The voice of technology: Soviet cinema's transition to sound, 1928-1935
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2018]
|
| Schlagwörter: | |
| Abstract: | "As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically influenced the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. by exploring numerous examples of films from this transitional period, the author demonstrates the importance of the new technology of sound in producing and imposing the 'Soviet Voice'."-- |
| Umfang: | xix, 271 Seiten Illustrationen, Porträts, Faksimiles |
| ISBN: | 9780253032645 9780253032652 |
Internformat
MARC
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| 100 | 1 | |a Kaganovsky, Lilya |e Verfasser |0 (DE-588)1051144361 |4 aut | |
| 245 | 1 | 0 | |a The voice of technology |b Soviet cinema's transition to sound, 1928-1935 |c Lilya Kaganovsky |
| 246 | 1 | 3 | |a Soviet cinema's transition to sound, 1928-1935 |
| 246 | 1 | 0 | |a Soviet cinema's transition to sound, 1928-1935 |
| 264 | 1 | |a Bloomington, Indiana |b Indiana University Press |c [2018] | |
| 300 | |a xix, 271 Seiten |b Illustrationen, Porträts, Faksimiles | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction. The long transition : Soviet cinema and the coming of sound -- The voice of technology and the end of Soviet silent film : Grigori Kozintsev and Leonid Trauberg's Alone -- The materiality of sound : Dziga Vertov's Enthusiasm and Esfir Shub's K.Sh.E. -- The homogeneous thinking subject, or Soviet cinema learns to sing : Igor Savchenko's The Accordion -- Multilingualism and heteroglossia in Aleksandr Dovzhenko's Ivan and Aerograd -- "Les silences de la voix": Dziga Vertov's Three Songs of Lenin -- Conclusion. Socialist realist sound | |
| 520 | 3 | |a "As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically influenced the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. by exploring numerous examples of films from this transitional period, the author demonstrates the importance of the new technology of sound in producing and imposing the 'Soviet Voice'."-- | |
| 648 | 7 | |a Geschichte 1928-1935 |2 gnd |9 rswk-swf | |
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| 651 | 7 | |a Sowjetunion |0 (DE-588)4077548-3 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Motion pictures / Soviet Union | |
| 653 | 0 | |a Motion picture industry / Soviet Union | |
| 653 | 0 | |a Sound in motion pictures | |
| 653 | 0 | |a Motion pictures / Political aspects / Soviet Union | |
| 653 | 0 | |a Nationalism in motion pictures | |
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| 689 | 0 | 3 | |a Geschichte 1928-1935 |A z |
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Datensatz im Suchindex
| _version_ | 1818984173069664256 |
|---|---|
| any_adam_object | |
| author | Kaganovsky, Lilya |
| author_GND | (DE-588)1051144361 |
| author_facet | Kaganovsky, Lilya |
| author_role | aut |
| author_sort | Kaganovsky, Lilya |
| author_variant | l k lk |
| building | Verbundindex |
| bvnumber | BV044938464 |
| contents | Introduction. The long transition : Soviet cinema and the coming of sound -- The voice of technology and the end of Soviet silent film : Grigori Kozintsev and Leonid Trauberg's Alone -- The materiality of sound : Dziga Vertov's Enthusiasm and Esfir Shub's K.Sh.E. -- The homogeneous thinking subject, or Soviet cinema learns to sing : Igor Savchenko's The Accordion -- Multilingualism and heteroglossia in Aleksandr Dovzhenko's Ivan and Aerograd -- "Les silences de la voix": Dziga Vertov's Three Songs of Lenin -- Conclusion. Socialist realist sound |
| ctrlnum | (OCoLC)1007083608 (DE-599)BVBBV044938464 |
| era | Geschichte 1928-1935 gnd |
| era_facet | Geschichte 1928-1935 |
| format | Book |
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| isbn | 9780253032645 9780253032652 |
| language | English |
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| publisher | Indiana University Press |
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| spelling | Kaganovsky, Lilya Verfasser (DE-588)1051144361 aut The voice of technology Soviet cinema's transition to sound, 1928-1935 Lilya Kaganovsky Soviet cinema's transition to sound, 1928-1935 Bloomington, Indiana Indiana University Press [2018] xix, 271 Seiten Illustrationen, Porträts, Faksimiles txt rdacontent n rdamedia nc rdacarrier Introduction. The long transition : Soviet cinema and the coming of sound -- The voice of technology and the end of Soviet silent film : Grigori Kozintsev and Leonid Trauberg's Alone -- The materiality of sound : Dziga Vertov's Enthusiasm and Esfir Shub's K.Sh.E. -- The homogeneous thinking subject, or Soviet cinema learns to sing : Igor Savchenko's The Accordion -- Multilingualism and heteroglossia in Aleksandr Dovzhenko's Ivan and Aerograd -- "Les silences de la voix": Dziga Vertov's Three Songs of Lenin -- Conclusion. Socialist realist sound "As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically influenced the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. by exploring numerous examples of films from this transitional period, the author demonstrates the importance of the new technology of sound in producing and imposing the 'Soviet Voice'."-- Geschichte 1928-1935 gnd rswk-swf Tonfilm (DE-588)4185670-3 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Motion pictures / Soviet Union Motion picture industry / Soviet Union Sound in motion pictures Motion pictures / Political aspects / Soviet Union Nationalism in motion pictures Sowjetunion (DE-588)4077548-3 g Filmwirtschaft (DE-588)4154384-1 s Tonfilm (DE-588)4185670-3 s Geschichte 1928-1935 z DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-0-253-03266-9 |
| spellingShingle | Kaganovsky, Lilya The voice of technology Soviet cinema's transition to sound, 1928-1935 Introduction. The long transition : Soviet cinema and the coming of sound -- The voice of technology and the end of Soviet silent film : Grigori Kozintsev and Leonid Trauberg's Alone -- The materiality of sound : Dziga Vertov's Enthusiasm and Esfir Shub's K.Sh.E. -- The homogeneous thinking subject, or Soviet cinema learns to sing : Igor Savchenko's The Accordion -- Multilingualism and heteroglossia in Aleksandr Dovzhenko's Ivan and Aerograd -- "Les silences de la voix": Dziga Vertov's Three Songs of Lenin -- Conclusion. Socialist realist sound Tonfilm (DE-588)4185670-3 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
| subject_GND | (DE-588)4185670-3 (DE-588)4154384-1 (DE-588)4077548-3 |
| title | The voice of technology Soviet cinema's transition to sound, 1928-1935 |
| title_alt | Soviet cinema's transition to sound, 1928-1935 |
| title_auth | The voice of technology Soviet cinema's transition to sound, 1928-1935 |
| title_exact_search | The voice of technology Soviet cinema's transition to sound, 1928-1935 |
| title_full | The voice of technology Soviet cinema's transition to sound, 1928-1935 Lilya Kaganovsky |
| title_fullStr | The voice of technology Soviet cinema's transition to sound, 1928-1935 Lilya Kaganovsky |
| title_full_unstemmed | The voice of technology Soviet cinema's transition to sound, 1928-1935 Lilya Kaganovsky |
| title_short | The voice of technology |
| title_sort | the voice of technology soviet cinema s transition to sound 1928 1935 |
| title_sub | Soviet cinema's transition to sound, 1928-1935 |
| topic | Tonfilm (DE-588)4185670-3 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
| topic_facet | Tonfilm Filmwirtschaft Sowjetunion |
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