East, West and centre: reframing post-1989 European cinema
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2017
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030486931&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030486931&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references (pages 311-333) and index |
| Umfang: | XII, 341 Seiten Illustrationen 25 cm |
| ISBN: | 9781474420921 |
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Datensatz im Suchindex
| _version_ | 1819282182632374272 |
|---|---|
| adam_text | Contents
List of Figures vi
Notes on Contributors vii
Acknowledgements xiii
Introduction: East, West and Centre: ‘Mapping Post-1989
European Cinema’ 1
Michael Gott and Todd Herzog
Part I Redrawing the Lines: De/Recentring Europe
1 The Berlin Wail Revisited: Reframing Historical Space
between East and West in Cynthia Beatts’s Cycling the Frame
(1988), The Invisible Frame (2009) and Bartosz Konopka’s
Rabbit a la Berlin (2009) 23
fenny Stumer
2 Changing Sides: East/West Travesties in Lionel Baier’s
Comme des voleurs (d Vest) 37
Kris Van Heuckelom
3 Dubbing and Doubling Over: The Disorientation of France
in the Films of Michael Haneke and Krzysztof Kieslowski 51
Alison Rice
4 Challenging the East—West Divide in Ulrich Seidl’s Import
Export (2007) 65
Nikhil Sathe
5 Fatih Akin’s Filmic Visions of a New Europe: Spatial and
Aural Constructions of Europe in Im fuli/In fuly (2000) 79
Berna Gueneli
6 Salami Aleikum — The ‘Near East’ Meets the ‘Middle East’ in
Europe 95
Alexandra Ludewig
IV
CONTENTS
7 Cinematic Fairy Tales of Female Mobility in Post-Wall
Europe: Hanna v. Mona 109
Aga Skrodzka
Part II Border Spaces, Eastern Margins and Eastern
Markets: Belonging and the Road to/from Europe
8 Contemporary Bulgarian Cinema: From Allegorical
Expressionism to Declined National Cinema
Temenuga Trifonova
9 The Point of No Return: From Great Expectations to Great
Desperation in New Romanian Cinema
Lucian Georgescu
10 ‘Weirdness’, Modernity and the Other Europe in Attenberg
(2010, Athina Rachel Tsangari)
Jun Okada
11 Lithuania Redirected: New Connections, Businesses
and Lifestyles in Cinema since 2000
Renata Sukaityte
12 Lessons of Neo-liberalism: Co-productions and the Changing
Image of Estonian Cinema
Eva Ndripea
13 Decentring Europe from the Fringe: Reimagining Balkan
Identities in the Films of the 1990s
Danica Jenkins and Kati Tonkin
Part III Spectres of the East
14 Through the Lens of Black Humour: A Polish Adam in the
Post-Wall World 221
Rimma Garn
15 East Germany Revisited, Reimagined, Repositioned:
Representing the GDR in Dominik GraPs Der rote Kakadu
(2005) and Christian Petzold’s Barbara (2012) 237
Nick Hodgin
16 Barluschke Towards an East—West Schizo-history 253
Kalani Michell
17 The Limits of Nostalgia and (Trans)National Cinema in Gum
mi-am petrecut sfar§itul lumii (2006) 267
Mihaela Petrescu
18 The Ideal of Ararat: Friendship, Politics and National Origins
in Robert Guédiguian’s Le Voyage en Arménie 279
Joseph Mai
127
147
159
175
191
205
CONTENTS
V
Notes 293
Bibliography 311
Index 335
Twenty-five years have passed since the fall of the Berlin Wall and the end of communism in
Eastern Europe, and ten years have passed since the first formerly communist states entered
the EU. An entire post-Wall generation has now entered adulthood, yet scholarship on European
cinema still tends to divide the continent along the old Cold War lines.
In East, West and Centre the world’s leading scholars in the field assemble to consider the
ways in which notions such as East and West, national and transnational, central and marginal
are being rethought and reframed in contemporary European cinema. Assessing the state of
post-1989 European cinema, from (co)production and reception trends to filmic depictions of
migration patterns, economic transformations and socio-political debates over the past and
the present, they address increasingly intertwined cinema industries that are both central
(France, Germany) and marginal (Romania, Bulgaria, Lithuania) in Europe.
This is a ground-breaking and essential read, not just for students and scholars in Film and
Media Studies, but also for those interested in wider European Studies as well.
|
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| title | East, West and centre reframing post-1989 European cinema |
| title_auth | East, West and centre reframing post-1989 European cinema |
| title_exact_search | East, West and centre reframing post-1989 European cinema |
| title_full | East, West and centre reframing post-1989 European cinema edited by Michael Gott and Todd Herzog |
| title_fullStr | East, West and centre reframing post-1989 European cinema edited by Michael Gott and Todd Herzog |
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