't telling us Thomas A. Prendergast; 8. Birdsong, love, and the House of Lancaster: Gower reforms Chaucer Arthur Bahr; 9. Opening The Canterbury Tales: form and formalism in the general prologue Stephanie Trigg |
| Umfang: | 1 Online-Ressource (ix, 224 Seiten) |
| ISBN: | 9781108147682 |
| DOI: | 10.1017/9781108147682 |
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| 500 | |a Machine generated contents note: Introduction: failure, figure, reception Thomas A. Prendergast and Jessica Rosenfeld; Part I. The Failures of Form: 1. 'Many a lay and many a thing': Chaucer's technical terms Jenni Nuttall; 2. Chaucer's aesthetic resources: nature, longing, and economies of form Jennifer Jahner; 3. Against order: medieval, modern, and contemporary critiques of causality Eleanor Johnson; Part II. The Corporeality and Form: 4. Diverging forms: disability and the Monk's Tales Jonathan Hsy; 5. Figures for 'Gretter knowing': forms in the Treatise on the Astrolabe Lisa H. Cooper; 6. The heaviness of prosopoeial form in Chaucer's Book of the Duchess Julie Orlemanski; Part III. The Forms of Reception: 7. Reading badly: what the Physician's Tale isn't telling us Thomas A. Prendergast; 8. Birdsong, love, and the House of Lancaster: Gower reforms Chaucer Arthur Bahr; 9. Opening The Canterbury Tales: form and formalism in the general prologue Stephanie Trigg | ||
| 520 | |a Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous | ||
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| spelling | Chaucer and the subversion of form edited by Thomas A. Prendergast, Jessica Rosenfeld Cambridge Cambridge University Press 2018 1 Online-Ressource (ix, 224 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in medieval literature 104 Title from publisher's bibliographic system (viewed on 15 May 2018) Machine generated contents note: Introduction: failure, figure, reception Thomas A. Prendergast and Jessica Rosenfeld; Part I. The Failures of Form: 1. 'Many a lay and many a thing': Chaucer's technical terms Jenni Nuttall; 2. Chaucer's aesthetic resources: nature, longing, and economies of form Jennifer Jahner; 3. Against order: medieval, modern, and contemporary critiques of causality Eleanor Johnson; Part II. The Corporeality and Form: 4. Diverging forms: disability and the Monk's Tales Jonathan Hsy; 5. Figures for 'Gretter knowing': forms in the Treatise on the Astrolabe Lisa H. Cooper; 6. The heaviness of prosopoeial form in Chaucer's Book of the Duchess Julie Orlemanski; Part III. The Forms of Reception: 7. Reading badly: what the Physician's Tale isn't telling us Thomas A. Prendergast; 8. Birdsong, love, and the House of Lancaster: Gower reforms Chaucer Arthur Bahr; 9. Opening The Canterbury Tales: form and formalism in the general prologue Stephanie Trigg Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous Chaucer, Geoffrey / -1400 / Criticism and interpretation Chaucer, Geoffrey / -1400 / Criticism, Textual Chaucer, Geoffrey / -1400 / Technique Chaucer, Geoffrey 1343-1400 (DE-588)118520245 gnd rswk-swf Literarische Form (DE-588)4074267-2 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Chaucer, Geoffrey 1343-1400 (DE-588)118520245 p Literarische Form (DE-588)4074267-2 s 2\p DE-604 Prendergast, Thomas A. ca. 20./21. Jh. (DE-588)1140536109 edt Rosenfeld, Jessica 1976- (DE-588)143954512 edt Erscheint auch als Druck-Ausgabe 978-1-10-719284-3 https://doi.org/10.1017/9781108147682 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Chaucer and the subversion of form Chaucer, Geoffrey / -1400 / Criticism and interpretation Chaucer, Geoffrey / -1400 / Criticism, Textual Chaucer, Geoffrey / -1400 / Technique Chaucer, Geoffrey 1343-1400 (DE-588)118520245 gnd Literarische Form (DE-588)4074267-2 gnd |
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| title | Chaucer and the subversion of form |
| title_auth | Chaucer and the subversion of form |
| title_exact_search | Chaucer and the subversion of form |
| title_full | Chaucer and the subversion of form edited by Thomas A. Prendergast, Jessica Rosenfeld |
| title_fullStr | Chaucer and the subversion of form edited by Thomas A. Prendergast, Jessica Rosenfeld |
| title_full_unstemmed | Chaucer and the subversion of form edited by Thomas A. Prendergast, Jessica Rosenfeld |
| title_short | Chaucer and the subversion of form |
| title_sort | chaucer and the subversion of form |
| topic | Chaucer, Geoffrey / -1400 / Criticism and interpretation Chaucer, Geoffrey / -1400 / Criticism, Textual Chaucer, Geoffrey / -1400 / Technique Chaucer, Geoffrey 1343-1400 (DE-588)118520245 gnd Literarische Form (DE-588)4074267-2 gnd |
| topic_facet | Chaucer, Geoffrey / -1400 / Criticism and interpretation Chaucer, Geoffrey / -1400 / Criticism, Textual Chaucer, Geoffrey / -1400 / Technique Chaucer, Geoffrey 1343-1400 Literarische Form Aufsatzsammlung |
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