Dickensian dramas: plays from Charles Dickens Volume 1
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| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
Oxford University Press
2017
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| Ausgabe: | First edition |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030080888&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030080888&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xxxv, 438 Seiten 9 Illustrationen und Portraits |
| ISBN: | 9780198787952 |
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Datensatz im Suchindex
| _version_ | 1819358166696067072 |
|---|---|
| adam_text | CONTENTS ListofIllustrations List ofAbbreviations Introduction W.T. Moncrieff, Sam Weller, or the Pickwickians New Strand Theatre, June 1837 ix xi xiii i Edward Stirling, Nicholas Nickleby Adelphi, November 1838 109 Edward Stirling, Barnaby Rudge New Strand Theatre, August 1841 149 Charles Webb, Old Scrooge Sadler’s Wells and New Strand Theatre, February 1844 185 Edward Stirling, Martin Chuzzlewit Lyceum, July 1844 237 Gilbert Abbott A’Beckett and Mark Lemon, The Chimes Adelphi, December 1844 289 Albert Smith, The Cricket on the Hearth Lyceum, December 1845 327 Albert Smith, The Battle ofLife Lyceum, December 1846 362 Mark Lemon, The Haunted Man Adelphi, December 1848 403 Further Reading 437
Dickens loved the stage—he enjoyed thousands of evenings in the theatre, and longed to write for it and to perform himself, an ambition that he eventually satisfied by tour ing alone with his Readings. Victorian prejudice and his need to preserve his personal image kept him from openly becoming a stage professional earlier in his career, but all his work was informed by his dramatic imagination. He found ways of circumventing these taboos by seeking closer and closer contact over the staging of his work with dramatic writers, admired actors, and trusted theatre managements. This book pre sents, for the first time, fully edited texts of some of the plays which these tacit collabo rations produced: dramatizations of Dickens’s early novels (from The Pickwick Papers to Barnaby Rudgé) and, especially, his Christmas books, which appeared almost annually between 1843 and 1848. Each of these, from A Christmas Carol onwards, was staged in London’s new West End theatres simultaneously with the book publication. Dickens sent proof sheets to his friends to ‘dramatize’ work that was increasingly already conceived for the stage, and for the acting of his friends Bob and Mary Ann Keeley. This selection of the plays created in this way, some previously unpublished, offers the first opportunity for modern scholars to consider not only an exciting body of translations to the stage made by the first generation of Dickensian adaptors, but also the influence of their work and of the performances they enabled upon Dickens himself.
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| indexdate | 2024-12-20T18:08:58Z |
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| isbn | 9780198787952 |
| language | English |
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| physical | xxxv, 438 Seiten 9 Illustrationen und Portraits |
| publishDate | 2017 |
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| title_exact_search | Dickensian dramas plays from Charles Dickens |
| title_full | Dickensian dramas plays from Charles Dickens Volume 1 edited by Jacky Bratton |
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| title_sort | dickensian dramas plays from charles dickens |
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