Aesthetics of interdisciplinarity: art and mathematics:
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cham
Springer International Publishing
2017
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029911694&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xxv, 290 Seiten Illustrationen |
| ISBN: | 9783319572574 |
Internformat
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| 245 | 1 | 0 | |a Aesthetics of interdisciplinarity: art and mathematics |c Kristóf Fenyvesi, Tuuli Lähdesmäki |
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Datensatz im Suchindex
| _version_ | 1819375691483840512 |
|---|---|
| adam_text | CONTENTS
BRIDGING ART AND MATHEMATICS: INTRODUCTION 1
TUULI LAHDESMAKI AND KRISTOF FENYVESI
MAKING SENSE OF THE WORLD IN MATHEMATICAL-LOGICAL
AND CULTURAL-EMBLEMATIC EPISTEMES 3
OPENING NEW VIEWS TO INTERDISCIPLINARITY THROUGH AESTHETICS 7
HISTORY, ORGANIZATION, AND CONFERENCES OF THE BRIDGES
COMMUNITY
9
CONTENT OF THE VOLUME! . .] . . . . . . . . . . . . . . . .
[[[ .[ . . . . .[[ . , ] [ . 15
FUTURE PERSPECTIVES: EDUCATION POTENTIALS IN AESTHETICS
I INTERDISCIPLINARITY 22
SOURCES
24
ART
I BRIDGING ART AND MATHEMATICS: CONCEPTS, THEORIES,
AND PHILOSOPHIES
GEOMETRIC EXPANSION OF THE AESTHETIC SENSE 29
MARK DANIEL COHEN
INTRODUCTION
30
Q
JANU
S-LIKE DIVISION OF TEMPERAMENTS 30
OETHE S OPPOSITION TO NEWTONIAN SCIENCE 34
NILOSOPHY AS ART AND ART AS SCIENCE 3S
CONCLUSION 49
SOURCES
43
?
N
. ,
VISUAL
IMPLICATION : OUTLINE OF A THEORY 45
^KKALIISA USVAMAA-ROUTILA
TH
R
P
LLMINARV
REMARK: ARCHITECTURE AND THE LANGUAGE OF SEEING 46
NE PROBLEM: THE PRINCIPAL CLAIM OF THE CLASSICAL
FOPONIONS
46
SIER AND HIS OCCULT LINES 47
XIV CONTENTS
ANOTHER EXAMPLE: GEOMETRY AND VISUAL EXPERIENCE 50
VISUAL IMPLICATION AND ITS ALLEGED CONVENIENCES 51
INTENTIONALITY: THE WHEREOF OF THE CONSCIOUSNESS 51
THE ROLE OF IMAGINATION 54
THE SHADOWY POWER OF ABSENCE 56
IMAGINATIVE SEEING 58
ARCHITECTURE AS VISUAL POETRY 59
A NOTE ON GEOMETRY 60
SOURCES 61
THE UNREASONABLE ATTRACTIVENESS OF MATHEMATICS TO ARTISTS
AND SCIENTISTS 63
AXEL GELFERT
INTRODUCTION 64
BEAUTY AND ELEGANCE IN MATHEMATICS 65
THE ARTIST AS MATHEMATICIAN 67
WIGNER S PUZZLE(MENT) 71
MODELS AND ANALOGIES IN ART AND SCIENCE 74
CONCLUSION: FROM REPRESENTATION TO PRACTICE 77
SOURCES 78
INTERDISCIPLINARY APPLICATION OF SYMMETRY PHENOMENA 81
GYORGY DARVAS
THE CONCEPT OF SYMMETRY 82
DESCRIPTION OF SYMMETRIES IN CLASSICAL CRYSTALLOGRAPHY 84
DECORATING THE SPHERE, AND THE PERFECT BODIES . 89
HARMONY EXPRESSED IN TERMS OF NATURAL NUMBERS 91
SYMMETRIES OF THE PERFECT BODIES IN THE WORLD VIEW OF THE RENAISSANCE
AND AT THE BIRTH OF MODERN SCIENCE 92
FROM GEOMETRY THROUGH COSMOLOGY TO INTERDISCIPLINARY APPLICATIONS ....
