Auto/biography in transit:
Gespeichert in:
| Weitere beteiligte Personen: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Honolulu, Hawai'i
University of Hawai'i Press
[2015]
|
| Schriftenreihe: | Biography
volume 38, number 1 (Winter 2015) |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030444543&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Literaturangaben |
| Umfang: | xi, 154 Seiten Illustrationen |
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Datensatz im Suchindex
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|---|---|
| adam_text | biography
an interdisciplinary quarterly
38.1 • Winter 2015
Editors’ Introduction
Jason Breiter, Orly Lael Netzery Julie Rak, and Lucinda Rasmussen
Introduction: Auto/Biography in Transit v
The essays in this special issue engage with a range of issues relating to Auto/
Biography in Transit, the title of the 2014 International Auto/Biography As-
sociation (IABA) conference held in Banff, from which the issue emerged. The
essays have been divided into two areas of inquiry: Documents and Displace-
ments. Those in the first section address the status of the document as a tech-
nology of the self, or think about how cultural producers document their lives.
Essays in the second section explore critical approaches and texts that signify
how both the study of life writing and its objects of inquiry are themselves in
transit, and have the potential to change our ideas about the field itself.
Articles
Documents
Candida Rifkind
The Seeing Eye of Scientific Graphic Biography 1
This article examines two graphic biographies about Robert Oppenheimer
that use visual strategies to overcome some of the narrative problems of prose
scientific biography. I argue that we consider scientific graphic biography as
a specific genre that installs a biographical eye (as opposed to the auto/bio-
graphical I) to explore the complex relationship between empirical knowledge
and affective experience that shapes lives caught between science and politics.
Terri Tomsky
The Guantanamo Lawyers: Life Writing for the
“Courts of Public Opinion” 23
This article explores the strategic deployment of the life narrative genre by the
lawyers of designated enemy combatants as part of the human rights activ-
ism against the unlawful detainment of prisoners at the US military prison
in Guantanamo.
Ella Ophir
The Diary and the Commonplace Book: Self-Inscription in
The Note Books of a Woman Alone 41
The Note Books of a Woman Alone (1935), the posthumously published
notebooks of an impoverished London clerk, provokes reconsideration of
what counts as an individual voice. More than half the text is comprised
of quotations and extracts; Evelyn Wilsons textual collecting, however, was
deeply enmeshed with her diary writing. Blurring transcription and expres-
sion, her practice of self-inscription lays bare the intersubjective nature of
self-definition and the composite nature of any textual voice.
Elizabeth Rodrigues
“Contiguous But Widely Separated” Selves: Im/Migrant Life Narrative
as Data-Driven Form
This essay proposes that an epistemological commitment to data collection
creates a distinct aesthetic in life narratives, and argues that an abundance of
data creates a sense of multiple, co-present identities within a given subject.
Focusing on The Life Stories of Undistinguished Americans, a collection of “life-
lets” edited by Hamilton Holt (1906), Gertrude Steins Three Lives (1909), and
The Soul of an Immigrant (1921), the autobiography of Constantine Panunzio,
Rodrigues shows how the identities that these subjects iterate are in flux, and
thus the subjects are constantly in transit among their identities.
Emma Maguire
Self-Branding, Hotness, and Girlhood in the Video Blogs
of Jenna Marbles
This essay explores the significance of online celebrity and self-branding
through the case study of popular YouTube video blogger Jenna Marbles.
I ask how the forces of commoditized web spaces shape self-representation,
and explore how Marbles negotiates the demand for feminine “hotness” in
this competitive, networked media landscape. Central to this essay is how
girls use self-mediation to negotiate a system that insists on consuming them
as objects, while maintaining their autonomy as subjects.
Displacements
Rocío G. Davis
Fictional Transits and Ruth Ozeki s A Tale for the Time Being
Focusing on Ruth Ozeki s A Tale for the Time Being, this essay engages the
transits between the fictional and the autobiographical by deploying no-
tions from narratology, including a proposal regarding the difference be-
tween “fiction” and “the fictive,” reflections on metatextual performance,
and the idea of the implied author.
Leigh Gilmore
Covering Pain: Pain Memoirs and Sequential Reading as an
Ethical Practice
Book design—including the elements of cover image and author photo—
offer conceptual matter from which meanings of authorship and identity
emerge. In the case of memoirs about chronic pain, these peritexts also em-
ploy a complicated visual iconography of disability that may rely on assump-
tions about agency and ability that pain memoirs themselves challenge within
their covers. This essay explores how readers might bear witness to chronic
pain memoirs by leveraging insights gained through the sequential reading of
comics toward an ethical practice.
118
Lucinda Rasmussen
The (De)Evolution of a Genre: Postfeminisms (Dis)Empowered
Narrator of the Breast Cancer Narrative
This article traces how postfeminism, an ideology that celebrates consumer-
ism and disavows feminism, has influenced the evolution of the breast can-
cer memoir. Paratexts surrounding three twenty-first century breast cancer
memoirs are discussed to show how retailers and corporate cause marketers
have in some instances impeded the delivery of feminist messages in some of
these works.
Ricia Anne Chansky
Between Selves: An Intertextual Approach to Jamaica Kincaid’s
Among Flowers 135
Jamaica Kincaids second travel narrative, Among Flowers: A Walk in the Hi-
malaya, remains an underexplored text due to the conflicted, diasporic sub-
jectivity that readers encounter within the book. This essay argues for a read-
ing strategy that positions Among Flowers in conversation with A Small Place
to reveal a more nuanced understanding of Kincaid s diasporic status.
Contributors i 5 z
Biography is a member of (daj) the Council of Editors of Learned Journals.
Biography is a member of the Project Muse® Online Scholarly Journals database.
Articles appearing in Biography are annotated and indexed in America: History and Life; the Annual
Bibliography of English Language and Literature; Arts and Humanities Citations Index , Historical Abstracts ,
The MLA International Bibliography , Uncover , and The Years Work in English Studies.
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| title | Auto/biography in transit |
| title_alt | Autobiography in transit Biography in transit |
| title_auth | Auto/biography in transit |
| title_exact_search | Auto/biography in transit |
| title_full | Auto/biography in transit guest editors: Jason Breiter, Orly Lael Netzer, Julie Rak & Lucinda Rasmussen |
| title_fullStr | Auto/biography in transit guest editors: Jason Breiter, Orly Lael Netzer, Julie Rak & Lucinda Rasmussen |
| title_full_unstemmed | Auto/biography in transit guest editors: Jason Breiter, Orly Lael Netzer, Julie Rak & Lucinda Rasmussen |
| title_short | Auto/biography in transit |
| title_sort | auto biography in transit |
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