Verfügbarkeit: Cinematic metaphor | Technische Universität München

Cinematic metaphor: experience - affectivity - temporality

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Bibliographische Detailangaben
Beteiligte Personen:	Müller, Cornelia 1960- (VerfasserIn), Kappelhoff, Hermann 1959- (VerfasserIn)
Weitere beteiligte Personen:	Greifenstein, Sarah ca. 20. Jh (MitwirkendeR), Horst, Dorothea ca. 20. Jh (MitwirkendeR), Scherer, Thomas (MitwirkendeR), Schmitt, Christina (MitwirkendeR)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Berlin ; Boston De Gruyter [2018]
Schriftenreihe:	Cinepoetics volume 4
Schlagwörter:	Metapher Film Cinematic metaphor audiovisual media gesture multimodality
Links:	http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110579598&searchTitles=true https://www.degruyter.com/doc/cover/9783110579598.jpg http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030465479&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	XIV, 279 Seiten Illustrationen
ISBN:	9783110579598 3110579596

Internformat

MARC


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Datensatz im Suchindex

_version_	1819292638932631552
adam_text	CONTENTS ACKNOWLEDGEMENTS* V CONVENTIONS* XV INTRODUCTION * 1 WHY WE SPEAK OF CINEMATIC METAPHOR* 1 CINEMATIC METAPHOR IN A TV NEWS FEATURE: TAGESSCHAU * 2 STARTING FROM THE MEDIA-CHARACTER OF AUDIOVISUAL IMAGES * 6 CINEMATIC METAPHOR: BASIC THEORETICAL ASSUMPTIONS * 6 OVERVIEW OF THE BOOK* 7 PART I: SETTING THE STAGE FOR CINEMATIC METAPHOR INTRODUCTION* 15 1 CINEMATIC METAPHOR AS POIESIS: THE MOVEMENT-IMAGE AS STARTING POINT* 19 1.1 A CRITIQUE OF COGNITIVE ANALYSES OF METAPHORS IN FILM * 19 THE HISTORICITY OF METAPHORICAL MEANING-MAKING* 20 AUDIOVISUAL IMAGES AS MOVING IMAGES* 20 DISCOURSE DYNAMICS OF METAPHOR* 21 1.2 METAPHOR AND THE MOVEMENT-IMAGE: DEATH AND THE MOTHER ----- 22 1.3 CRITICAL REVIEW OF COGNITIVE THEORIES OF FILM UNDERSTANDING* 29 1.4 THE ALTERNATIVE PROPOSAL: CINEMATIC METAPHOR AS POIESIS OF FILM-VIEWING* 33 A SPECIFIC MODE OF PERCEPTION * 34 CINEMATIC MOVEMENT-IMAGE AS MEDIA-AESTHETIC FRAMING* 35 FILM IMAGES CREATE AND EXPRESS A SHARED REALITY* 36 THE AS-IF* 37 EXPERIENCING ONE THING IN TERMS OF ANOTHER AS A PROCESS OF FICTIONALIZING* 39 2 CINEMATIC METAPHOR AND EXPERIENCE: CREATING FRAGILE REALITIES * 40 2.1 FROM METAPHORS AS COGNITIVE INSTRUMENTS TO METAPHORS AS EXPERIENCE * 40 2.2 CINEMATIC METAPHORS AS NEW DESCRIPTIONS OF REALITY: REAR WINDOW (L) ----- 42 2.3 CINEMATIC METAPHORS AS MULTIDIMENSIONAL EXPERIENTIAL GESTALTS: REAR WINDOW (2) ----- 45 3 DOING CINEMATIC METAPHORS: PERCEPTION, FEELING, AND AFFECTIVE ENTANGLEMENT* 50 3.1 THE SPECTATOR ! * 51 3.2 FEELING AS UNITY OF EXPERIENCE * 52 3.3 MULTI-PERSPECTIVAL PERCEIVING: DER KRIEGER U N D DIE K AIS E R IN * 3.4 DYNAMICS OF THE METAPHORICAL PROCESS * 58 3.5 FILM AND AFFECT: CINEMATIC EXPRESSIVE MOVEMENT* 59 4 CINEMATIC METAPHOR AND EMBODIMENT* 60 4.1 THE INTERSUBJECTIVE DIMENSION OF CINEMA * 60 4.2 DYNAMIC VERSUS STATIC * 62 4.3 METAPHOR AS INTERACTION AND THE INTERSUBJECTIVITY OF MEANING-MAKING* 63 4.4 THEOTHER I * 64 COOPERATION * 64 4.5 THE SPECTATOR AS AGENT* 67 4.6 MULTI-PERSPECTIVAL EMBODIMENT* 67 4.7 EMBODIMENT IN NEO-PHENOMENOLOGICAL FILM THEORY AND CONCEPTUAL METAPHOR THEORY* 68 5 CINEMATIC METAPHOR AS COMMONLY SHARED REALITY* 70 5.1 REFLEXIVITY* 70 FULLY EMBODIED MEANING* 71 