93
PERFECT PROPORTION 93
GOLDEN SECTION AND THE PERFECT BODIES 94
FIVEFOLD SYMMETRY IN THE PLANE AND THE SPACE WITH THE
HELP OF THE GOLDEN SECTION 96
THE DISCOVERY OF QUASICRYSTALS 97
SUMMARY 100
SOURCES 100
PART II STUDYING MATHEMATICAL PRINCIPLES OF COMPOSITION
LESSONS IN DUALITY AND SYMMETRY FROM M. C. ESCHER 105
DORIS SCHATTSCHNEIDER
INTRODUCTION 105
ESCHER S TILINGS: DUALITY THROUGH TWO-COLOR SYMMETRY 108
ESCHER INSPIRATION: A NEW DOUBLE DUALITY TILING 115
SOURCES 117
CONTENTS XV
THE VASARELY PLAYHOUSE: INVITATION TO A MATHEMATICAL
AND COMBINATORIAL VISUAL GAME 119
SLAVIK JABLAN AND LJILJANA RADOVIC
INTRODUCTION 119
OP ART 120
BAUHAUS 120
VASARELY AND KEPLER S CUBE 121
GESTALT ILLUSION 122
BLACK AND WHITE 122
ANTISYMMETRY 124
ANTISYMMETRY AND IRRADIATION 128
THE MOIRE EFFECT 129
AFTERIMAGES 129
MAGNIFYING GLASS ILLUSIONS 129
THE KINETIC COMPONENT 131
PRINCIPLE OF MODULARITY 131
KUFIC TILES 133
COLORS AND LIGHT 135
RANDOM STRUCTURES 140
ZIGZAG LINES 140
PASSION FOR GRIDS 142
AFFINE TRANSFORMATIONS 145
SOURCES 150
FRACTAL ART: CLOSER TO HEAVEN? MODERN MATHEMATICS,
THE ART OF NATURE, AND THE NATURE OF ART 153
CHARALAMPOS SAITIS
INTRODUCTION 153
WHAT IS A FRACTAL ANYWAY? 154
WELCOME TO FRACTALAND! 157
FRACTALS HAVE ALWAYS BEEN THERE! 159
11
IS A FRACTAL WORLD AFTER ALL, ISN T IT? 161
CONCLUSION 162
SOURCES 163
CULTURAL INSIGHTS FROM PATTERN SYMMETRIES 165
DOROTHY K. WASHBURN AND DONALD W. CROWE
INTRODUCTION 165
PRINCIPLES OF PLANE PATTERN SYMMETRIES 166
DESCRIPTIVE ANALYSES OF PATTERN 167
PATIAL AND TEMPORAL DISTINCTIONS REVEALED BY SYMMETRY
THE GREEK NEOLITHIC 171
THE CONFLUENCE OF NATIVE EXEGESIS AND DESIGN SYMMETRY 171
E
MPORAL CONTINUITY AND CHANGE IN DESIGN SYMMETRIES
LN THE
PUEBLO SOUTHWEST 176
XV I CONTENTS
CONCLUSION 179
SOURCES 179
INTERWEAVING GEOMETRY AND ART: EXAMPLES FROM AFRICA 181
PAULUS GERDES
INTRODUCTION 181
BRINGING MUSIC INTO THE TEXTURE 182
EARLIER STUDIES AND COLLECTIONS 185
ENCOUNTER WITH A WEAVER 186
CONCLUSION AND PERSPECTIVES 191
SOURCES 193
PART III CULTURAL MEANINGS OF GEOMETRIC COMPOSITION,
STRUCTURE, AND FORM
MODELS OF SURFACES AND ABSTRACT ART IN THE EARLY TWENTIETH CENTURY . . .
