Book presence in a digital age:
Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Bloomsbury Academic
[2017]
|
| Schlagwörter: | |
| Links: | https://doi.org/10.5040/9781501321214 https://doi.org/10.5040/9781501321214 |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | 1 Online-Ressource (xiv, 260 Seiten) Illustrationen |
| ISBN: | 9781501321214 9781501321207 |
| DOI: | 10.5040/9781501321214 |
Internformat
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| 245 | 1 | 0 | |a Book presence in a digital age |c Kiene Brillenburg Wurth, Kári Driscoll and Jessica Pressman (eds) |
| 264 | 1 | |a New York |b Bloomsbury Academic |c [2017] | |
| 300 | |a 1 Online-Ressource (xiv, 260 Seiten) |b Illustrationen | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Part 1: Theory and overview -- Part 2: Media changes and materiality -- Part 3: Conceptual possibilities of the book | |
| 505 | 8 | |a "Contrary to the apocalyptic pronouncements of paper media's imminent demise in the digital age, there has been a veritable surge of creative reimaginings of books as bearers of the literary. From typographic experiments (Mark Z. Danielewski's House of Leaves, Steven Hall's The Raw Shark Texts) to accordion books (Anne Carson's Nox), from cut ups (Jonathan Safran Foer's Tree of Codes) to collages (Graham Rawle's Woman's World), from erasures (Mary Ruefle's A Little White Shadow) to mixups (Simon Morris's The Interpretations of Dreams), print literature has gone through anything but a slow, inevitable death. In fact, it has re-invented itself materially. Starting from this idea of media plurality, Book Presence in a Digital Age explores the resilience of print literatures, book art, and zines in the late age of print from a contemporary perspective, while incorporating longer-term views on media archeology and media change. Even as it focuses on the materiality of books and literary writing in the present, Book Presence also takes into consideration earlier 20th-century "moments" of media transition, developing the concepts of presence and materiality as analytical tools to perform literary criticism in a digital age. Bringing together leading scholars, artists, and publishers, Book Presence in a Digital Age offers a variety of perspectives on the past, present, and future of the book as medium, the complex relationship of materiality to virtuality, and of the analog to the digital."--Bloomsbury Publishing | |
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Datensatz im Suchindex
| _version_ | 1818984319434096640 |
|---|---|
| any_adam_object | |
| author2 | Brillenburg Wurth, Kiene 1966- Driscoll, Kári Pressman, Jessica |
| author2_role | edt edt edt |
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| author_facet | Brillenburg Wurth, Kiene 1966- Driscoll, Kári Pressman, Jessica |
| building | Verbundindex |
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| classification_rvk | AN 17950 |
| collection | ZDB-162-BCL |
| contents | Part 1: Theory and overview -- Part 2: Media changes and materiality -- Part 3: Conceptual possibilities of the book "Contrary to the apocalyptic pronouncements of paper media's imminent demise in the digital age, there has been a veritable surge of creative reimaginings of books as bearers of the literary. From typographic experiments (Mark Z. Danielewski's House of Leaves, Steven Hall's The Raw Shark Texts) to accordion books (Anne Carson's Nox), from cut ups (Jonathan Safran Foer's Tree of Codes) to collages (Graham Rawle's Woman's World), from erasures (Mary Ruefle's A Little White Shadow) to mixups (Simon Morris's The Interpretations of Dreams), print literature has gone through anything but a slow, inevitable death. In fact, it has re-invented itself materially. Starting from this idea of media plurality, Book Presence in a Digital Age explores the resilience of print literatures, book art, and zines in the late age of print from a contemporary perspective, while incorporating longer-term views on media archeology and media change. Even as it focuses on the materiality of books and literary writing in the present, Book Presence also takes into consideration earlier 20th-century "moments" of media transition, developing the concepts of presence and materiality as analytical tools to perform literary criticism in a digital age. Bringing together leading scholars, artists, and publishers, Book Presence in a Digital Age offers a variety of perspectives on the past, present, and future of the book as medium, the complex relationship of materiality to virtuality, and of the analog to the digital."--Bloomsbury Publishing |
| ctrlnum | (OCoLC)1042915709 (DE-599)BVBBV045066487 |
| discipline | Allgemeines |
| doi_str_mv | 10.5040/9781501321214 |
| format | Electronic eBook |
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| id | DE-604.BV045066487 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:17:07Z |
| institution | BVB |
| isbn | 9781501321214 9781501321207 |
| language | English |
