Empty stages, crowded flats: performativity as curatorial strategy
During its impressive career over the last decades the term ‘performative’ has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats applies the notion of the performative to the context of curating with the aim to unfold a potenti...
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin
Alexander Verlag Berlin
[2017]
|
| Schriftenreihe: | Performing urgency
#4 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029835828&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | During its impressive career over the last decades the term ‘performative’ has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats applies the notion of the performative to the context of curating with the aim to unfold a potential that so far has been mostly unused. The book is following J. L. Austin, Judith Butler, and others in their belief in the performative capacity to transform reality with words and other cultural utterances, but it also emphasises the often dismissed, colloquial notion of the performative as something being ‘theatre-like’, believing that those two strands are in fact interdependent and intertwined. Empty Stages, Crowded Flats investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed. |
| Umfang: | 173 Seiten Illustrationen 15.5 x 22.5 cm |
| ISBN: | 9783895814433 |
Internformat
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| 490 | 1 | |a Performing urgency |v #4 | |
| 520 | |a During its impressive career over the last decades the term ‘performative’ has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats applies the notion of the performative to the context of curating with the aim to unfold a potential that so far has been mostly unused. The book is following J. L. Austin, Judith Butler, and others in their belief in the performative capacity to transform reality with words and other cultural utterances, but it also emphasises the often dismissed, colloquial notion of the performative as something being ‘theatre-like’, believing that those two strands are in fact interdependent and intertwined. Empty Stages, Crowded Flats investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed. | ||
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Datensatz im Suchindex
| _version_ | 1819314691255566336 |
|---|---|
| adam_text | ESSAYS &
CONVERSATIONS
SHANNON JACKSON
PERFORMATIVE CURATING PERFORMS 16
FLORIAN MALZACHER
FEELING ALIVE
THE PERFORMATIVE POTENTIAL OF CURATING 28
JOANNA WARSZA IN CONVERSATION WITH CATHERINE WOOD
REINVENTING THE TEMPLATE 42
CASE STUDIES
EXPOSING CONSTELLATIONS
MARCIA TUCKER & JAMES MONTE*S ANTI-ILLUSION:
PROCEDURES/MATERIALS (1969)
BEATRICE VON BISMARCK 56
ON PERFORMATIVE (SELF-)PRODUCTION
BELGRADE STUDENT CULTURAL CENTRE*S OKTOBAR 75 (1975)
JELENA VESIC 62
THROUGH DAYS AND INTO NIGHTS
CHRISTINE PETERS* PORTRAITS (2000)
TIM ETCHELLS 68
THE BORDERS OF VISIBILITY
DEUFERT&PLISCHKE*S B-VISIBLE (2002)
GERALD SIEGMUND 75
FOREIGN STRANGERS
MATTHIAS LILIENTHAL*S X-APARTMENTS (2002-)
LINA MAJDALANIE
TOO MUCH, TOO SOON
TOR LINDSTRAND & MARTEN SPAENGBERG*S
INTERNATIONAL FESTIVAL (2004-2010)
GALERIE 86
A PERSONAL ALPHABET
HANNAH HURTZIG*S BLACKMARKET O F USEFUL
KNOWLEDGE AND NON-KNOWLEDGE (2004-)
KARIN HARRASSER 91
REHEARSING THE POLITICAL
JOANNA WARSZA*S STADIUM X:
A PLACE THAT NEVER WAS (2006-2009)
EWA MAJEWSKA 97
CURATOR AS DRAMATURG
PIERRE BAL BLANC*S THE LIVING CURRENCY (2006 )
ANA JANEVSKI 103
THE CURATOR-CRITIC
KJETIL KAUSLAND & BIT TEATERGARASJEN*S
NO MAS (2008)
KNUT OVE ARNTZEN 108
SPECTACULAR INSURGENCY
CARNIVAL, THE CURATORIAL,
AND THE PROCESSIONAL (2008 )
CLAIRE TANCONS 113
EVERY EXHIBITION NEEDS A PANEL DISCUSSION
BORIS CHARMATZ*S EXPO ZERO (2009-)
CLAIRE BISHOP 119
INVADING THE MEDIAS
SELMA & SOFIANE OUISSI*S DREAM CITY (2010 )
RACHIDA TRIKI 125
FEAR AND LOVE IN GRAZ
STEIRISCHER HERBST*S TRUTH IS CONCRETE (2012)
MAAYAN SHELEFF 131
MICRO-REVOLUTIONS ON THE PERIPHERY
AGATA SIWIAK*S WIELKOPOLSKA: REWOLUCJE (2012)
KASIA TOERZ 136
CURATING AS ONE DREAMS
RAIMUNDAS MALASAUSKAS* OO (2013)
VANESSA DESCLAUX 141
FLIPPING THE TABLE FOR CURATING COLONIAL LEGACY
HAU HEBBEL AM UFER S RETURN TO SENDER (2015)
