Verfügbarkeit: Illusion and realism - the game with the spectator in Dutch art 1580–1660

Illusion and realism - the game with the spectator in Dutch art 1580–1660:

Gespeichert in:

Bibliographische Detailangaben
Beteilige Person:	Ziemba, Antoni 1960- (VerfasserIn)
Weitere beteiligte Personen:	Kościuczuk, Krzysztof (ÜbersetzerIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Frankfurt am Main Peter Lang Edition [2017]
Schlagwörter:	Geschichte 1580-1660 Illusionismus Zeichnung Malerei Druckgrafik Niederlande Art history Dutch Dutch painting and printmaking of the 17th century Game Hendrick Goltzius Illusion Ilusion Methodology of the history of art Realism Rembrandt Spectator Vermeer with Ziemba
Links:	https://www.peterlang.com/view/product/24406?format=HC http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030001146&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	746 Seiten Illustrationen 21 cm x 14.8 cm
ISBN:	9783631668535 3631668538

Internformat

MARC


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264		4	\|c © 2017
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Datensatz im Suchindex

_version_	1819349858447785984
adam_text	TABLE O F CONTENTS I. B ETW EEN D E SC RIP TIO N A N D ILLU S IO N O F REALITY. A N IN TR O D U C TIO N TO D U TC H A R T ..............................................................9 1.1. THE NEW SOCIETY OF THE REPUBLIC OF THE UNITED NETHERLANDS AND ITS A RT........................................................................................... 11 1.2. THE CATEGORIES OF ILLUSION IN DUTCH A RT............................................17 1.3. OLD AND NEW INTERPRETATIONS OF 17TH-CENTURY DUTCH A RT ............... 21 1.4. ILLUSION AS A PRINCIPLE OF ART..............................................................35 1.5. OPTICS, PERSPECTIVE, AND THE PICTURAL ILLUSION .................................. 43 1.6. THE CULTURE OF CURIOSITY IN THE NETHERLANDS: ART COLLECTORS AND CONNOISSEURS......................................................49 CONSTANTIJN HUYGENS AND THE COURT OF ORANGE.................................50 FOREIGN COURTS.................................................................................... 58 THE BOURGEOIS CONNOISSEURS AND COLLECTORS: PATRICIATE, HUMANISTS, SCHOLARS, ARTISTS .............................................................. 68 II. W O N D E RS O F TH E A RT A N D W O N D E RS O F N A TU RE : R E A LITY A N D I LLU S IO N ............................................................................... 101 II.L. HERCULES AND THE FROG: BETWEEN THE SUBLIME HISTORY AND SCIENTIFIC ILLUSTRATION: MANNERIST ARTISTS CA. 1600-1620 ............. 103 KAREL VAN M ANDER..............................................................................103 CORNELLS CORNELISZ. VAN HAARLEM.....................................................107 HENDRICK GOLTZIUS.............................................................................110 THE FARNESE HERCULES.................................................................... 115 ARTISTIC CURIOSITIES: TECHNICAL EXPERIMENTS OF GOLTZIUS AND SEGERS..................................................................................................118 GOLTZIUSS PENSCHILDERIJEN ............................................................ 118 PENSCHILDERIJEN: TRADITION AND CONTINUITY...................................123 THE HAND OF GOLTZIUS.................................................................... 126 HERCULES SEGERS - THE EXPERIMENTER ............................................ 128 THE BIZARRE AND THE SIMPLE NATURE: SEGERS, SAVERY, GOLTZIUS, DE GHEYN............................................................................. 133 SOPHISTICATED REALISM: MOUNTAIN LANDSCAPES OF SEGERS AND SAVERY.............................................................................................. 133 NATURALIA AND MIRABILIA. FISHES, FROGS AND SHELLS: GOLTZIUS, DE GHEYN AND O THERS ................................................... 137 W HALES ........................................................................................... 140 11.2. IMAGES OF DEATH.................................................................................175 PORTRAITS OF THE DECEASED...................................................................175 THE GALLOWS........................................................................................178 THE FIRST ANATOMY LESSONS.................................................................179 THE ANATOMY LESSON OF DR TULP AS A SPEAKING PAINTING* ............... 182 11.3. BREAKING THE PICTURE BARRIER ............................................................ 197 15TH AND 16TH CENTURY TRADITIONS: ALBERTIS BOX AND BREAKING THE SURFACE BARRIER IN DUTCH AND VENETIAN PAINTING ................... 197 THE PICTURE BEHIND THE CURTAIN: REVEALING THE VIEW .................... 203 A THING FOR VOYEURS: PEEPSHOWS......................................................217 REMBRANDT: STEPPING OUTSIDE THE PICTURE FRAME. IMAGES IN FRAMES, NICHES, WINDOWS, DOORS OR BEHIND A LEDGE .................... 218 SELF-PORTRAIT AS AN OPTICAL GAME WITH THE SPECTATOR: THE TRUTH AND THE FALSEHOOD OF THE M IRROR.....................................227 SELF-PORTRAIT IN A MIRROR AND WITH A MIRROR: THE TRADITION OF THE CONVERSATION BETWEEN THE PICTURE AND THE M IRROR .............. 233 REMBRANDTS SELF-PORTRAITS: REALISM OR FANTASY? ON DRESSES AND COSTUMES ................................................................ 237 AEMULATIO........................................................................................... 239 TROMPE-VOEIL ..................................................................................... 247 ILLUSION OF HOUSEHOLD EQUIPMENT: WALL NICHES, CABINETS, DRESSERS, CUPBOARDS BY GERRIT DOU AND OTHER MASTERS.............253 QUODLIBET ....................................................................................... 