Classical guitar technique from foundation to virtuosity: a comprehensive guide (in 81 progressive lessons) 1 Part
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
[Clarksville, TN]
Classical Guitar Study Editions
[2016]
|
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910349&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 197 Seiten Illustrationen, Noten |
| ISBN: | 9781539697671 |
Internformat
MARC
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|---|---|---|---|
| 001 | BV044510561 | ||
| 003 | DE-604 | ||
| 005 | 20171011 | ||
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| 008 | 170922s2016 xx ag|| |||| 00||| eng d | ||
| 020 | |a 9781539697671 |9 978-1-53969-767-1 | ||
| 035 | |a (OCoLC)1005878696 | ||
| 035 | |a (DE-599)BVBBV044510561 | ||
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| 100 | 1 | |a Yates, Stanley |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)139221050 |4 aut | |
| 245 | 1 | 0 | |a Classical guitar technique from foundation to virtuosity |b a comprehensive guide (in 81 progressive lessons) |n 1 |p Part |c Stanley Yates |
| 264 | 1 | |a [Clarksville, TN] |b Classical Guitar Study Editions |c [2016] | |
| 300 | |a 197 Seiten |b Illustrationen, Noten | ||
| 336 | |b txt |2 rdacontent | ||
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| 338 | |b nc |2 rdacarrier | ||
| 773 | 0 | 8 | |w (DE-604)BV044510560 |g 1 |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029910349 | |
Datensatz im Suchindex
| _version_ | 1819323137311899648 |
|---|---|
| adam_text | CONTENTS
Preface........................................................9
Introduction
Technique..................................................11
What is Technique?
Developing and Practicing Technique..............................................12
The Necessity of Optimizing Fundamental Technique · What are Movement
Forms? * The Process of Optimizing a Movement Form · Refining Faulty
Technique ■ Maintaining Internalized Technique
Additional Thoughts..............................................................15
Technique or Natural Facility? * Modeling Nature? * Tension or Relaxation? *
Balance and Weight · Compound Movements (Gestures) · Hands Separately *
Ease of Execution · Awareness and Sensation - Putting the Idea Before the
Execution and the Power of the Inner Ear * Balance in All Things ■ Avoiding
Injury and Optimizing Playing Longevity * The Individual · About the
Metronome · Keeping a Practice Journal
Using this Book.........................................21
A Necessary Acknowledgement.............................22
PART 1—Foundation * * * *
Introduction.....................................................................25
Organization of the Right- and Left-Hand Sections · A Word About the Lessons ·
Practice Routines and Contextualization
Preliminaries
Daily Technical Practice and Warm-Up Routines...............................29
Awareness and State of Mind * Stretching · Warm-Up Template · Basic Warm-
Up * Full Warm-Up · Comprehensive Technical Warm-Up * When No Warm-Up
is Possible · After Practicing · Establishing a Routine
Sitting-Position.................................................................34
Sitting * Guitar Support or Footstool? · Positioning the Guitar * Positioning the
Left Arm ■ Positioning the Right Arm * Seating Ritual
Tuning...........................................................................39
Test Intervals
Contents
The Right Hand
Introduction......................................................................43
1 Hand Position and Plucking Action
1 The Basic Right-Hand Position...............................................45
Forming the Basic Playing Position ■ Position of the Fingers Relative to the Strings *
Position of the Thumb Relative to the Strings · Balancing the Thumb and Fingers—
The Forearm
2 The Fingernails.............................................................48
Shape and Length · The Shaping Process - Polishing * Problem Nails
3 The Basic Plucking Action...................................................53
The Non-Independent Finger-Group * Prepared Fingers-Only Block Chords * Finger-
Pairs and Individual Fingers * Developing Finger Independence · Developing the
Ring Finger · Incorporating the Little Finger * Free Stroke or Rest Stroke?
