Greek theatre between antiquity and independence: a history of reinvention from the third century BC to 1830
This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is...
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2017
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1017/9781107445024 https://doi.org/10.1017/9781107445024 https://doi.org/10.1017/9781107445024 |
| Zusammenfassung: | This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is rather different. After traditional theatre ended in the sixth and seventh centuries, no traditional drama was written or performed on stage throughout the Greek-speaking world for centuries due to the Orthodox Church's hostile attitude toward spectacles. With the reinvention of theatre in Renaissance Italy, however, Greek theatre was revived in Crete under Venetian rule in the late sixteenth century. The following centuries saw the restoration of Greek theatre at various locations, albeit characterized by numerous ruptures and discontinuities in terms of geography, stylistics, thematic approaches and ideologies. These diverse developments were only 'normalized' with the establishment of the Greek nation state |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 07 Jul 2017) |
| Umfang: | 1 online resource (xix, 355 pages) |
| ISBN: | 9781107445024 |
| DOI: | 10.1017/9781107445024 |
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| 520 | |a This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is rather different. After traditional theatre ended in the sixth and seventh centuries, no traditional drama was written or performed on stage throughout the Greek-speaking world for centuries due to the Orthodox Church's hostile attitude toward spectacles. With the reinvention of theatre in Renaissance Italy, however, Greek theatre was revived in Crete under Venetian rule in the late sixteenth century. The following centuries saw the restoration of Greek theatre at various locations, albeit characterized by numerous ruptures and discontinuities in terms of geography, stylistics, thematic approaches and ideologies. These diverse developments were only 'normalized' with the establishment of the Greek nation state | ||
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Datensatz im Suchindex
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| author | Puchner, Walter White, Andrew Walker 1958- |
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| contents | The long twilight of ancient theatre and drama -- Byzantium: high culture without theatre or dramatic literature? -- Re-inventing theatre: Renaissance and baroque Crete under Venetian rule (16th/17th century) -- Shaping a theatre tradition: the Ionian islands from Venetian to British rule (16th-19th centuries) -- Jesuit theatre in Constantinople and the archipelagos (1600-1750) -- Drama without performance: the Greek enlightenment and Phanariot literature -- Rehearsing the revolution: theatre as preparation for the uprising of 1821 (Bucharest, Jassy, Odessa) -- Outlook: theatre in the nation-state versus theatre in the diaspora -- Epilogue |
| ctrlnum | (ZDB-20-CBO)CR9781107445024 (OCoLC)995163249 (DE-599)BVBBV044455237 |
| dewey-full | 792.09495 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.09495 |
| dewey-search | 792.09495 |
| dewey-sort | 3792.09495 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Philologie / Byzantinistik / Neulatein |
| doi_str_mv | 10.1017/9781107445024 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| isbn | 9781107445024 |
| language | English |
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| spelling | Puchner, Walter Verfasser aut Greek theatre between antiquity and independence a history of reinvention from the third century BC to 1830 Walter Puchner, University of Athens, Greece, assisted by Andrew Walker White, Stratford University, Virginia Cambridge Cambridge University Press 2017 1 online resource (xix, 355 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 07 Jul 2017) The long twilight of ancient theatre and drama -- Byzantium: high culture without theatre or dramatic literature? -- Re-inventing theatre: Renaissance and baroque Crete under Venetian rule (16th/17th century) -- Shaping a theatre tradition: the Ionian islands from Venetian to British rule (16th-19th centuries) -- Jesuit theatre in Constantinople and the archipelagos (1600-1750) -- Drama without performance: the Greek enlightenment and Phanariot literature -- Rehearsing the revolution: theatre as preparation for the uprising of 1821 (Bucharest, Jassy, Odessa) -- Outlook: theatre in the nation-state versus theatre in the diaspora -- Epilogue This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is rather different. After traditional theatre ended in the sixth and seventh centuries, no traditional drama was written or performed on stage throughout the Greek-speaking world for centuries due to the Orthodox Church's hostile attitude toward spectacles. With the reinvention of theatre in Renaissance Italy, however, Greek theatre was revived in Crete under Venetian rule in the late sixteenth century. The following centuries saw the restoration of Greek theatre at various locations, albeit characterized by numerous ruptures and discontinuities in terms of geography, stylistics, thematic approaches and ideologies. These diverse developments were only 'normalized' with the establishment of the Greek nation state Geschichte gnd rswk-swf Geschichte Theater / Greece / History Theater (DE-588)4059702-7 gnd rswk-swf Griechenland Griechenland (DE-588)4022047-3 gnd rswk-swf Griechenland (DE-588)4022047-3 g Theater (DE-588)4059702-7 s Geschichte z 1\p DE-604 White, Andrew Walker 1958- Verfasser aut Erscheint auch als Druck-Ausgabe, hardback 978-1-107-05947-4 Erscheint auch als Druck-Ausgabe, paperback 978-1-107-68152-1 https://doi.org/10.1017/9781107445024 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Puchner, Walter White, Andrew Walker 1958- Greek theatre between antiquity and independence a history of reinvention from the third century BC to 1830 The long twilight of ancient theatre and drama -- Byzantium: high culture without theatre or dramatic literature? -- Re-inventing theatre: Renaissance and baroque Crete under Venetian rule (16th/17th century) -- Shaping a theatre tradition: the Ionian islands from Venetian to British rule (16th-19th centuries) -- Jesuit theatre in Constantinople and the archipelagos (1600-1750) -- Drama without performance: the Greek enlightenment and Phanariot literature -- Rehearsing the revolution: theatre as preparation for the uprising of 1821 (Bucharest, Jassy, Odessa) -- Outlook: theatre in the nation-state versus theatre in the diaspora -- Epilogue Geschichte Theater / Greece / History Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4022047-3 |
| title | Greek theatre between antiquity and independence a history of reinvention from the third century BC to 1830 |
| title_auth | Greek theatre between antiquity and independence a history of reinvention from the third century BC to 1830 |
| title_exact_search | Greek theatre between antiquity and independence a history of reinvention from the third century BC to 1830 |
| title_full | Greek theatre between antiquity and independence a history of reinvention from the third century BC to 1830 Walter Puchner, University of Athens, Greece, assisted by Andrew Walker White, Stratford University, Virginia |
| title_fullStr | Greek theatre between antiquity and independence a history of reinvention from the third century BC to 1830 Walter Puchner, University of Athens, Greece, assisted by Andrew Walker White, Stratford University, Virginia |
| title_full_unstemmed | Greek theatre between antiquity and independence a history of reinvention from the third century BC to 1830 Walter Puchner, University of Athens, Greece, assisted by Andrew Walker White, Stratford University, Virginia |
| title_short | Greek theatre between antiquity and independence |
| title_sort | greek theatre between antiquity and independence a history of reinvention from the third century bc to 1830 |
| title_sub | a history of reinvention from the third century BC to 1830 |
| topic | Geschichte Theater / Greece / History Theater (DE-588)4059702-7 gnd |
| topic_facet | Geschichte Theater / Greece / History Theater Griechenland |
| url | https://doi.org/10.1017/9781107445024 |
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