Performance and theatricality in the Middle Ages and the Renaissance:
Gespeichert in:
| Weitere beteiligte Personen: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
[Turnhout, Belgium]
Brepols
[2018]
|
| Schriftenreihe: | Arizona studies in the Middle Ages and the Renaissance
volume 41 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030607248&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030607248&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | This volume offers a panoramic mosaic of the world-making role of theater and performance in medieval and early modern European societies.00This volume is a contribution to the cross-cultural study of theater and performance in the Middle Ages and the Renaissance. The studies gathered here examine material from Austria, England, France, Germany, Italy, the Netherlands, Russia, and Spain from the thirteenth to the eighteenth century. Underlying all of these essays is the understanding that performance shapes reality ? that in all of the cultural contexts included here, performance opened a space in which patrons, rulers, writers, painters, spectators, and readers could see themselves or their societies differently, and thereby could assume different identities or construct alternative communities. Addressing confession and private devotion, urban theater and pageantry, royal legitimacy and religious debate, and a wide range of genres and media, this volume offers a panoramic mosaic of the world-making role of theater and performance in medieval and early modern European societies |
| Umfang: | XIII, 207 Seiten Illustrationen |
| ISBN: | 9782503579870 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of Contents
Introduction ix
MARK CRUSE
The Intersubjective Performance of Confession vs. Courtly Profession 1
MARISA GALVEZ
Performing Prudence in Sawles Warde and Chaucers Tale ofMelibee 17
CANDACE HULL TAYLOR
The Spectacle of Sainthood: Performance and Politics of La Festa et 35
Storia di Sancta Caterina in Siena
JENNA SOLEO-SHANKS
A Case For Reperformance: Illustrations in the Istoire de la Destruction 55
de Troie la Grant
LOFTON L. DURHAM
Tracing Medieval Performance: The Visual Archive 93
+CLAIRESPONSLER
The Discourse about Gender Relationships on the Urban Stage in 111
Late Medieval German Shrovetide Plays and Verse Narratives
ALBRECHT CLASSEN
Subversive Imagery in Bruegels The Dirty Bride and Valentine and Orson 135
CATHERINE SCHULTZ MCFARLAND
Staging the Thirty Years War: Jesuit Drama and the Politics of 155
Duke Maximilian I of Bavaria, 1600-1625
WILLIAM BRADFORD SMITH
Musical Performance in Lope de Vegas La discordia en los casados 177
[Discord between Spouses
IVY HOWELL WALTERS
Drama in the Service of Orthodoxy: Dimitrii of Rostov s Theatrical 189
Investigation of the Schism
J. EUGENE CLAY
P
ERFORMANCE
AND
T
HEATRICALITY
IN
THE
M
IDDLE
AGES
AND THE RENAISSANCE
EDITED BY
M
ARK
C
RUSE
BREPOLS
IX
1
17
35
55
93
111
135
155
177
189
T
ABLE
OF
C
ONTENTS
INTRODUCTION
MARK CRUSE
THE INTERSUBJECTIVE PERFORMANCE OF CONFESSION VS. COURTLY PROFESSION
MARISA GALVEZ
PERFORMING PRUDENCE IN
SAWLES WARDE
AND CHAUCER*S
TALE OFMELIBEE
CANDACE HULL TAYLOR
THE SPECTACLE OF SAINTHOOD: PERFORMANCE AND POLITICS OF
LA FESTA ET
STORIA DI SANCTA CATERINA
IN SIENA
JENNA SOLEO-SHANKS
Y
A CASE FOR REPERFORMANCE: ILLUSTRATIONS IN THE
ISTOIRE DE LA DESTRUCTION
DE TROIE LA GRANT
LOFTON L. DURHAM
TRACING MEDIEVAL PERFORMANCE: THE VISUAL ARCHIVE
TCLAJRE SPONSLER
THE DISCOURSE ABOUT GENDER RELATIONSHIPS ON THE URBAN STAGE IN
LATE MEDIEVAL GERMAN SHROVETIDE PLAYS AND VERSE NARRATIVES
ALBRECHT CLASSEN
^
SUBVERSIVE IMAGERY IN BRUEGEL*S
THE DIRTY BRIDE
AND
VALENTINE AND ORSON
CATHERINE SCHULTZ MCFARLAND