256 FABRITIUSS GOLDFINCH AND OTHER AVIAN TROMPE-VOEILS ............... 260 A PICTURE OF A PICTURE OR SOMETHING OUT OF NOTHING ................. 266 III. NEW TOPOGRAPHY. REALISM AND FANTASY. A GAME OF CONVENTIONS ...................................................................... 329 111.1. THE SEA...............................................................................................331 HENDRICK VROOM AND THE DUTCH SEASCAPE PAINTING ....................... 332 VROOMS NAVAL BATTLES....................................................................335 SHIP PARADES, SHIP GROUP PORTRAITS, AND PROFILE VIEWS OF PORTS ............................................................................... 343 BEYOND THE MARINE STORIA: A GENRE MARINE PAINTING - DUNES, BEACHES AND THE COAST......................................................350 SNELLE TECHNIEK - RAPID MANNER: ARTISTIC INVENTION AND THE RESULT OF A NEW TREND, A MEANS OF EXPANDING THE ART MARKET, OR THE OUTCOME OF AN ECONOMIC CRISIS? ......................... 352 PORCELLIS, DE VLIEGER, VAN GOYEN, VAN DE CAPPELLE ................ 355 THE MARINE PENSCHILDERIJEN .......................................................... 362 111.2. THE CITY.............................................................................................379 VERMEERS VIEW OF DELFT.....................................................................379 CITY PROFILES ..................................................................................... 382 MAPS AND A TLASES..............................................................................388 MAPS AND CITY VIEWS BY CLAES JANSZ. VISSCHER................................393 INSIDE THE CITY................................................................................... 398 FORTIFICATIONS . .................................................................................399 CITY AS PUBLIC INTERIOR...................................................................401 URBAN NOOKS AND BACKSTREETS. LITTLE STREETS AND COURTYARDS............................................................................. 403 KERKINTERIEURS: FROM IMAGINATION TO DOCUMENT..............................405 III. 3. HET LAND - THE COUNTRY BETWEEN THE CITY AND THE SEA ............ 439 PATRIOTIC GEOGRAPHY..........................................................................439 SMALL LANDSCAPES ............................................................................... 439 SCHILDERACHTIG: THE PICTURESQUENESS OF THE NATIVE LANDSCAPE ...... 441 PLAISANTE PLAETSEN BY CLAES J. VISSCHER: TOPOGRAPHICAL DOCUMENT, TOURIST GUIDE, AND PATRIOTIC MANIFESTO ........................ 444 PLAISANTE PLAETSEN: IN DIALOGUE WITH THE SPECTATOR ......................... 448 DUTCH CAPRICES OF JAN VAN GOYEN, SALOMON VAN RUYSDAEL AND HERMAN SAFTLEVEN....................................................................... 451 CONCLUSIONS........................................................................................459 NOTES ......................................................................................................................465 SELECTED BIBLIOGRAPHY .................................................................................... 605 INDEX OF THE HISTORICAL PERSONS ..................................................................701 LIST OF ILLUSTRATIONS ......................................................................................... 725 PHOTO CREDITS .................................................................................................... 745
any_adam_object	1
author	Ziemba, Antoni 1960-
author2	Kościuczuk, Krzysztof
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author_GND	(DE-588)140512799
author_facet	Ziemba, Antoni 1960- Kościuczuk, Krzysztof
author_role	aut
author_sort	Ziemba, Antoni 1960-
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dewey-raw	100
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discipline	Kunstgeschichte Philosophie
era	Geschichte 1580-1660 gnd
era_facet	Geschichte 1580-1660
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id	DE-604.BV044602752
illustrated	Illustrated
indexdate	2024-12-20T18:06:59Z
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language	English
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physical	746 Seiten Illustrationen 21 cm x 14.8 cm
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publisher	Peter Lang Edition
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spellingShingle	Ziemba, Antoni 1960- Illusion and realism - the game with the spectator in Dutch art 1580–1660 Illusionismus (DE-588)4161275-9 gnd Zeichnung (DE-588)4127900-1 gnd Malerei (DE-588)4037220-0 gnd Druckgrafik (DE-588)4113357-2 gnd
subject_GND	(DE-588)4161275-9 (DE-588)4127900-1 (DE-588)4037220-0 (DE-588)4113357-2 (DE-588)4042203-3
title	Illusion and realism - the game with the spectator in Dutch art 1580–1660
title_auth	Illusion and realism - the game with the spectator in Dutch art 1580–1660
title_exact_search	Illusion and realism - the game with the spectator in Dutch art 1580–1660
title_full	Illusion and realism - the game with the spectator in Dutch art 1580–1660 Antoni Ziemba ; translated by Krzysztof Kościuczuk
title_fullStr	Illusion and realism - the game with the spectator in Dutch art 1580–1660 Antoni Ziemba ; translated by Krzysztof Kościuczuk
title_full_unstemmed	Illusion and realism - the game with the spectator in Dutch art 1580–1660 Antoni Ziemba ; translated by Krzysztof Kościuczuk
title_short	Illusion and realism - the game with the spectator in Dutch art 1580–1660
title_sort	illusion and realism the game with the spectator in dutch art 1580 1660
topic	Illusionismus (DE-588)4161275-9 gnd Zeichnung (DE-588)4127900-1 gnd Malerei (DE-588)4037220-0 gnd Druckgrafik (DE-588)4113357-2 gnd
topic_facet	Illusionismus Zeichnung Malerei Druckgrafik Niederlande
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