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Music Preferred: essays in musicology, cultural history and analysis in honour of Harry White

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Bibliographische Detailangaben
Weitere beteiligte Personen:	Byrne Bodley, Lorraine 1968- (HerausgeberIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Wien Hollitzer [2018]
Schlagwörter:	Geschichte Kultur Lyrik Musik Literatur Deutsches Sprachgebiet Großbritannien Irland Lorraine Byrne Bodley Harry White Music Festschrift
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030447634&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	773 Seiten Illustrationen, Notenbeispiele, Faksimiles 24 cm x 17 cm
ISBN:	9783990124017 3990124013

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Datensatz im Suchindex

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adam_text	CONTENTS NOTES ON CONTRIBUTORS 1 FOREWORD by Gerard Gillen (Maynooth University and Titular 15 Organist, St. Mary’s Pro-Cathedral) INTRODUCTION by Lorraine Byrne Bodley (Maynooth University) 19 and Robin Elliot (University of Toronto) PART ONE: THE MUSICAL BAROQUE Julian Horton (Durham University): J. S. Bach’s Fugue in C sharp minor, 41 Well-Tempered Clavier, Book I and the Autonomy of the Musical Work Lorenz Welker (Ludwig-Maximilians-Universitat, Munich): 67 Johann Joseph Fux’s Sonata a 4 in G (K. 347): Further Considerations on its Source, Style, Context and Authorship Tassilo Erhardt (Liverpool Hope University): Johann Joseph Fux’ 85 Church Music in its Spiritual and Liturgical Contexts Jen-yen Chen (National Taiwan University): 107 The Musical Baroque in China: Interactions and Conflicts Denis Collins (The University of Queensland, Australia): 117 Canon in Baroque Italy: Paolo Agostini’s Collections of Masses, Motets and Counterpoints from 1627 PART TWO: MUSIC IN IRELAND Kerry Houston (DIT Conservatory of Music and Drama): 143 John Mathews: A Specimen of Georgian Ignorance? Ita Beausang (DIT Conservatory of Music and Drama): There is a calm 159 for those who weep: William Shore’s New Edition of a Chorale by John [sic] Sebastian Bach Axel Klein (Frankfurt): “No, Sir, the Irish are not musical”: Some Historic (?) Debates on Irish Musicality 167 Adrian Scahill (Maynooth University): “That vulgar strummer”: The Piano and Traditional Music in the Gaelic Revival 183 Maria McHale (DIT Conservatory of Music and Drama): 203 “Hopes for regeneration”: Opera in Revivalist Dublin, 1900—1916 Karol Mullaney-Dignam (University of Limerick): 217 “What do we mean by Irish music?” The Politics of State-Sponsored Music Publication in Independent Ireland Ruth Stanley (Cork Institute of Technology): “Jazzing the soul of the 231 Nation away”: The Hidden History of Jazz in Ireland and Northern Ireland During the Interwar Years Gearoid 6 hAllmhurain (Concordia University Montreal): Sonic Icon, 251 Music Pilgrimage: Creating an Irish World Music Capital Meabh Ni Fhuarthain (NUI Galway): “In the mood for dancing”: 263 Emigrant, Pop and Female Gareth Cox (Mary Immaculate College,University of Limerick): 281 Aloys Fleischmann’s Games (1990) Denise Neary (Royal Irish Academy of Music): The Development of 293 Music Performance as Artistic Research in Ireland Michael Murphy (Mary Immaculate College, University of Limerick): 307 “Irish” Musicology and Musicology in Ireland: Grattan Flood, Bewerunge, Harrison, White PART THREE: MUSIC AND LITERATURE Declan Kiberd (University of Notre Dame): The New Policeman 325 Gerry Smyth (Liverpool John Moores University): 335 Moore, Wagner, Joyce: Evelyn Innes and the Irish Wagnerian Novel John O’Flynn (Dublin City University): Alex North, James Joyce, 351 and John Huston’s The Dead (1987) Patrick Zuk (Durham University): L’ami inconnu: Nataliya Esposito and 373 Ivan Bunin PART FOUR: AUSTRO-GERMANIC TRADITIONS Michael Hüttler (Don Juan Archiv, Vienna): Hof- and Domkapellmeister 393 Johann Joseph Friebert (1724—1799) and his Singspiele Anne Hyland (University of Manchester): Tautology or Teleology? 