Black and blur:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham ; London
Duke University Press
2017
|
| Schriftenreihe: | Consent not to be a single being
[v. 1] |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030069429&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030069429&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xvii, 339 Seiten |
| ISBN: | 9780822370062 9780822370161 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819258332299395072 |
|---|---|
| adam_text | CONTENTS
Preface / vii
Acknowledgments / xv
1. Not In Between / 1
2. Interpolation and
Interpellation / 28
3. Magic of Objects / 34
4. Sonata Quasi Una.
Fantasia / 40
5. Taste Dissonance Flavor
Escape (Preface to a Solo by
Miles Davis) / 66
6. The New International of
Rhythmic Feel/ings / 86
7« The Phonographic Mise-en
Scène / 118
8. Liner Notes for Lick
Piece / 134
9. Rough Americana / 147
10. Nothing, Everything / 152
11. Nowhere, Everywhere / 158
12. Nobody, Everybody / 168
13. Remind / 170
14. Amuse-Bouche / 174
15. Collective Head / 184
16. Cornered, Taken, Made to
Leave /198
17. Enjoy All Monsters / 206
18. Some Extrasubtitles for
Wildness / 212
19. To Feel, to Feel More, to
Feel More Than / 215
20. Irruptions and Incoherences
for Jimmie Durham / 219
21. Black and Blue on White.
In and And in Space. / 226
22. Blue Vespers / 230
23. The Blur and Breathe
Books / 245
24. Entanglement and
Virtuosity / 270
25. Bobby Lee’s Hands / 280
Notes / 285
Works Cited / 317
Index / 329
In Black and Blur—the first volume in his sublime and compelling trilogy con-
sent not to be a single being—Fred Moten engages in a capacious consideration
of the place and force of blackness in African diaspora arts, politics, and life. In
these interrelated essays, Moten attends to entanglement, the blurring of borders,
and other practices that trouble notions of self-determination and sovereignty
within political and aesthetic realms. Black and Blur is marked by unlikely jux-
tapositions: Althusser informs analyses of rappers Pras and O Y Dirty Bastard;
Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and
José Esteban Muñoz and artists and musicians including Thornton Dial and Ce-
cil Taylor play off each other. Moten holds that blackness encompasses a range of
social, aesthetic, and theoretical insurgencies that respond to a shared modernity
founded upon the sociological catastrophe of the transatlantic slave trade and
settler colonialism. In so doing, he unsettles normative ways of reading, hearing,
and seeing, thereby reordering the senses to create new means of knowing.
|
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| discipline | Anglistik / Amerikanistik |
| format | Book |
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| title | Black and blur |
| title_auth | Black and blur |
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