CONSCIOUSNESS* 72 LIFEWORLD * 73 5.2 THE RHETORICAL NATURE OF COMMONLY SHARED REALITY* 74 CONCEPTUAL METAPHOR THEORY AND NIETZSCHES THEORY OF METAPHOR 75 HISTORICITY AND AWARENESS OF TIME * 76 R6SUM6 * 78 PART II: CINEMATIC EXPERIENCE AND AUDIOVISUAL FIGURATIVITY INTRODUCTION * 83 6 EXPERIENCING METAPHORICITY* 85 6.1 FEELING THE FEELING: EMBODIED METAPHOR IN A BALLET CLASS * 85 6.2 FILM-VIEWING AND SUCCESSIVE METAPHORIZATION: MAGNIFICENT OBSESSION ----- 91 THE EMERGING SENSE OF DARKNESS* 93 EXPERIENCING DARKENING AS INCREASING DESPERATION * 94 7 AUDIOVISUAL FIGURATIVITY EMERGING FROM CINEMATIC EXPERIENCE* 100 7.1 FEELING LOSING AND WINNING: REPORT M A IN Z (TV NEWS FEATURE) * 101 7.2 MOVEMENT EXPERIENCE AND METAPHORICAL PROCESS: S U S P IC IO N * 104 7.3 METONYMIES IN METAPHORICAL WORLDS: HER M O R N IN G ELEGANCE (MUSIC VIDEO) * 110 7.4 EXPERIENCING TRANSFORMATIONS: A NGELA M ERKEL (CAMPAIGN COMMERCIAL) * 115 FEELING THE PAST, PRESENT, AND FUTURE WITH THE GERMAN CHANCELLOR* 116 MERKEL IS WE: HOW THE CHANCELLOR BECOMES PART OF THE GERMAN PEOPLE* 119 RESUM6 * 123 PART III: CINEMATIC EXPRESSIVE MOVEMENT: AFFECTIVITY AND METAPHOR INTRODUCTION * 129 8 CINEMATIC EXPRESSIVE MOVEMENT AND THE POETICS OF AFFECT: THREE EXAMPLES* 131 8.1 MOVING SPECTATORS: LOLA R E N N T * 131 8.2 TEMPORAL UNFOLDING AS AFFECT MODULATION: BATAAN * 134 8.3 BEING TOUCHED BY NEWS? TAGESSCHAU (TV NEWS FEATURE) * 139 8.4 DISCUSSION * 143 9 MOVEMENT-IMAGE: FROM BODY MOVEMENT TO CINEMATIC EXPRESSIVITY* 146 9.1 HAND GESTURES AS EXPRESSIVE MOVEMENTS* 146 9.2 INTERAFFECTIVITY AND THE EMERGENCE OF METAPHOR IN A GROUP DISCUSSION * 148 9.3 HISTORICAL AND THEORETICAL CONTEXTS OF EXPRESSIVE MOVEMENT* 154 POETICS OF AFFECT AND THE MELODRAMATIC MODE OF THEATER AND FILM * 155 THE MODERN CONCEPT OF EXPRESSION IN FILM THEORY* 157 9.4 DISCUSSION * 162 10 THE AFFECTIVE DIMENSION: EXPRESSIVE MOVEMENTS AND CINEMATIC METAPHOR* 164 10.1 DYNAMIC FORCES AND STATIC STRUCTURES: JEZEBEL * 164 AN EMERGING METAPHORICAL AXIS * 169 10.2 SAND IN THE GEARS OF THE ECONOMIC CYCLE: TAGESSCHAU (TV NEWS FEATURE) * 172 RESUMS* 178 PART IV: TEMPORALITY OF CINEMATIC METAPHOR: INTERTWINED DYNAMICS ON MICRO AND MACRO LEVELS INTRODUCTION * 183 11 EMERGING METAPHORICAL SCENARIOS* 185 11.1 FACE-TO-FACE INTERACTION: TANGO LESSON * 185 EXPERIENCING BALANCED POSTURE AS SPATIAL AXIS* 186 EXPERIENCING BALANCED POSTURE IN WALKING* 187 11.2 AUDIOVISUAL PERCEPTION: SAT I N ACHRICHTEN (TV NEWS FEATURE) * 192 12 INTERTWINING METAPHORICAL THEMES IN A TV NEWS FEATURE: REPORT M AINZ ------ 196 12.1 CINEMATIC EXPRESSIVE MOVEMENTS AS TEMPORAL MACRO-STRUCTURE * 196 12.2 CINEMATIC METAPHOR AS TEMPORAL PARCOURS* 197 THE INTRODUCTION * 198 A CHAMPAGNE RECEPTION * 199 THE LOSING BANKERS * 201 THE ACTUAL LOSERS ARE THE SMALL INVESTORS* 202 12.3 TEMPORAL INTERTWINING OF TWO CINEMATIC METAPHORS* 204 13 UNFOLDING METAPHORIC THEMES IN A FEATURE FILM: S P E L L B O U N D * 207 13.1 HOW NON-REMEMBERING FEELS: A CINEMATIC EXPRESSIVE MOVEMENT UNIT* 209 13.2 THE UNFOLDING METAPHORICAL THEME * 211 NON-REMEMBERING TURNS INTO REMEMBERING* 214 FROM NON-REMEMBERING TO REMEMBERING THROUGH METAPHOR SHIFTING* 216 13.3 90-MINUTE-METAPHORS?