199
ANGELA VIERLING-CLAASSEN
MODELS OF SURFACES 199
BIRTH OF MODERN ART 202
NAUM GABO AND THE CONSTRUCTIVISTS 203
MAN RAY AND THE SURREALISTS 205
CONCLUSION 206
SOURCES 207
THE GRID: AS A STARTING POINT AND AN END POINT OF ORNAMENT 209
SATU KAHKONEN
INTRODUCTION 209
WESTERN CONCEPTIONS ON ORNAMENT 210
THE ARABIC ORNAMENT TRADITION AS A SOURCE OF PRINCIPLES 212
THE GRID: AS A STARTING POINT AND AN END POINT OF ORNAMENT 214
CONCLUSION 217
SOURCES 217
ALICE BONER AND THE GEOMETRY OF TEMPLE CAVE ART OF INDIA 219
ROBERT V. MOODY
INTRODUCTION 219
THE TRIPTYCH 224
CONCLUSION 230
SOURCES 231
PART IV GEOMETRY, MATHEMATICS, AND SCIENCE IN ARTISTIC PRACTICE
ART WITH A DOUBLE MEANING 235
ISTVAN OROSZ
INTRODUCTION 235
SHAKESPEARE 237
JULES VERNE 238
CONTENTS XVII
EDGAR ALLAN POE 240
REFLECTIONS 246
SOURCES 248
QUANTUM SCULPTURE: ART INSPIRED BY THE DEEPER NATURE OF REALITY.... 249
JULIAN VOSS-ANDREAE
INTRODUCTION 249
ON VISUALIZING QUANTUM PHYSICS 250
FIRST SCULPTURES 251
THE QUANTUM OBJECTS EXHIBITION 255
CONCLUSION 261
SOURCES 262
ARTFORMER GEOMETRY 265
ANTAL KELLE
THEORY AND PRACTICE 265
MOBILITY AND INTERACTIVITY 269
CONCLUSION 272
SOURCES 273
AESTHETICS OF GEOMETRY AND THE PROBLEM OF REPRESENTATION
IN MONUMENT SCULPTURE 275
TU
ULI LAHDESMAKI
REPRESENTATION AND RECEPTION AS A DISCOURSE 275
AESTHETIC AIMS OF THE ART MOVEMENTS IN GEOMETRIC ABSTRACTION 277
DEBATES ON FORM IN MONUMENT SCULPTURE 278
HTERPRETING GEOMETRIC ABSTRACTION 280
CONCLUSIONS: SOCIAL DIMENSION OF INTERPRETATION 287
SOURCES 288
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| id | DE-604.BV044511934 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:04:47Z |
| institution | BVB |
| isbn | 9783319572574 |
| language | English |
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| publishDate | 2017 |
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| publisher | Springer International Publishing |
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| spellingShingle | Aesthetics of interdisciplinarity: art and mathematics Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Mathematik (DE-588)4037944-9 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4037944-9 |
| title | Aesthetics of interdisciplinarity: art and mathematics |
| title_auth | Aesthetics of interdisciplinarity: art and mathematics |
| title_exact_search | Aesthetics of interdisciplinarity: art and mathematics |
| title_full | Aesthetics of interdisciplinarity: art and mathematics Kristóf Fenyvesi, Tuuli Lähdesmäki |
| title_fullStr | Aesthetics of interdisciplinarity: art and mathematics Kristóf Fenyvesi, Tuuli Lähdesmäki |
| title_full_unstemmed | Aesthetics of interdisciplinarity: art and mathematics Kristóf Fenyvesi, Tuuli Lähdesmäki |
| title_short | Aesthetics of interdisciplinarity: art and mathematics |
| title_sort | aesthetics of interdisciplinarity art and mathematics |
| topic | Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Mathematik (DE-588)4037944-9 gnd |
| topic_facet | Kunst Ästhetik Mathematik |
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