Inadvertent images: a history of photographic apparitions
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch Deutsch |
| Veröffentlicht: |
Chicago and London
The University of Chicago Press
[2018]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030338686&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins |
| Umfang: | 234 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 26 cm |
| ISBN: | 9780226471877 022647187X |
Internformat
MARC
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| 245 | 1 | 0 | |a Inadvertent images |b a history of photographic apparitions |c Peter Geimer ; translated by Gerrit Jackson |
| 264 | 1 | |a Chicago and London |b The University of Chicago Press |c [2018] | |
| 264 | 4 | |c © 2018 | |
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| 505 | 8 | |a History and "prehistory" -- Visibility by destruction/disturbance: incidents of photography -- Case study I: signs of life or "false flames" : Jules Luys and the controversy over "effluviography" -- Case study II: a self-portrait of Christ or the white noise of photography : Paul Vignon and the earliest photograph of the Shroud of Turin -- Visible/invisible : critique of a dichotomy -- The "optical unconscious" of photography | |
| 520 | 3 | |a As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins | |
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| 653 | 0 | |a Photography / Philosophy | |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030338686 | |
Datensatz im Suchindex
| _version_ | 1819365330771771392 |
|---|---|
| adam_text | CONTENTS
INTRODUCTION 1
1
HISTORY
AND
PREHISTORY
11
2
VISIBILITY BY
DESTRUCTION/
DISTURBANCE
INCIDENTS
OF
PHOTOGRAPHY
31
3
CASE
STUDY
I: SIGNS
OF
LIFE
OR
FALSE
FLAMES ?
JULES
LUYS
AND
THE
CONTROVERSY
OVER
EFF
LUVIOGRAPHY
77
4
CASE
STUDY II:
A SELF-PORTRAIT
OF
CHRIST
OR
THE
WHITE
NOISE
OF
PHOTOGRAPHY?
PAUL
VIGNON
AND
THE
EARLIEST
PHOTOGRAPH
OF
THE
SHROUD
OF
TURIN 99
5
VISIBLE/INVISIBLE
CRITIQUE
OF A
DICHOTOMY 140
6
THE OPTICAL
UNCONSCIOUS
OF
PHOTOGRAPHY 170
NOTES
201
INDEX 231
$IBIIOTHEK
DEUTSCHES
MUSEUM
HLUENCHE A
|
| any_adam_object | 1 |
| author | Geimer, Peter 1965- |
| author2 | Jackson, Gerrit |
| author2_role | trl |
| author2_variant | g j gj |
| author_GND | (DE-588)137337043 (DE-588)1052438903 |
| author_facet | Geimer, Peter 1965- Jackson, Gerrit |
| author_role | aut |
| author_sort | Geimer, Peter 1965- |
| author_variant | p g pg |
| building | Verbundindex |
| bvnumber | BV044945862 |
| classification_rvk | AP 93550 AP 94800 |
| contents | History and "prehistory" -- Visibility by destruction/disturbance: incidents of photography -- Case study I: signs of life or "false flames" : Jules Luys and the controversy over "effluviography" -- Case study II: a self-portrait of Christ or the white noise of photography : Paul Vignon and the earliest photograph of the Shroud of Turin -- Visible/invisible : critique of a dichotomy -- The "optical unconscious" of photography |
| ctrlnum | (OCoLC)1039146320 (DE-599)BVBBV044945862 |
| discipline | Allgemeines |
| era | Geschichte 1850-1920 gnd |
| era_facet | Geschichte 1850-1920 |
| format | Book |
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| id | DE-604.BV044945862 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:14:58Z |
| institution | BVB |
| isbn | 9780226471877 022647187X |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030338686 |
| oclc_num | 1039146320 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-Y3 DE-188 DE-210 DE-11 DE-Y7 |
| owner_facet | DE-19 DE-BY-UBM DE-Y3 DE-188 DE-210 DE-11 DE-Y7 |
| physical | 234 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 26 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | The University of Chicago Press |
| record_format | marc |
| spellingShingle | Geimer, Peter 1965- Inadvertent images a history of photographic apparitions History and "prehistory" -- Visibility by destruction/disturbance: incidents of photography -- Case study I: signs of life or "false flames" : Jules Luys and the controversy over "effluviography" -- Case study II: a self-portrait of Christ or the white noise of photography : Paul Vignon and the earliest photograph of the Shroud of Turin -- Visible/invisible : critique of a dichotomy -- The "optical unconscious" of photography Luys, Jules 1828-1897 (DE-588)102560544 gnd Pia, Secondo 1855-1941 (DE-588)11922867X gnd Vignon, Paul 1865-1943 (DE-588)1055378014 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Turiner Grabtuch (DE-588)4127043-5 gnd Erscheinung (DE-588)4152883-9 gnd Fototechnik (DE-588)4174558-9 gnd Ästhetik (DE-588)4000626-8 gnd Interpretation (DE-588)4072905-9 gnd Psiphänomen Motiv (DE-588)104559704X gnd Fotografie (DE-588)4045895-7 gnd Zufall (DE-588)4068050-2 gnd |
| subject_GND | (DE-588)102560544 (DE-588)11922867X (DE-588)1055378014 (DE-588)4078921-4 (DE-588)4127043-5 (DE-588)4152883-9 (DE-588)4174558-9 (DE-588)4000626-8 (DE-588)4072905-9 (DE-588)104559704X (DE-588)4045895-7 (DE-588)4068050-2 |
| title | Inadvertent images a history of photographic apparitions |
| title_alt | Bilder aus Versehen |
| title_auth | Inadvertent images a history of photographic apparitions |
| title_exact_search | Inadvertent images a history of photographic apparitions |
| title_full | Inadvertent images a history of photographic apparitions Peter Geimer ; translated by Gerrit Jackson |
| title_fullStr | Inadvertent images a history of photographic apparitions Peter Geimer ; translated by Gerrit Jackson |
| title_full_unstemmed | Inadvertent images a history of photographic apparitions Peter Geimer ; translated by Gerrit Jackson |
| title_short | Inadvertent images |
| title_sort | inadvertent images a history of photographic apparitions |
| title_sub | a history of photographic apparitions |
| topic | Luys, Jules 1828-1897 (DE-588)102560544 gnd Pia, Secondo 1855-1941 (DE-588)11922867X gnd Vignon, Paul 1865-1943 (DE-588)1055378014 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Turiner Grabtuch (DE-588)4127043-5 gnd Erscheinung (DE-588)4152883-9 gnd Fototechnik (DE-588)4174558-9 gnd Ästhetik (DE-588)4000626-8 gnd Interpretation (DE-588)4072905-9 gnd Psiphänomen Motiv (DE-588)104559704X gnd Fotografie (DE-588)4045895-7 gnd Zufall (DE-588)4068050-2 gnd |
| topic_facet | Luys, Jules 1828-1897 Pia, Secondo 1855-1941 Vignon, Paul 1865-1943 Visuelle Wahrnehmung Turiner Grabtuch Erscheinung Fototechnik Ästhetik Interpretation Psiphänomen Motiv Fotografie Zufall |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030338686&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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