Moving scenes: the circulation of music and theatre in Europe, 1700-1815
Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
Voltaire Foundation
[2018]
|
| Schriftenreihe: | Oxford University studies in the Enlightenment
2018:02 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030253060&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030253060&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xi, 391 Seiten |
| ISBN: | 9780729412063 |
Internformat
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Datensatz im Suchindex
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Contents
List of illustrations and tables ix
Acknowledgements xi
PIERRE-YVES beaurepaire and charlotta wolff, Introduction 1
I. National taste and cultural domination 7
Domestic versus foreign composers at the Opéra and the
King s Theatre in the eighteenth century, william weber 9
Non-French music and foreign musicians at the Musique du
roi, Versailles, ol760-l792, youri carbonnier 23
French and German theatre troupes in Aachen and Trier
during the French occupation (1794-1814), fanny platelle 39
The revolution of Jommelli’s objets d art: Bernard Sarre tte’s
requests for the Bibliothèque du Conservatoire, REBECCA DOWD
geoffroy-schwinden 61
French administrators and local dramatic repertoires in the
annexed départements: censorship in an occupation context,
RAHUL MARKOVITS 77
The limits of cultural imperialism: French theatre in
Napoleonic Europe, Philippe bourdin 89
II. Actors and patterns of circulation 111
ll faut du nouveau’: functions and issues of international
drama and music news in Le Courrier d’Avignon (1733-1793),
MAGALI SOULATGES 113
The adaptation of French performance as shown in Favart’s
correspondence, flora mele 127
Lyrical diplomacy: Count Gustav Philip Creutz (1731-1785)
and the opera, charlotta wolff 143
Figaro mania in Europe: the circulation and appropriation
of Beaumarchais’s plays in the eighteenth century,
virginie yvernault 157
Circulation and social mobility: Lorenzo Da Ponte’s career
from Gorizia to New York (c.l780-c.l830), david do paço 171
Contents
viii
Hiram at the playhouse: Masonic and theatrical travels in
Europe, pierre-yves beaurepaire 189
From the theatre box to the salon: music and theatre as
elements of an aristocratic language in the Habsburg
monarchy at the turn of the nineteenth century,
MATTHIEU MAGNE 201
From archive boxes to cardboard screens: the diffusion of
French theatre in Russia at the end of the eighteenth century,
NATHALIE RIZZONI 217
When dances circulated on paper: European dancing masters
and the art of dancing ‘by characters and demonstrative
figures’, MARIE GLON 241
III. Translations and adaptations in revolution 257
Youth theatre and family theatre: translation and cultural
transfer, marie-emmanuelle plagnol-diéval 259
The Teatro modemo applaudito (1796-1801): Italian translations
of French plays in Venice, paola roman 271
Jean-Jacques Ampère and the translation of Artaxerxes,
JULIE JOHNSON 289
The creation of an amateur theatre in Mainz under the
occupation of General Custine, marita gilli 305
The evolution of French adaptations of Richard Sheridan’s The
School for Scandal during the French Revolution and the First
Empire, Valérie maffre 317
‘Imitations’ at the Théâtre des Variétés-Etrangères: a
subversive circumlocution?, Françoise le borgne . 331
Conclusion, Philippe bourdin 347
Summaries 363
Biographies of contributors 369
Selected bibliography 371
Index 379
In eighteenth-century Europe, artistic production was
characterised by significant geographical and cultural
transfer. For innumerable musicians, composers, singers,
actors, authors, dramatists and translators - and the
works they produced - state borders were less important
than style, genre and canon. Through a series of
multinational case studies, a team of authors examines
the mechanisms and characteristics of cultural and
artistic adaptability to demonstrate the complexity and
flexibility of theatrical and musical exchanges during
this period.
By exploring questions of national taste, so-called
cultural appropriation and literary preference,
contributors examine the influence of the French canon
on the European stage - as well as its eventual rejection
-, probe how and why musical and dramatic materials
became such prized objects of exchange, and analyse
the double processes of transmission and literary cross-
breeding in translations and adaptations. Examining
patterns of circulation in England, France, the
Netherlands, Germany, Scandinavia, Russia, Bohemia,
Austria, Italy and the United States, authors highlight:
• the role of migrant musicians in breaching
national boundaries and creating a ‘musical
cosmopolitanism ;
• the emergence of a specialised market in which
theatre agents and local authorities negotiated
contracts and productions, and recruited actors and
musicians;
• the translations and rewritings of major plays such
as Sheridan’s The School for Scandal, Schiller’s Die
Räuber and Kotzebue’s Menschenhass und Reue;
• the refashioning of indigenous and ‘national’
dramas in Europe under French Revolutionary and
imperial rule.
Pierre-Yves Beaurepaire is
professor of early modern
history at the Université
Nice Sophia Antipolis and
honorary fellow of the
Institut Universitaire de
France. His research focuses
on European history and
social and cultural networks
during the Age of the
Enlightenment.
Philippe Bourdin is
professor of modern history
at the Université Clermont-
Auvergne, and a specialist
on political and cultural
history during the French
Revolution.
Charlotta Wolff teaches
European history at the
University of Helsinki. Her
research focuses on elite
identities and the cultural
history of the Enlightenment
in eighteenth-century
Northern Europe,
|
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| isbn | 9780729412063 |
| language | English |
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| series | Oxford University studies in the Enlightenment |
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| spellingShingle | Moving scenes the circulation of music and theatre in Europe, 1700-1815 Oxford University studies in the Enlightenment Musik (DE-588)4040802-4 gnd Kulturbeziehungen (DE-588)4033552-5 gnd Theater (DE-588)4059702-7 gnd |
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| title | Moving scenes the circulation of music and theatre in Europe, 1700-1815 |
| title_auth | Moving scenes the circulation of music and theatre in Europe, 1700-1815 |
| title_exact_search | Moving scenes the circulation of music and theatre in Europe, 1700-1815 |
| title_full | Moving scenes the circulation of music and theatre in Europe, 1700-1815 edited by Pierre-Yves Beaurepaire, Philippe Bourdin and Charlotta Wolff |
| title_fullStr | Moving scenes the circulation of music and theatre in Europe, 1700-1815 edited by Pierre-Yves Beaurepaire, Philippe Bourdin and Charlotta Wolff |
| title_full_unstemmed | Moving scenes the circulation of music and theatre in Europe, 1700-1815 edited by Pierre-Yves Beaurepaire, Philippe Bourdin and Charlotta Wolff |
| title_short | Moving scenes |
| title_sort | moving scenes the circulation of music and theatre in europe 1700 1815 |
| title_sub | the circulation of music and theatre in Europe, 1700-1815 |
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| topic_facet | Musik Kulturbeziehungen Theater Europa |
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