NEDJMA HADJ BENCHELABI 146
FOR A SPECULATIVE POLICY
BRUNO LATOUR & NANTERRE-AMENDIER*S LE THEATRE
DES NEGOCIATIONS /M AKE IT WORK (2015)
FREDERIQUE AIT-TOUATI 152
AN EXHIBITION OF 60 MINUTES
ALEXANDRA LAUDO*S AN INTELLECTUAL HISTORY
O F THE CLOCK (2016)
JOANNA WARSZA 158
A SMALL STEP, A HUGE GAP
TEATRO MARIA MATOS*
MARVILA MARIA MATOS (2016-2021)
RUI CATALAN 163
HOUSE ON FIRE
AUTHORS
169
170
|
| any_adam_object | 1 |
| author2 | Malzacher, Florian 1970- Warsza, Joanna 1976- |
| author2_role | edt edt |
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| author_GND | (DE-588)129528463 (DE-588)138920974 |
| author_facet | Malzacher, Florian 1970- Warsza, Joanna 1976- |
| building | Verbundindex |
| bvnumber | BV044434501 |
| classification_rvk | AP 70050 |
| ctrlnum | (OCoLC)1010943391 (DE-599)OBVAC13732865 |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV044434501 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:03:01Z |
| institution | BVB |
| isbn | 9783895814433 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029835828 |
| oclc_num | 1010943391 |
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| physical | 173 Seiten Illustrationen 15.5 x 22.5 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Alexander Verlag Berlin |
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| series | Performing urgency |
| series2 | Performing urgency |
| spellingShingle | Empty stages, crowded flats performativity as curatorial strategy Performing urgency Wood, Catherine 1973- (DE-588)139125256 gnd Aufführung (DE-588)4143388-9 gnd Performance Künste (DE-588)4173750-7 gnd Museum (DE-588)4040795-0 gnd Ausstellung (DE-588)4129601-1 gnd |
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| title | Empty stages, crowded flats performativity as curatorial strategy |
| title_auth | Empty stages, crowded flats performativity as curatorial strategy |
| title_exact_search | Empty stages, crowded flats performativity as curatorial strategy |
| title_full | Empty stages, crowded flats performativity as curatorial strategy edited by Florian Malzacher & Joanna Warsza ; with contributions by: Frédérique Aït-Touati, Knut Ove Arntzen, Nedjma Hadj Benchelabi, Claire Bishop, Beatrice von Bismarck, Rui Catalão, Vanessa Desclaux, Tim Etchells, Galerie, Karin Harasser, Shannon Jackson, Ana Janevski, Lina Majdalanie, Ewa Majewska, Florian Malzacher, Maayan Sheleff, Gerald Siegmund, Claire Tanzens, Kasia Tórz, Rachida Triki, Jelena Vesić, Joanna Warsza, and Catherine Wood |
| title_fullStr | Empty stages, crowded flats performativity as curatorial strategy edited by Florian Malzacher & Joanna Warsza ; with contributions by: Frédérique Aït-Touati, Knut Ove Arntzen, Nedjma Hadj Benchelabi, Claire Bishop, Beatrice von Bismarck, Rui Catalão, Vanessa Desclaux, Tim Etchells, Galerie, Karin Harasser, Shannon Jackson, Ana Janevski, Lina Majdalanie, Ewa Majewska, Florian Malzacher, Maayan Sheleff, Gerald Siegmund, Claire Tanzens, Kasia Tórz, Rachida Triki, Jelena Vesić, Joanna Warsza, and Catherine Wood |
| title_full_unstemmed | Empty stages, crowded flats performativity as curatorial strategy edited by Florian Malzacher & Joanna Warsza ; with contributions by: Frédérique Aït-Touati, Knut Ove Arntzen, Nedjma Hadj Benchelabi, Claire Bishop, Beatrice von Bismarck, Rui Catalão, Vanessa Desclaux, Tim Etchells, Galerie, Karin Harasser, Shannon Jackson, Ana Janevski, Lina Majdalanie, Ewa Majewska, Florian Malzacher, Maayan Sheleff, Gerald Siegmund, Claire Tanzens, Kasia Tórz, Rachida Triki, Jelena Vesić, Joanna Warsza, and Catherine Wood |
| title_short | Empty stages, crowded flats |
| title_sort | empty stages crowded flats performativity as curatorial strategy |
| title_sub | performativity as curatorial strategy |
| topic | Wood, Catherine 1973- (DE-588)139125256 gnd Aufführung (DE-588)4143388-9 gnd Performance Künste (DE-588)4173750-7 gnd Museum (DE-588)4040795-0 gnd Ausstellung (DE-588)4129601-1 gnd |
| topic_facet | Wood, Catherine 1973- Aufführung Performance Künste Museum Ausstellung Aufsatzsammlung |
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| volume_link | (DE-604)BV043245579 |
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