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Bibliographic Details
Main Author:	Moten, Fred 1962- (Author)
Format:	Book
Language:	English
Published:	Durham ; London Duke University Press 2017
Series:	Consent not to be a single being [v. 1]
Subjects:	Schwarze Kunst USA Blacks / Race identity / United States African Americans / Race identity African diaspora Blacks / Race identity United States
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030069429&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030069429&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	xvii, 339 Seiten
ISBN:	9780822370062 9780822370161

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MARC


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Record in the Search Index

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adam_text	CONTENTS Preface / vii Acknowledgments / xv 1. Not In Between / 1 2. Interpolation and Interpellation / 28 3. Magic of Objects / 34 4. Sonata Quasi Una. Fantasia / 40 5. Taste Dissonance Flavor Escape (Preface to a Solo by Miles Davis) / 66 6. The New International of Rhythmic Feel/ings / 86 7« The Phonographic Mise-en Scène / 118 8. Liner Notes for Lick Piece / 134 9. Rough Americana / 147 10. Nothing, Everything / 152 11. Nowhere, Everywhere / 158 12. Nobody, Everybody / 168 13. Remind / 170 14. Amuse-Bouche / 174 15. Collective Head / 184 16. Cornered, Taken, Made to Leave /198 17. Enjoy All Monsters / 206 18. Some Extrasubtitles for Wildness / 212 19. To Feel, to Feel More, to Feel More Than / 215 20. Irruptions and Incoherences for Jimmie Durham / 219 21. Black and Blue on White. In and And in Space. / 226 22. Blue Vespers / 230 23. The Blur and Breathe Books / 245 24. Entanglement and Virtuosity / 270 25. Bobby Lee’s Hands / 280 Notes / 285 Works Cited / 317 Index / 329 In Black and Blur—the first volume in his sublime and compelling trilogy con- sent not to be a single being—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely jux- tapositions: Althusser informs analyses of rappers Pras and O Y Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Ce- cil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.
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spellingShingle	Moten, Fred 1962- Black and blur Consent not to be a single being Schwarze (DE-588)4116433-7 gnd Kunst (DE-588)4114333-4 gnd
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title	Black and blur
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title_full	Black and blur Fred Moten
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