* 218 R6SUM6* 221 BEYOND CINEMATIC METAPHOR* 222 APPENDIX: CINEMATIC METAPHOR - A METHODOLOGICAL OUTLINE* 226 A.O INTRODUCTION * 227 A .L AUDIOVISUAL MEDIA: EMAEX* 228 A.2 MULTIMODAL FACE-TO-FACE INTERACTION: MGAAND MFA* 228 A.3 THE CINMET PROCEDURE: EXEMPLARY ANALYSIS OF A FILM * 229 A.3.1 HANDS-ON OUTLINE * 230 MACRO LEVEL (1) * 230 MICRO LEVEL (2) ----- 230 MESO LEVEL (3) * 230 MACRO LEVEL (4) * 231 MACRO LEVEL: SP ELLB O U N D (1) * 231 MICRO LEVEL: SP ELLB O U N D (2) * 232 MESO LEVEL: SP ELLB O U N D (3) * 233 MACRO LEVEL: SP ELLB O U N D (4) * 234 A.3.2 ZOOMING IN: THREE LEVELS OF AUDIOVISUAL AND MULTIMODAL COMMUNICATION ANALYSIS* 235 MICRO LEVEL: EXPRESSIVE MOVEMENTS * 236 BATAAN ----- 237 FACE-TO-FACE DISCUSSION * 238 MESO LEVEL: PATTERNS AND/OR SCENARIOS* 240 REPORT MAINZ * 240 DANCE CLASS * 241 MACRO LEVEL: METAPHORICAL THEMES * 244 REPORT MAINZ ----- 244 DANCE CLASS * 245 A.4 CONCLUDING REMARKS * 247 BIBLIOGRAPHY* 249 AUDIOVISUAL SOURCES* 265 LIST OF FIGURES* 266 NAME INDEX* 270 SUBJECT INDEX* 274 ABOUT THE AUTHORS* 277
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author	Müller, Cornelia 1960- Kappelhoff, Hermann 1959-
author2	Greifenstein, Sarah ca. 20. Jh Horst, Dorothea ca. 20. Jh Scherer, Thomas Schmitt, Christina
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language	English
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physical	XIV, 279 Seiten Illustrationen
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series	Cinepoetics
series2	Cinepoetics
spellingShingle	Müller, Cornelia 1960- Kappelhoff, Hermann 1959- Cinematic metaphor experience - affectivity - temporality Cinepoetics Metapher (DE-588)4038935-2 gnd Film (DE-588)4017102-4 gnd
subject_GND	(DE-588)4038935-2 (DE-588)4017102-4
title	Cinematic metaphor experience - affectivity - temporality
title_auth	Cinematic metaphor experience - affectivity - temporality
title_exact_search	Cinematic metaphor experience - affectivity - temporality
title_full	Cinematic metaphor experience - affectivity - temporality Cornelia Müller and Hermann Kappelhoff ; in collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt
title_fullStr	Cinematic metaphor experience - affectivity - temporality Cornelia Müller and Hermann Kappelhoff ; in collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt
title_full_unstemmed	Cinematic metaphor experience - affectivity - temporality Cornelia Müller and Hermann Kappelhoff ; in collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt
title_short	Cinematic metaphor
title_sort	cinematic metaphor experience affectivity temporality
title_sub	experience - affectivity - temporality
topic	Metapher (DE-588)4038935-2 gnd Film (DE-588)4017102-4 gnd
topic_facet	Metapher Film
url	http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110579598&searchTitles=true https://www.degruyter.com/doc/cover/9783110579598.jpg http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030465479&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV044926894
work_keys_str_mv	AT mullercornelia cinematicmetaphorexperienceaffectivitytemporality AT kappelhoffhermann cinematicmetaphorexperienceaffectivitytemporality AT greifensteinsarah cinematicmetaphorexperienceaffectivitytemporality AT horstdorothea cinematicmetaphorexperienceaffectivitytemporality AT schererthomas cinematicmetaphorexperienceaffectivitytemporality AT schmittchristina cinematicmetaphorexperienceaffectivitytemporality AT walterdegruytergmbhcokg cinematicmetaphorexperienceaffectivitytemporality

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