STAGING THE THIRTY YEARS* WAR: JESUIT DRAMA AND THE POLITICS OF
DUKE MAXIMILIAN I OF BAVARIA,
1600-1625
WILLIAM BRADFORD SMITH
MUSICAL PERFORMANCE IN LOPE DE VEGA S
LA DISCORDIA EN LOS CASADOS
[DISCORD BETWEEN SPOUSES]
IVY HOWELL WALTERS
DRAMA IN THE SERVICE OF ORTHODOXY: DIMITRII OF ROSTOV*S THEATRICAL
INVESTIGATION OF THE SCHISM
J. EUGENE CLAY
Performance and
Theatricality
in the Middle ages
AND THE RENAISSANCE
Edited by
Mark Cruse
BREPOLS
ix
1
17
35
55
93
111
135
155
177
189
Table of Contents
Introduction
MARK CRUSE
The Intersubjective Performance of Confession vs. Courtly Profession
MARISA GALVEZ
Performing Prudence in Sawles Warde and Chaucer’s Tale ofMelibee
CANDACE HULL TAYLOR
The Spectacle of Sainthood: Performance and Politics of La Festa et
Storia di Sancta Caterina in Siena
JENNA SOLEO-SHANKS
y A Case For Reperformance: Illustrations in the Istoire de la Destruction
de Troie la Grant
LOFTON L. DURHAM
Tracing Medieval Performance: The Visual Archive
tCLAJRE SPONSLER
The Discourse about Gender Relationships on the Urban Stage in
Late Medieval German Shrovetide Plays and Verse Narratives
ALBRECHT CLASSEN
^ Subversive Imagery in Bruegel’s The Dirty Bride and Valentine and Orson
CATHERINE SCHULTZ MCFARLAND
Staging the Thirty Years’ War: Jesuit Drama and the Politics of
Duke Maximilian I of Bavaria, 1600-1625
WILLIAM BRADFORD SMITH
Musical Performance in Lope de Vega s La discordia en los casados
[Discord between Spouses]
IVY HOWELL WALTERS
Drama in the Service of Orthodoxy: Dimitrii of Rostov’s Theatrical
Investigation of the Schism
J. EUGENE CLAY
|
| any_adam_object | 1 |
| author2 | Cruse, Mark |
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| author_facet | Cruse, Mark |
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| callnumber-raw | D900 |
| callnumber-search | D900 |
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| callnumber-subject | D - General History |
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| ctrlnum | (OCoLC)1057676689 (DE-599)HEB433183209 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
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| dewey-search | 792.0902 |
| dewey-sort | 3792.0902 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1200-1800 gnd |
| era_facet | Geschichte 1200-1800 |
| format | Book |
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| spellingShingle | Performance and theatricality in the Middle Ages and the Renaissance Arizona studies in the Middle Ages and the Renaissance Theater Europe History Medieval, 500-1500 Theater Europe History 16th century Sozialer Wandel (DE-588)4077587-2 gnd Aufführung (DE-588)4143388-9 gnd Theater (DE-588)4059702-7 gnd |
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| title | Performance and theatricality in the Middle Ages and the Renaissance |
| title_auth | Performance and theatricality in the Middle Ages and the Renaissance |
| title_exact_search | Performance and theatricality in the Middle Ages and the Renaissance |
| title_full | Performance and theatricality in the Middle Ages and the Renaissance edited by Mark Cruse |
| title_fullStr | Performance and theatricality in the Middle Ages and the Renaissance edited by Mark Cruse |
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| title_short | Performance and theatricality in the Middle Ages and the Renaissance |
| title_sort | performance and theatricality in the middle ages and the renaissance |
| topic | Theater Europe History Medieval, 500-1500 Theater Europe History 16th century Sozialer Wandel (DE-588)4077587-2 gnd Aufführung (DE-588)4143388-9 gnd Theater (DE-588)4059702-7 gnd |
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