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| spelling | Book presence in a digital age Kiene Brillenburg Wurth, Kári Driscoll and Jessica Pressman (eds) New York Bloomsbury Academic [2017] 1 Online-Ressource (xiv, 260 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Part 1: Theory and overview -- Part 2: Media changes and materiality -- Part 3: Conceptual possibilities of the book "Contrary to the apocalyptic pronouncements of paper media's imminent demise in the digital age, there has been a veritable surge of creative reimaginings of books as bearers of the literary. From typographic experiments (Mark Z. Danielewski's House of Leaves, Steven Hall's The Raw Shark Texts) to accordion books (Anne Carson's Nox), from cut ups (Jonathan Safran Foer's Tree of Codes) to collages (Graham Rawle's Woman's World), from erasures (Mary Ruefle's A Little White Shadow) to mixups (Simon Morris's The Interpretations of Dreams), print literature has gone through anything but a slow, inevitable death. In fact, it has re-invented itself materially. Starting from this idea of media plurality, Book Presence in a Digital Age explores the resilience of print literatures, book art, and zines in the late age of print from a contemporary perspective, while incorporating longer-term views on media archeology and media change. Even as it focuses on the materiality of books and literary writing in the present, Book Presence also takes into consideration earlier 20th-century "moments" of media transition, developing the concepts of presence and materiality as analytical tools to perform literary criticism in a digital age. Bringing together leading scholars, artists, and publishers, Book Presence in a Digital Age offers a variety of perspectives on the past, present, and future of the book as medium, the complex relationship of materiality to virtuality, and of the analog to the digital."--Bloomsbury Publishing Printing industry / Technological innovations Buch (DE-588)4008570-3 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Internet (DE-588)4308416-3 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 2012 Utrecht gnd-content Buch (DE-588)4008570-3 s Literatur (DE-588)4035964-5 s Internet (DE-588)4308416-3 s Neue Medien (DE-588)4196910-8 s 2\p DE-604 Brillenburg Wurth, Kiene 1966- (DE-588)173969046 edt Driscoll, Kári (DE-588)1081270403 edt Pressman, Jessica (DE-588)1049410645 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-5013-2118-4 https://doi.org/10.5040/9781501321214 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Book presence in a digital age Part 1: Theory and overview -- Part 2: Media changes and materiality -- Part 3: Conceptual possibilities of the book "Contrary to the apocalyptic pronouncements of paper media's imminent demise in the digital age, there has been a veritable surge of creative reimaginings of books as bearers of the literary. From typographic experiments (Mark Z. Danielewski's House of Leaves, Steven Hall's The Raw Shark Texts) to accordion books (Anne Carson's Nox), from cut ups (Jonathan Safran Foer's Tree of Codes) to collages (Graham Rawle's Woman's World), from erasures (Mary Ruefle's A Little White Shadow) to mixups (Simon Morris's The Interpretations of Dreams), print literature has gone through anything but a slow, inevitable death. In fact, it has re-invented itself materially. Starting from this idea of media plurality, Book Presence in a Digital Age explores the resilience of print literatures, book art, and zines in the late age of print from a contemporary perspective, while incorporating longer-term views on media archeology and media change. Even as it focuses on the materiality of books and literary writing in the present, Book Presence also takes into consideration earlier 20th-century "moments" of media transition, developing the concepts of presence and materiality as analytical tools to perform literary criticism in a digital age. Bringing together leading scholars, artists, and publishers, Book Presence in a Digital Age offers a variety of perspectives on the past, present, and future of the book as medium, the complex relationship of materiality to virtuality, and of the analog to the digital."--Bloomsbury Publishing Printing industry / Technological innovations Buch (DE-588)4008570-3 gnd Literatur (DE-588)4035964-5 gnd Internet (DE-588)4308416-3 gnd Neue Medien (DE-588)4196910-8 gnd |
| subject_GND | (DE-588)4008570-3 (DE-588)4035964-5 (DE-588)4308416-3 (DE-588)4196910-8 (DE-588)1071861417 |
| title | Book presence in a digital age |
| title_auth | Book presence in a digital age |
| title_exact_search | Book presence in a digital age |
| title_full | Book presence in a digital age Kiene Brillenburg Wurth, Kári Driscoll and Jessica Pressman (eds) |
| title_fullStr | Book presence in a digital age Kiene Brillenburg Wurth, Kári Driscoll and Jessica Pressman (eds) |
| title_full_unstemmed | Book presence in a digital age Kiene Brillenburg Wurth, Kári Driscoll and Jessica Pressman (eds) |
| title_short | Book presence in a digital age |
| title_sort | book presence in a digital age |
| topic | Printing industry / Technological innovations Buch (DE-588)4008570-3 gnd Literatur (DE-588)4035964-5 gnd Internet (DE-588)4308416-3 gnd Neue Medien (DE-588)4196910-8 gnd |
| topic_facet | Printing industry / Technological innovations Buch Literatur Internet Neue Medien Konferenzschrift 2012 Utrecht |
| url | https://doi.org/10.5040/9781501321214 |
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