Verfügbarkeit: The power of theater | Technische Universität München

The power of theater: actors and spectators in Ancient Rome

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Bibliographische Detailangaben
Beteilige Person:	Kocur, Mirosław 1955- (VerfasserIn)
Weitere beteiligte Personen:	Malcolm, David 1952- (ÜbersetzerIn)
Format:	Buch
Sprache:	Englisch Polnisch
Veröffentlicht:	Frankfurt am Main Peter Lang [2018]
Schriftenreihe:	Interdisciplinary studies in performance Vol. 11
Schlagwörter:	Theater Aufführungspraxis Römisches Reich Actors Ancient Ancient mime Ancient pantomime Galecki History of theatre Kocur Lukasz Mask Miroslaw Power Roman comedy Roman theatre Rome Spectators
Links:	http://deposit.dnb.de/cgi-bin/dokserv?id=c5bdc00bec0c4493917cc4ce3ea38a5f&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/view/product/25203?format=HC http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030474218&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	This book was first published in Polish in 2005. For the english translation it has been extensively rewritten, revised and updated.
Umfang:	436 Seiten Illustrationen 21 cm x 14.8 cm, 635 g
ISBN:	9783631672723 3631672721

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Datensatz im Suchindex

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adam_text	Contents Acknowledgments...........................................11 Illustrations.............................................12 A Note on Translations Used...............................13 Abbreviations.............................................14 Introduction..............................................17 Totus mundus agit histrionem..............................17 CHAPTER ONE ROME AS THEATER...........................................27 Street Theater............................................27 The Mask..................................................38 Political Theater.........................................41 The Forum Romanum as a Stage..............................48 The Triumph of the Artist.................................55 CHAPTER TWO THE THEATER OF DEATH......................................63 Populus Bellicosus........................................63 Gladiators.............................................. 67 The Theater of Animals....................................72 Theatrical Executions.....................................76 Water Battles.............................................78 The Teater of Seneca......................................80 6 Contents CHAPTER THREE THE GAMES..................................................87 The ludi as Ceremony........................................87 The Holy Procession.........................................91 Making Offerings............................................93 Ludipublici.................................................94 Ludi Romani.................................................97 Ludiplebeii................................................100 Ludi Apollinares...........................................102 Ludi Megalenses............................................105 Ludi Florales..............................................108 Ludi Ceriales..............................................112 Ludi victoriae Sullanae....................................113 Ludi victoriae Caesaris....................................114 Ludi saeculares............................................116 CHAPTER FOUR THEATER AS ROME............................................125 Theater without Theaters................................. 125 The Theater of Pompey......................................134 The Theater of Marcellus...................................139 The Theater of Balbus......................................144 Discrimina ordinum.........................................145 Theatralis licentia........................................157 Acclamation................................................161 Theater as Symbol..........................................166 Contents 7 CHAPTER FIVE DRAMA.....................................................171 Craft.....................................................171 High Expectations...................................... 171 Schools...............................................175 The Art of Memory.....................................178 Gestus................................................180 Voice.................................................195 Mask..................................................197 Costume...............................................207 Props.................................................213 Theater Production........................................221 The art of Negotiation................................ 221 Teamwork..............................................226 Famous Actors.........................................228 The Chorus............................................233 Diverbium and canticum................................237 Music.................................................242 Instruments...........................................244 Recitals..............................................250 CHAPTER SIX ATELLANA..................................................257 Mask......................................................257 The Four Main Masks.......................................259 Other Characters..........................................261 Gestures..................................................263 Performance...............................................264 8 Contents CHAPTER SEVEN MIMES.......................................................... 269 The Mime as an Actor...........................................269 Key Terminology.............................................269 Comedy.,....................................................272 The Art of Improvisation....................................273 Gestures....................................................275 Facial Expression and Voice.................................276 Costume.....................................................278 The Prop....................................................281 The Mime as a Performance.......................................284 The Time and Location of Performances.......................284 The Curtain.................................................287 The Performers............................................. 291 Music.......................................................296 The Structure of the Mime...................................297 The Plot................................................... 300 CHAPTER EIGHT PANTOMIME.......................................................303 Craft...........................................................304 High Qualifications....................................... 304 Training....................................................306 Imitating Nature (mimesis)................................. 311 Showing (epideiksis)........................................312 Schemata....................................................313 Acting (hypokrinomai).......................................315 Mask........................................................317 Costumes....................................................318 Stage Properties............................................319 Contents 9 Presentation/Performance.....................................320 The Silent Soloist.......................................320 The Accompanying Actor...................................324 The Singer and the Chorus................................324 Orchestra................................................325 Instruments..............................................328 The Libretto.............................................331 Repertoire...............................................332 CHAPTER NINE THE ACTOR’S STATUS...........................................335 Nobiles......................................................336 A Healthy Beginning..........................................338 Collegium scribarum histrionumque............................343 Ancient Law..................................................348 Infamy in Practice...........................................352 Theatromania.................................................357 Sanctions....................................................364 Women as Actors..............................................367 The Actor as Alien...........................................370 The Slave as Actor...........................................372 Actors and Legal Protection..................................375 Earnings.....................................................379 Bibliography.................................................385 Index........................................................413
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spellingShingle	Kocur, Mirosław 1955- The power of theater actors and spectators in Ancient Rome Interdisciplinary studies in performance Theater (DE-588)4059702-7 gnd Aufführungspraxis (DE-588)4141464-0 gnd
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title	The power of theater actors and spectators in Ancient Rome
title_auth	The power of theater actors and spectators in Ancient Rome
title_exact_search	The power of theater actors and spectators in Ancient Rome
title_full	The power of theater actors and spectators in Ancient Rome Mirosław Kocur ; translated by David Malcolm
title_fullStr	The power of theater actors and spectators in Ancient Rome Mirosław Kocur ; translated by David Malcolm
title_full_unstemmed	The power of theater actors and spectators in Ancient Rome Mirosław Kocur ; translated by David Malcolm
title_short	The power of theater
title_sort	the power of theater actors and spectators in ancient rome
title_sub	actors and spectators in Ancient Rome
topic	Theater (DE-588)4059702-7 gnd Aufführungspraxis (DE-588)4141464-0 gnd
topic_facet	Theater Aufführungspraxis Römisches Reich
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