Quentin Tarantino: poetics and politics of cinematic metafiction
"Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Jackson
University Press of Mississippi
2018
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030524926&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | "Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality). Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European." ... Provided by publisher |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | viii, 341 Seiten Illustrationen |
| ISBN: | 9781496821157 9781496819161 |
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| 520 | |a "Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality). Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European." ... Provided by publisher | ||
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Datensatz im Suchindex
| _version_ | 1819383886279344128 |
|---|---|
| adam_text | CONTENTS
Acknowledgments vii
Introduction 3
CHAPTER ONE
“What Shall the History Books Read?”
History and Film History 15
CHAPTER TWO
“Black Man, White Hell”
Identity Politics VoL 1: Race and Ethnicity 32
CHAPTER THREE
“That’s the Excuse You Guys Use Whenever You Want to Exclude Me
from Something”
Identity Politics VoL 2: Gender (and Sexuality) 75
CHAPTER FOUR
“Revenge Is Never a Straight Line”
A Neoformalist Approach VoL 1: Narrative Structures and Paradigms 127
CHAPTER FIVE
“Everything’s the Same Except for One Change”
A Neoformalist Approach VoL 2: Narration and Style 160
CHAPTER SIX
“Lookin’ Back on the Track, Gonna Do It My Way”
The Use of Preexisting Music 224
vi
Contents
CHAPTER SEVEN
“Come On, Let s Get into Character”
Acting and Theatricality 244
CHAPTER EIGHT
“Hes Just Not Used to Seem a Man Ripped Apart by Dogs Is All”
Violence and Spectacle 270
Conclusion 288
Notes 293
Filmography and Bibliography 319
Index 332
|
| any_adam_object | 1 |
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| discipline | Allgemeines |
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| id | DE-604.BV045134992 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:18:59Z |
| institution | BVB |
| isbn | 9781496821157 9781496819161 |
| language | English |
| lccn | 018010430 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030524926 |
| oclc_num | 1053809903 |
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| physical | viii, 341 Seiten Illustrationen |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | University Press of Mississippi |
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| spellingShingle | Roche, David 1976- Quentin Tarantino poetics and politics of cinematic metafiction Tarantino, Quentin Criticism and interpretation Tarantino, Quentin 1963- (DE-588)119290685 gnd Film criticism Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)119290685 (DE-588)4017102-4 |
| title | Quentin Tarantino poetics and politics of cinematic metafiction |
| title_auth | Quentin Tarantino poetics and politics of cinematic metafiction |
| title_exact_search | Quentin Tarantino poetics and politics of cinematic metafiction |
| title_full | Quentin Tarantino poetics and politics of cinematic metafiction David Roche |
| title_fullStr | Quentin Tarantino poetics and politics of cinematic metafiction David Roche |
| title_full_unstemmed | Quentin Tarantino poetics and politics of cinematic metafiction David Roche |
| title_short | Quentin Tarantino |
| title_sort | quentin tarantino poetics and politics of cinematic metafiction |
| title_sub | poetics and politics of cinematic metafiction |
| topic | Tarantino, Quentin Criticism and interpretation Tarantino, Quentin 1963- (DE-588)119290685 gnd Film criticism Film (DE-588)4017102-4 gnd |
| topic_facet | Tarantino, Quentin Criticism and interpretation Tarantino, Quentin 1963- Film criticism Film |
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