409 Reconsidering Repetition and Difference in Two Schubertian Symphonic First Movements Susan Youens (University of Notre Dame): Of Anthropophagy, 431 the Abolitionist Movement, and Brahms: An unlikely Conjunction Shane McMahon (UCD Humanities Institute): The Moth-Eaten Musical 471 Brocade: Narrative and the Limits of the Musical Imagination David Cooper (University of Leeds): Die zweite Heimat: 489 Musical Personae in a Second Home Glenn Stanley (University of Connecticut): Brechtian Fidelio 505 Performances in West Germany: 1968 to the New Millennium Nicole Grimes (University of California, Irvine): Brahms as a Vanishing 523 Point in the music of Wolfgang Rihm: Reflections on Klavierstück Nr. 6 PART FIVE: MUSIC IN BRITAIN Pauline Graham (Griffith College): Intimations of Eternity in the Creeds 553 from William Byrd’s Five-Voice Mass and Great Service John Cunningham (Bangor University): “An Irishman in an opera!”: 573 Music and Nationalism on the London Stage in the Mid—1770s Jeremy Dibble (Durham University): Canon Thomas Hudson, Clergyman 597 Musician, Cambridge Don and the Hovingham ‘Experiment’ William A. Everett (University of Missouri — Kansas City): 615 The Great War, Propaganda, and Orientalist Musical Theatre: The Twin Histories of Katinka and Chu Chin Chow Richard Aldous (Bard College): “Flash Harry”: Sir Malcolm Sargent and the Progress of Music in England 631 PART SIX: MUSIC HISTORIES WORLDWIDE Philip V. Bohlman (University of Chicago): Worlds Apart: 645 Resounding Selves and Others on Islands of Music History Ivano Cavallini (University of Palermo): A Counter-Reformation 661 Reaction to Slovenian and Croatian Protestantism: The Symbol of St. Athanasius in a Creed of 1624 Stanislav Tuksar (University of Zagreb): Musical Prints from c.1750-1815 685 in the Dubrovnik Franciscan Music Collection (HR-Dsmb) Vjera Katalinic (Croatian Academy of Sciences and Arts, Zagreb): 701 Routes of Travels and Points of Encounters Observed Through Musical Borrowings: The Case of Giovanni Giornovichi/Ivan Jarnovic, an 18th-Century Itinerant Violin Virtuoso Jan Smaczny (Queen s University Belfast): Antonín Dvorak in the Salon: 717 A Composer Emerges from the Shadows Jaime Jones (University College Dublin): Singing the Way: 727 Music as Pilgrimage in Maharashtra PART SEVEN: MUSIC AND POETRY John Buckley (Dublin City University): A Setting of Harry White’s 749 Sonnet Bardolino from Polite Forms (2012) for Baritone and Piano AFTERWORD by Iain Fenlon (King’s College Cambridge) 757 HARRY WHITE: LIST OF PUBLICATIONS 761
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spellingShingle	Music Preferred essays in musicology, cultural history and analysis in honour of Harry White Kultur (DE-588)4125698-0 gnd Lyrik (DE-588)4036774-5 gnd Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd
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title	Music Preferred essays in musicology, cultural history and analysis in honour of Harry White
title_auth	Music Preferred essays in musicology, cultural history and analysis in honour of Harry White
title_exact_search	Music Preferred essays in musicology, cultural history and analysis in honour of Harry White
title_full	Music Preferred essays in musicology, cultural history and analysis in honour of Harry White edited by Lorraine Byrne Bodley
title_fullStr	Music Preferred essays in musicology, cultural history and analysis in honour of Harry White edited by Lorraine Byrne Bodley
title_full_unstemmed	Music Preferred essays in musicology, cultural history and analysis in honour of Harry White edited by Lorraine Byrne Bodley
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title_sort	music preferred essays in musicology cultural history and analysis in honour of harry white
title_sub	essays in musicology, cultural history and analysis in honour of Harry White
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