4 The Thumb...................................................................57
Solo Thumb Stroke * Thumb and Fingers Together
5 Refining the Basic Stroke...................................................60
Defining Tension-Levels * Preparing the Stroke · Moving Through the Strings and
Follow Through · Returning to the Strings * Legato—Returning and Preparing Close
to the Strings · Consistency of Sound · Practice Routine and Contextualization
2 Arpeggio Technique
6 Arpeggio Technique..........................................................67
Fingers-Only Patterns · Practice Methods · Practice Routine and Contextualization
7 The Common Thumb-Finger Arpeggio Patterns...................................73
Categories of Common Thumb-Finger Patterns · Practice Routine and Contextualization
8 The Compound Stroke.........................................................75
ma—am at speed ■ The Circular Arpeggio * Practice Routine and Contextualization
3 Alternation Technique
9 Shared-String Alternation and String Crossing...............................79
Hand Position and Finger Curvature * Stroke Preparation and Legato · Consistency
of Sound * String Crossing · Correcting Awkward String Crossings · Further Arm-
Movement * Practice Routine and Contextualization
10 Finger Alternation Accompanied by the Thumb...............................85
Balance and Independence Between the Thumb and Fingers * Practice Routine 11 *
11 Developing Alternation Speed................................................87
Practice Methods * Practice Routine
6
Contents
4 Other
12 Tremolo ...................................................................91
Technical Development Sequence · Hand Position · am Compound Stroke * ami—
amip—pami at Speed * Staccato Practice ■ Practice Routine and Contextualization
13 Rest Stroke.................................................................98
Rest Stroke with the Fingers ■ Single-Finger Rest Stroke String Crossings * Free
Stroke / Rest-Stroke Mixture- Practice Routine and Contextualization
14 Introductory Rasgueado Exercises...........................................103
Single-Finger Strumming · Basic cami Rasgueado * Practice Routine and
Contextualization
The Left Hand
Introduction........................................................................107
1 Hand Position
15 Basic Position of the Left Hand and Arm....................................109
Forming the Basic Playing Position · The Left-Hand Thumb
16 Refinement of the Basic Position...........................................112
Parallel Position · Rotated Position · The Lower Position · Hyper-Parallel Position *
Favoring the Weaker Fingers ■ Placing Block Chord Shapes * Changing Between
Chords in Arpeggio Textures (Sequential Finger Placement) * Practice Routine and
Contextualization
17 Barres.....................................................................120
Developing the Technique ■ Arm Weight and the Upper-Arm Muscles ■ Fingering
Tips · Further Barre Types * Maintaining Barres Over Extended Time Spans · Practice
Routine and Contextualization
2 Independence and Coordination
18 Precision, Tension, Coordination, and Independence........................124
Precision · Tension Levels * Coordination—Compound Gestures and Legato ■ Finger
Independence · Practice Routine and Contextualization
19 Touch (Sensitivity) and Independence Exercises.............................128
Melodic · Chordal · Practice Routine
20 Melodic Coordination Exercises.............................................130
Preliminary Exercises · The Common Finger-Combinations * Practice Methods ·
Practice Routine and Contextualization
21 Independence Between the Hands.............................................138
Combining Disparate Finger Groupings Between the Two Hands · Practice Routine 22
22 Intervallic Coordination Exercises.........................................140
Coordination of Finger Pairs · Chordal Form * Contrapuntal Form · Practice Routine
Contents
3 Shifting
23 Shifting Across the Strings.....................................................142
Role of the Thumb and Arm * Practice Routine and Contextualization
24 Shifting Along the Strings......................................................146
Counterintuitive Aspects * Role of the Thumb · Ascending Shifts · Gauging Distances
• Descending Shifts * Practice Routine and Contextualization
25 Fixed-Position Scale Practice...................................................151
Practice Methods * Right-Hand Fingerings * Practice Routine
26 Interval Scales.................................................................155
Role of the Thumb ♦ Practice Routine
4 Slurs
27 Ascending Slurs...........................................................157
Hand and Finger Position * Control of Tension * Preliminary Exercises—Single
Fingers ■ Finger Pairs · Three and Four-Finger Groups * Controlling Fly-away
Fingers · Slurring from Open-Strings · Practice Methods · Practice Routine
28 Descending Slurs.......................................................164
The Slurring Finger * Finger-Pairs * Simultaneous Placement of Fingers * Practice
Routine
29 Three- and Four-Finger Descending Slurs................................168
The Three-Finger Diatonic Figures 421 and 431 * The Four-Finger Chromatic Group
4321 · Slurs in the Lower Position * Practice Routine
30 Compound Slurs.........................................................171
Ascending-Descending Compound Slurs * Descending-Ascending Compound Slurs
• Practice Routine and Contextualization
Appendices
1 — Full Warm-Up Routine.............................................175
2— Tuning...........................................................181
Common Tuning Methods · Equal Temperament · Equal-Temperament Tuning
Method · Biased Tunings · Dealing With Scordatura · Tuning in Performance
3— Practice Grids..................................................187
In Part 2 of Classical Guitar Technique (Mastery and Virtuosity).....193
Critically-Acclaimed Editions by Stanley Yates.......................195
8
|
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| illustrated | Illustrated |
| indexdate | 2024-12-20T18:04:45Z |
| institution | BVB |
| isbn | 9781539697671 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029910349 |
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| physical | 197 Seiten Illustrationen, Noten |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Classical Guitar Study Editions |
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| spellingShingle | Yates, Stanley ca. 20./21. Jh Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) |
| title | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) |
| title_auth | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) |
| title_exact_search | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) |
| title_full | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) 1 Part Stanley Yates |
| title_fullStr | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) 1 Part Stanley Yates |
| title_full_unstemmed | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) 1 Part Stanley Yates |
| title_short | Classical guitar technique from foundation to virtuosity |
| title_sort | classical guitar technique from foundation to virtuosity a comprehensive guide in 81 progressive lessons part |
| title_sub | a comprehensive guide (in 81 progressive lessons) |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910349&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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